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Babes and booze - Swedish Film Institute

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34<br />

at niGht i FlY DOC<br />

MiChel wenZeR<br />

DIRECTOR<br />

PRODUCTION INFO P. 53<br />

art behind bars<br />

In At Night I Fly, documentary filmmaker Michel Wenzer shows us<br />

how art <strong>and</strong> culture offer a means of survival for prisoners serving<br />

life in California. The film is a testament to the innate human<br />

capacity to be creative, even in the toughest environments.<br />

Brutal reality is present right from the<br />

outset in At Night I Fly. An assistant<br />

warder explains to the film crew<br />

about to go inside that New Folsom is a maximum-security<br />

prison with a “no hostage policy”.<br />

If they were to be taken hostage, there<br />

would be no prisoner exchanges to set them<br />

free. “But the state of California will extend<br />

every possible resource to get you back”, he<br />

adds with a wan smile.<br />

Yet despite the inescapably grim reality of<br />

life within the prison walls, in Michel Wenzer’s<br />

documentary his focus is neither on the<br />

violence nor the gang warfare of the institution.<br />

Instead, it’s about the way that art, music<br />

<strong>and</strong> poetry help those serving life to survive<br />

the prison in a spiritual way.<br />

The film lookS at “Arts in Correction”, a<br />

programme that gives prisoners the opportunity<br />

to express themselves through art,<br />

music <strong>and</strong> creative writing. Behind the inmates’<br />

tough exteriors we discover both talent<br />

<strong>and</strong> well-expressed views on existential<br />

questions. Wenzer gets to listen in on poetry<br />

readings <strong>and</strong> discussions, <strong>and</strong> his conversations<br />

with the prisoners explore the views of<br />

life held by people who know they will never<br />

leave the institution alive.<br />

“I’ve survived difficult periods myself with<br />

the help of art <strong>and</strong> music, which is what maybe<br />

prompted me to make this film. It’s the<br />

kind of thing I ought to have seen when I was<br />

growing up,” says Wenzer, who spent most of<br />

his early life in a foster home having been<br />

forcibly taken into care at the age of nine.<br />

“The film is about people’s capacity for development<br />

in virtually impossible situations,<br />

<strong>and</strong> the contrast between this innate capacity<br />

<strong>and</strong> a tough environment can hardly be<br />

more obvious than among prisoners serving<br />

life,” says Wenzer.<br />

TExT ROGER WILSON<br />

FaCts Born in 1968 in stockholm, michel Wenzer<br />

is a composer, photographer <strong>and</strong> director. As a<br />

composer Wenzer has contributed to films<br />

including Facing Genocide – Khieu Samphan <strong>and</strong><br />

Pol Pot (2010) <strong>and</strong> Frau Berliner Mauer (2009). his<br />

debut short was Three Poems by Spoon Jackson<br />

(2002). At Night I Fly is his first feature film <strong>and</strong> it will<br />

have it´s world premiere at sheffield doc/Fest.<br />

The documentary was spawned by a short<br />

film about the poet <strong>and</strong> lifer Spoon Jackson.<br />

Wenzer made Three poems by Spoon Jackson<br />

despite the fact that he was denied permission<br />

to film in the prison. Instead, he recorded<br />

the poems in question from telephone<br />

calls, in which the poet is constantly interrupted<br />

by a telephonist explaining how many<br />

minutes he has left to talk. Even on the telephone<br />

there’s a claustrophobic feeling of being<br />

trapped under constant surveillance.<br />

“The contacts I made when making that<br />

short eventually led to me being granted permission<br />

to film inside New Folsom Prison.<br />

ALBIN BIBLOM<br />

ALBIN BIBLOM

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