Babes and booze - Swedish Film Institute
Babes and booze - Swedish Film Institute
Babes and booze - Swedish Film Institute
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34<br />
at niGht i FlY DOC<br />
MiChel wenZeR<br />
DIRECTOR<br />
PRODUCTION INFO P. 53<br />
art behind bars<br />
In At Night I Fly, documentary filmmaker Michel Wenzer shows us<br />
how art <strong>and</strong> culture offer a means of survival for prisoners serving<br />
life in California. The film is a testament to the innate human<br />
capacity to be creative, even in the toughest environments.<br />
Brutal reality is present right from the<br />
outset in At Night I Fly. An assistant<br />
warder explains to the film crew<br />
about to go inside that New Folsom is a maximum-security<br />
prison with a “no hostage policy”.<br />
If they were to be taken hostage, there<br />
would be no prisoner exchanges to set them<br />
free. “But the state of California will extend<br />
every possible resource to get you back”, he<br />
adds with a wan smile.<br />
Yet despite the inescapably grim reality of<br />
life within the prison walls, in Michel Wenzer’s<br />
documentary his focus is neither on the<br />
violence nor the gang warfare of the institution.<br />
Instead, it’s about the way that art, music<br />
<strong>and</strong> poetry help those serving life to survive<br />
the prison in a spiritual way.<br />
The film lookS at “Arts in Correction”, a<br />
programme that gives prisoners the opportunity<br />
to express themselves through art,<br />
music <strong>and</strong> creative writing. Behind the inmates’<br />
tough exteriors we discover both talent<br />
<strong>and</strong> well-expressed views on existential<br />
questions. Wenzer gets to listen in on poetry<br />
readings <strong>and</strong> discussions, <strong>and</strong> his conversations<br />
with the prisoners explore the views of<br />
life held by people who know they will never<br />
leave the institution alive.<br />
“I’ve survived difficult periods myself with<br />
the help of art <strong>and</strong> music, which is what maybe<br />
prompted me to make this film. It’s the<br />
kind of thing I ought to have seen when I was<br />
growing up,” says Wenzer, who spent most of<br />
his early life in a foster home having been<br />
forcibly taken into care at the age of nine.<br />
“The film is about people’s capacity for development<br />
in virtually impossible situations,<br />
<strong>and</strong> the contrast between this innate capacity<br />
<strong>and</strong> a tough environment can hardly be<br />
more obvious than among prisoners serving<br />
life,” says Wenzer.<br />
TExT ROGER WILSON<br />
FaCts Born in 1968 in stockholm, michel Wenzer<br />
is a composer, photographer <strong>and</strong> director. As a<br />
composer Wenzer has contributed to films<br />
including Facing Genocide – Khieu Samphan <strong>and</strong><br />
Pol Pot (2010) <strong>and</strong> Frau Berliner Mauer (2009). his<br />
debut short was Three Poems by Spoon Jackson<br />
(2002). At Night I Fly is his first feature film <strong>and</strong> it will<br />
have it´s world premiere at sheffield doc/Fest.<br />
The documentary was spawned by a short<br />
film about the poet <strong>and</strong> lifer Spoon Jackson.<br />
Wenzer made Three poems by Spoon Jackson<br />
despite the fact that he was denied permission<br />
to film in the prison. Instead, he recorded<br />
the poems in question from telephone<br />
calls, in which the poet is constantly interrupted<br />
by a telephonist explaining how many<br />
minutes he has left to talk. Even on the telephone<br />
there’s a claustrophobic feeling of being<br />
trapped under constant surveillance.<br />
“The contacts I made when making that<br />
short eventually led to me being granted permission<br />
to film inside New Folsom Prison.<br />
ALBIN BIBLOM<br />
ALBIN BIBLOM