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'What Matters Most' Suzi Quatro 'In The Spotlight ... - Beige Magazine

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ADVERTISING WITH BEIGE<br />

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queens in history<br />

<strong>The</strong> Chevalier d’Eon de Beaumont<br />

(1728-1810) is usually<br />

described as a transvestite spy<br />

who worked for the Empress<br />

Elizabeth of Russia and Louis XV.<br />

D’Eon was a cause célèbre who has become the subject of<br />

numerous popular novels and works of history, as well as an<br />

opera and a Japanese cartoon. <strong>The</strong> main fascination is that<br />

d’Eon was a successful soldier and diplomat, and an expert<br />

fencer, who while living in London in the 1770s announced<br />

that he was really a she: d’Eon then lived as a woman, in<br />

women’s clothes, for the rest of his life. Only after his death<br />

was it discovered that she was really a he after all.<br />

Because so many of d’Eon’s contemporaries seem to have<br />

been convinced that he was a woman, it is tempting to<br />

think of him as a very convincing transvestite. Yet many of<br />

his friends had some doubts as to his real sex. <strong>The</strong> bitchy<br />

Horace Walpole attended a dinner party with d’Eon – imagine<br />

the banter once the wine started to flow! – and afterwards<br />

Walpole wrote that he found d’Eon to be ‘loud, noisy and<br />

vulgar… the night was hot and she had no muff or gloves,<br />

and her hands and arms seemed not to have participated<br />

of the change of sexes, but are fitter to carry a chair than<br />

a fan’. Many others dined with d’Eon, including Tom Paine,<br />

and it was often noted that d’Eon drank, swore and acted<br />

like a soldier, and was chivalrous to the ladies: hardly the<br />

sort of feminine behaviour that was expected of women in<br />

eighteenth-century drawing rooms! On the other hand, when<br />

in France d’Eon was received at Versailles by the young Louis<br />

XVI and his wife Marie Antoinette: indeed, the queen even<br />

arranged for d’Eon to be dressed by her fashionista<br />

Rose Bertin. Piecing all the evidence together<br />

though, it appears that d’Eon was a middle-aged<br />

soldier who donned female attire and then carried<br />

on behaving like a man. He was no Dana International,<br />

more like Les Dawson in drag.<br />

So why did he ‘change sex’ half way through his long<br />

life? <strong>The</strong> usual answer is that while spying in London for<br />

Louis XV he fell out with the French government and<br />

feared that he would be kidnapped or even assassinated.<br />

<strong>The</strong>se were realistic anxieties, and so d’Eon announced<br />

his spectacular news and then started appearing as a<br />

woman in public so as to turn himself into a notoriety and<br />

raise his profile and become untouchable. But this bluff<br />

soldier must have had a predisposition to cross dressing<br />

as there are many other ways of becoming well-known.<br />

Surprisingly for a Frenchman and a Catholic, d’Eon was<br />

very popular in London and once the French Revolution<br />

brought an end to his pension he survived by giving fencing<br />

demonstrations.<br />

By 1810 d’Eon was old and penniless and shared a bedsit<br />

and a bed with an octogenarian Admiral’s widow called<br />

Mrs Cole. After d’Eon died it was Mrs Cole who washed his<br />

corpse and made the startling discovery that her spinster<br />

soul mate was really a man! D’Eon was buried in the<br />

beige 27<br />

Old St Pancras Churchyard, but along with many others, his<br />

grave disappeared in the 1860s when the Midland Railway<br />

expanded its tracks. Although there is no evidence that d’Eon<br />

was homosexual – throughout his life he claimed to be a<br />

virgin – his outrageous story and billowing skirts make him<br />

ideal for this column!<br />

Dr Stephen Brogan<br />

Further reading:<br />

Cynthia Cox, <strong>The</strong> Enigma of the Age (1966)<br />

Gary Kates, Monsieur d’Eon is a Woman (1997)<br />

Simon Burrows, Jonathan Conlin, Russell Goulbourne<br />

and Valerie Mainz (eds), <strong>The</strong> Chevalier d’Eon and<br />

His Worlds (2010)

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