CODES: - Drone Records
CODES: - Drone Records
CODES: - Drone Records
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usual grasp... you'll then be able to "rewrite" the book, and feel<br />
differently..." [label info]<br />
* ATRAX MORGUE - Death Machinery II mCD-R (L.White<br />
<strong>Records</strong> LW-041, 2006) [lim. 200] € 9.00<br />
"Death Machinery II" featuring 2 tracks of agonizing power-electronic<br />
sickness. Different from the last Atrax Morgue releases, there is no use<br />
of voice here, just analogue synthesizer; neurological and surrealistik<br />
attacks. A sense of "end" and emergency is experienced with listening<br />
to these recordings. Cold and convulsive sountrack for a mechanical<br />
brain." [label info]<br />
* BAKER, AIDAN - Green & Cold CD-R (Gears of Sand GOS21,<br />
2006) € 11.50<br />
Hier zeigt AIDAN BAKER seine Songwriter-Seele: er singt, sehr sanft,<br />
flüstert manchmal eher, dazu spielt er "richtige" Stücke, die aber<br />
durchaus experimentelle Anwandlungen und "Dronifizierungen"<br />
erfahren... ultra-sanfter dream'n'drone songwriter-Pop mit viel Emotion,<br />
auch das gelingt AIDAN wieder traumwandlerlisch & sicher...<br />
"The innovative master of ambient guitar returns with a breakthrough<br />
album. At its core 'Green & Cold' is a a mix of drone, post-rock, and<br />
what the artist calls appropriately "deconstructive dream-pop."<br />
Memorable hooks combine with Baker's trademark huge wall of guitar<br />
constituted atmospherics. Baker's shoegazey croon floats among the<br />
stuttering clicks and cuts permeating the layers of catchy riffs and slow,<br />
intoxicating beats. As 'Green & Cold' unfolds the listener is coaxed<br />
familarly inward only to be washed over in waves of wispy, warming<br />
drones: An album of uncommon intelligence and artistry." [label info]<br />
"Aidan Baker is back, still vying for the most prolific man in show business<br />
award (well, at least underground, free drone show business) with a double<br />
shot of washed out dreamy droniness. There's the latest from Nadja,<br />
reflecting his more metal side, and then there's this, the follow up to last<br />
year's Pendulum, which was a fantastic slab of glistening disembodied<br />
dronemusic. Green & Gold follows suit but with an interesting twist. Vocals.<br />
Lots of 'em. Baker is no stranger to singing, his whispery croon has graced<br />
more than a few of his releases, but on G & G, the vocals are a big part of<br />
the songs, and the songs are actual songs, with drums, and verses and<br />
choruses and everything. Well, sort of.<br />
Some tracks, like the untitled opener, are indeed still just wispy slow<br />
shifting expanses of fuzzy dreamlike sound, which we can NEVER get<br />
enough of, but others, like "Chainsaw", are actual lowercase, slow motion,<br />
dark and dolorous slowcore pop songs. Simple murky guitar riffs, wreathed<br />
of course in all manner of reverb and soft focus fuzz, hovering over stripped<br />
down shuffling rhythms, while Baker croons softly over the top, a hushed<br />
almost whisper, sounding not entirely unlike Iron & Wine's Sam Beam<br />
actually. Even the music sounds a little like a blissier tarpit version of Iron &<br />
Wine. There is some definite twang there, subtle, but it's there, nestled<br />
amidst the delicate folky strum and the glistening sonic glimmer. Imagine an<br />
even more somnambulant Low, or Spacemen 3 at 16 rpm, a ultra druggy<br />
(druggier) Galaxie 500, each track a pop song mumbled and murky, a<br />
moonlit crawl through a hazy landscape of shuffle and shimmer, of<br />
strum and twang, all wrapped up in soft swirls of shimmer. Essential for fans<br />
of all things Jeck and Tim Hecker and Jasper TX and Machinefabriek and<br />
Grouper and Troum and Main and the like, but also worth a listen for more<br />
adventurous fans of Iron & Wine, Spacemen 3, Galaxie 500, Low and other<br />
slowcore drugrock dreaminess..." [Aquarius <strong>Records</strong>]<br />
* BAKER, AIDAN - Thoughtspan CD-R (Tosom <strong>Records</strong><br />
TOSOM028, 2007) [lim. 150 in Box] € 10.50<br />
Während AIDAN BAKER im Verbund mit Lebensgefährtin LEAH<br />
BUCKAREFF inzwischen als NADJA für Furore sorgt, erscheinen<br />
weiter betörende Solo-CDRs von ihm in Kleinstauflagen.<br />
BAKER zeigt sich auf THOUGHTSPAN luftig-leicht und post-rockig,<br />
aber auch geräuschhaft versponnen & experimentell, die Stücke weisen<br />
aber immer einen gewissen "drive" auf, sich ins Unbestimmbare und<br />
frei-flottierende aufzulösen... wenn dann nur noch verschachtelte<br />
Geräuschfäden auszumachen sind, setzen wieder Drums ein und<br />
führen den Trance-Strom weiter...<br />
"CDR, 3 TRACKS, 56 MINUTES. LIMITED AND NUMBERED EDITION<br />
OF 150 COPIES. DVD BOX IN CD SIZE WITH 3 INSERTS.<br />
Thoughtspan" consists of 3 long tracks experimenting with the<br />
conventions of space-rock or kraut-rock, combining simple yet<br />
propulsive rhythms with multi-layered drones and ambience. Although,<br />
these tracks may sound like a band, "Thoughtspan" is essentially a oneperson<br />
record (apart from violin and trumpet contributions), as the<br />
songs originated with the drum parts and built up one instrument at a<br />
time from that rhythmic base." [label info]<br />
"If he wanted, Aidan Baker could cruise along making the same record over and<br />
over, but a restless musical soul this man must have as even successive releases<br />
by his various projects tend to diverge greatly from their various sounds. While<br />
Nadja tends to be the most sonically consistent project, existing in the nether<br />
gloom of black ambient dream doom or whatever we feel like calling it, his work<br />
under his own name has shown the most breadth, veering from clattery noisy<br />
experimentation, to ultra minimal drone, to strange collaged jazzscapes, to<br />
dreamy slowcore, and one and on...<br />
For Thoughtspan, Baker handles the guitars, drums, bass and vocals, with<br />
some help on live drums, violin and trumpet, to weave a gorgeously expansive<br />
soundscape of laid back, shuffling yet propulsive, krautrocky jazz. Dark and<br />
smoky, dreamy and smoldering, the closest sonic comparison might be the Necks,<br />
but where the Necks lock into extended cyclical grooves, Thoughtspan plays more<br />
like a 'rock' band, albeit a looped, mesmeric one, locked into a seemingly never<br />
ending groove, but as the record progresses the music begins to gradually<br />
crumble, becoming more and more distorted, everything slowly collapsing inward,<br />
the scraping of a violin heralding the shift, as any 'rock' is rent asunder, and all<br />
that is left is a strange whirring, creaking ambient dronescape. And that's just the<br />
first track, although it is 22+ minutes...<br />
The second track, another long one, begins with strange buzzes and metallic<br />
shimmers, a very percussive soundfield, peppered with backwards sonic swoops<br />
and buzzing steel strings, eventually the drums kick in, and the band is loping into<br />
some dense reverbed jam, the buzzing strings stretched out over the propulsive<br />
rhythmic framework, eventually fading back into the backwards droning buzz of<br />
the first few minutes.<br />
Finally, the final 16 minute track, finds Baker creating a strange wide open<br />
expanse, distant drones and all sorts of strange muted melodies, with moaned,<br />
barely decipherable vocals, and in the middle of it all, a drummer, playing on the<br />
rims and the floor and on wood and metal as much as on the kit, the whole vibe is<br />
very abstract and freak folk, it's not difficult to hear some Avarus or one of those<br />
tribal outfits, but unlike those folky forest dwellers, Baker begins to gradually affect<br />
the sounds here, smearing everything into warm droning swells and jagged<br />
streaks of resonant buzz, beneath which the drums lock into a staggering sort of<br />
midtempo lope, it's dirge-y and dramatic, but still sort of blown out and ambient,<br />
before finishing off with a burst of blinding distorted radiance.<br />
Packaged in a mini, plastic dvd style case, full color artwork<br />
and full color photographic inserts. LIMITED TO 150 COPIES!!" [Aquarius<br />
<strong>Records</strong>]<br />
* BAKER, AIDAN - Noise of Silence CD-R (Hyperblasted<br />
Recordings HyRe002, 2007) [lim. 150] € 10.00<br />
"Aidan Baker is a true artist. He is one of the founders of Arcolepsy<br />
<strong>Records</strong>, Arc and of course Nadja. He released tones of works on many<br />
labels. "Noise of Silence" is the first collab between him and<br />
Hyperblasted Recordings. The whole work is an amazing piece of art.<br />
The musical part is one 50-minute long time track by Mr. Baker in his<br />
own experimentalish drone/ambient/noise stuff. Aidan Baker "builds" his<br />
music piece by piece, step by step. Imposing atmospheres, genious<br />
guitar drones and loops lead the track to a climax. A masterpiece of<br />
experimental music. All guitars and tapes by Aidan Baker.<br />
Amazing artwork 'n' layout by the artists of Viral Graphics.<br />
Packaged in 3 pannel deluxe cardboard paper with a silver ink touch<br />
embossed which gives the colours life. Limited edition of 150<br />
handnumbered copies." [label info]<br />
* BARDOSENETICCUBE - Telloram CD-R (Operator Produkzion<br />
OPERPRODUKT08, 2007) [lim. 156 object package] € 10.00<br />
Auf TELLORAM operiert St. Petersburgs vielseitigstes Experimental-<br />
Projekt noisiger als zuletzt; mit Radiofrequenz-Blubbern und<br />
durchdringenden <strong>Drone</strong>s, runtergeslowten Stimmen & Sinuston-<br />
Feedbacks, Vibrato-Rauschen & Quietschen in allen Varianten walzt<br />
sich der 'Telloram' durch dick & massiv scheinenden Äther...<br />
Die CDR ist verpackt in einem fetten silberfarbenen Schaumstoff-Cover,<br />
der Trip dauert 50 Minuten.<br />
"New album from the most blazing Russian ambient project.<br />
Dehumanized technogenic desolate space noise-ambient with high<br />
concentration of radionoise. Your ticket beyond the bounds of galaxy.<br />
156 copies in handmade package from polypheme." [press-release]<br />
* BEEQUEEN - White Bike buisnesscard-CDR (My Own Little<br />
Label MOLL005, 2007) € 5.00<br />
Frans de Waard kanns nicht lassen und gründet eine neue Label-Reihe<br />
mit mini-CDR-Veröffentlichungen, speziell für seine eigene Musik und<br />
sein näheres Umfeld. Für die Fans gibt es hier rares und auch sehr<br />
persöniches Material zu entdecken...<br />
"'White Bike should have been on the upcoming Beequeen album<br />
'Sanddancing', but Freek and Frans decided not to include it on the<br />
album and so it was released on Moll, along with the original demo<br />
sung by Freek and an excerpt from the recording session with an<br />
appearance of Frans' daughter Elise. These latter tracks add a nice,<br />
intimate touch to the release and beautifully match the song itself. It's a<br />
wonderful pop song, played on piano and balloons, with vocals sung by<br />
Eva Volmeijer. The melody sticks in your head immediately and its<br />
joyous and slightly naïve mode puts a smile on your face, making this a<br />
promising candidate for this summer's sweetest tune." [MSS / Vital<br />
Weekly]<br />
* BIG CITY ORCHESTRA - Love Film Greats CD-R (Roil Noise<br />
RNOCDR046, 2006) € 10.00<br />
BCO schiessen wieder den Vogel ab, mit dieser etwas anderen Art von<br />
MUZAK! Der Titel ist kein Witz, es sind wirklich Liebesfilm-Schnulzen,<br />
und was für welche, neu interpretiert von BCO... aus unfassbarem<br />
Staunen und Belustigung wird beim Hören schnell reine Qual und<br />
Folter, wenn die Originale zwar irgendwo erkennbar bleiben (und leider