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AUG. <strong>19</strong>, <strong>2009</strong> / PAGE 16<br />

xxx O<br />

x<br />

xx<br />

Weathervane is more like a selective<br />

small business incubator for types of music activities truly,<br />

should all have a clear idea of what<br />

and<br />

xxxxxxxxx xxxxxxxxx<br />

IN xxxxxxxxx<br />

BY xxxxxxxxx<br />

THE<br />

STUDIO<br />

THE WEATHERVANE<br />

PROJECT<br />

The past two weeks, it’s been back to<br />

the grindstone for Weathervane<br />

Music. Weathervane is a nonprofit<br />

music organization that I and a<br />

small group of friends have been<br />

fashioning for the past year. We produce<br />

a series of music recordings<br />

and hi-definition video recordings<br />

called The Weathervane Music Project<br />

Series, through which we’ve re-<br />

0547694<br />

corded and released two artists already<br />

(Austin Texas’ Sunset and<br />

Philadelphia’s East Hundred).<br />

The focus most recently has been<br />

building a community of music<br />

fans, musicians and recording enthusiasts<br />

to support the work of<br />

Weathervane, and the need to be activists<br />

and promote activism in our<br />

Grand Opening<br />

Table Showers, Sauna<br />

Massage<br />

4331 W. Lincoln Hwy.<br />

Downingtown, PA<br />

(Wedgewood Shopping Center)<br />

610-269-0200<br />

BRIAN<br />

MCTEAR<br />

OWNER OF<br />

MINER STREET/<br />

CYCLESOUND<br />

RECORDINGS<br />

society on behalf of artists who<br />

make music.<br />

The first task is difficult enough.<br />

Anyone who has started a band or<br />

any project that needs community<br />

support will tell you that there is<br />

just too much “noise” on the Internet,<br />

and cutting through that noise<br />

to promote your project is incredibly<br />

difficult. My own personal sense<br />

is that people “skim” their channels<br />

(i.e. Facebook, Twitter feeds, etc.)<br />

and therefore, they are highly likely<br />

to lose your important posts among<br />

other people’s purely casual posts.<br />

Further, if you have a unique new<br />

idea, the details of which may be<br />

fairly nuanced but nonetheless crucial<br />

to the understanding of your<br />

idea, then people’s reduced attention<br />

on the Internet feeds is just not<br />

going to work.<br />

Case in point: Weathervane. Even<br />

among my own personal friends,<br />

people who would have added incentive<br />

to find out what I am doing,<br />

especially if links to news and info<br />

are emailed directly to them…even<br />

these people don’t really GET what<br />

Weathervane is all about. They<br />

think we’re talking about a nonprofit<br />

record label, and we are not.<br />

great independent musicians that<br />

produce a “member-supported” (like<br />

public radio) series of music and<br />

video to highlight and advance<br />

those musicians. It may seem like a<br />

label, but it’s not. Nonetheless, getting<br />

people to comprehend those<br />

nuances is incredibly difficult as<br />

they skim Facebook statuses.<br />

The other issue at hand for Weathervane<br />

is the true need for straight up<br />

activism on behalf of independent<br />

musicians -- their rights and their<br />

livelihood. As a society we spend<br />

hundreds of dollars per year on music.<br />

Unfortunately, that money these<br />

days goes to iPods, phones that play<br />

music and computers that will<br />

stream music. If you thought there<br />

was a long line of payouts that musicians<br />

of the past had to endure (i.e.<br />

labels, A&R agents, producers, etc.),<br />

I submit that the line is far more<br />

convoluted, and that today, in most<br />

circumstances, it will never result in<br />

artists seeing a penny for their music.<br />

DIRECTLY support the artists we<br />

love by putting money in their pockets.<br />

This isn’t an attempt to put society<br />

on a guilt trip. It’s simply a matter of<br />

fact: If you want great music in your<br />

society, then musicians have to be<br />

able to make a living with music.<br />

And besides, it’s only fair.<br />

The best way to convey all these<br />

ideas, I’ve found, is by talking to<br />

people directly. We’ve recently begun<br />

to have meet-ups in different<br />

locations around the city. People<br />

come out, and they hear everything<br />

we’re doing and the idea crystallizes<br />

through conversation. It’s been incredibly<br />

effective. Even at a rate of<br />

15 or 20 people at a time, we’ve<br />

reached more people in recent<br />

weeks by sitting down and talking<br />

than we have through virtual discussions.<br />

-- If you’d like to be notified of<br />

our next meet-up, send an email<br />

to info@weathervanemusic.org.<br />

Write “Notify Me for Weathervane<br />

Meet-ups” in the Subject.<br />

Weathervane is committed to educating<br />

society about the artistic process,<br />

and about the need for independent<br />

artists to get paid. We -- Brian McTear is a musician, producer<br />

and engineer, the owner of Miner<br />

xx<br />

Street Recordings in Philadelphia, and<br />

founder of Weathervane Music Organization.<br />

Information, including pictures<br />

of the Weathervane Project Series sessions,<br />

can be found at http://weathervanemusic.org.<br />

To make a donation, go to<br />

http://weathervanemusic.org/donate<br />

For more information on Miner Street<br />

Recordings, http://myspace.com/minerstreetrecordings.<br />

Espers - http://www.<br />

myspace.com/espers<br />

PA<br />

xx<br />

0534446

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