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dj khALEd - Ozone Magazine

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Kevin Cossom has appeared in<br />

OZONE a handful of times, but<br />

never as a Grammy-nominated<br />

songwriter. KC is opening up 2010<br />

with his first ever Grammy nod<br />

for writing Keri Hilson’s “Knock<br />

You Down,” and he’s also raising<br />

attention with his own single<br />

“Relax” ft. Snoop Dogg. A familiar<br />

name behind the scenes of the<br />

music industry, Kevin Cossom will<br />

soon be a familiar face EVERY-<br />

WHERE.<br />

What have you been working on since your<br />

last OZONE interview a few months ago<br />

I just dropped a mixtape in November called<br />

Hook Vs. Bridge. I’m promoting that heavy. I’m<br />

working on an album and trying to finish that<br />

up. We also got a song called “Relax” featuring<br />

Snoop that we’re going hard with. It’s<br />

supposed to be the first single off the album.<br />

We’ll be shooting a video in the next month.<br />

I’ve still been doing a lot of writing. I got<br />

something out with Chris Brown called “What I<br />

Do” featuring Plies. I wrote that with my homeboy<br />

Pooh Bear. I got a song on Mary J Blige’s<br />

album called “Tonight.” I got a few things on DJ<br />

Khaled’s album. I’m getting prepared for the<br />

Grammy Awards. A song I wrote for Keri Hilson<br />

called “Knock You Down” is up for a Grammy<br />

this year.<br />

Being nominated for a Grammy must be one<br />

of the highest points of your career so far.<br />

Definitely. It’s different if I just wrote the<br />

chorus or put in a few lines, but I pretty much<br />

wrote the whole thing. I did the whole concept<br />

and everything. For it to be nominated for a<br />

Grammy is huge. You know, for it to be a #1<br />

record was already crazy, but to be a Grammynominated<br />

songwriter is big.<br />

Tell us about your mixtape. Is it mostly original<br />

production, or is it more like a mixtape<br />

format<br />

Most of it is original. “Headboard” featuring<br />

Plies is a song I wrote the chorus to, but it’s<br />

a Hurricane Chris and Mario record. I wrote<br />

a verse to it so I wanted to do a remix for it.<br />

The Drake record “I Get Paper” is a remix I did.<br />

Other than that, everything else is pretty much<br />

original. There’s a lot of good features – Rick<br />

Ross, Joe Budden, Pusha from The Clipse, and<br />

good production as well. It’s still a mixtape;<br />

there’s 14 joints on there.<br />

You’re signed to the producer Danja. What’s<br />

the history behind your working relationship<br />

with him<br />

We met a few years ago, right around the time<br />

I first got my publishing deal. A representative<br />

from my publishing company, Sam Taylor,<br />

sent me to work with Danja. At the time,<br />

Danja had just come off of working on Justin<br />

Timberlake’s Future Sex Love Sounds album. He<br />

had just done “Promiscuous Girl.” He had been<br />

doing a lot of big things. I was writing for a<br />

girl group and he was producing for them.<br />

We went in for a 3-day session and on the last<br />

day he asked me if songwriting was the only<br />

thing I wanted to do. I told him no, it was just<br />

to pay the bills and I wanted to do the artist<br />

thing as well. He talked to my manager, and<br />

about a month later he did some records for<br />

me. We got in the studio for like five days and<br />

came up with four dope records. That’s how<br />

we noticed there was a chemistry. A month<br />

later we did the same thing and got some<br />

more good records. We knew we needed to<br />

be working together, so I signed to his label<br />

N.A.R.S. Records. You know, he produced<br />

“Knock You Down,” so this is our first Grammy<br />

nomination together. It proves that we’re a<br />

good combination.<br />

The music industry is familiar with your<br />

name and your work by now. Are people<br />

starting to recognize your face yet<br />

I think the more I get the mixtape out there,<br />

the more people research me. I’ve been a few<br />

places and people recognize me. When the<br />

video comes out and I get face time on camera,<br />

more people will recognize me. Besides<br />

the face, people are recognizing the name<br />

and that’s the most important.<br />

You’re pretty much following the same path<br />

as Ne-Yo or Keri Hilson, and there are predictions<br />

of you being that next big R&B artist.<br />

Are you prepared for that level of superstardom<br />

It’s nothing you can really prepare for. You just<br />

keep it in mind. You gotta realize you can’t<br />

do certain things you used to do all the time,<br />

or go some of the places you used to go. You<br />

just have to be smarter with the things you<br />

do. That’s the biggest thing. I want to be as<br />

normal as possible, if that’s possible. But yeah,<br />

it’s hard to prepare for that when all you have<br />

is an idea of how it’s going to be. All I can do is<br />

stay focused and prioritize.<br />

Where can people get at you and hear some<br />

of your music<br />

Hit me up at KevinCossom.com or on Twitter:<br />

@KevinCossom. //<br />

K<br />

C<br />

24 // OZONE MAG

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