'What Matters Most' Suzi Quatro 'In The Spotlight ... - Beige Magazine
'What Matters Most' Suzi Quatro 'In The Spotlight ... - Beige Magazine
'What Matters Most' Suzi Quatro 'In The Spotlight ... - Beige Magazine
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queens in history<br />
<strong>The</strong> Chevalier d’Eon de Beaumont<br />
(1728-1810) is usually<br />
described as a transvestite spy<br />
who worked for the Empress<br />
Elizabeth of Russia and Louis XV.<br />
D’Eon was a cause célèbre who has become the subject of<br />
numerous popular novels and works of history, as well as an<br />
opera and a Japanese cartoon. <strong>The</strong> main fascination is that<br />
d’Eon was a successful soldier and diplomat, and an expert<br />
fencer, who while living in London in the 1770s announced<br />
that he was really a she: d’Eon then lived as a woman, in<br />
women’s clothes, for the rest of his life. Only after his death<br />
was it discovered that she was really a he after all.<br />
Because so many of d’Eon’s contemporaries seem to have<br />
been convinced that he was a woman, it is tempting to<br />
think of him as a very convincing transvestite. Yet many of<br />
his friends had some doubts as to his real sex. <strong>The</strong> bitchy<br />
Horace Walpole attended a dinner party with d’Eon – imagine<br />
the banter once the wine started to flow! – and afterwards<br />
Walpole wrote that he found d’Eon to be ‘loud, noisy and<br />
vulgar… the night was hot and she had no muff or gloves,<br />
and her hands and arms seemed not to have participated<br />
of the change of sexes, but are fitter to carry a chair than<br />
a fan’. Many others dined with d’Eon, including Tom Paine,<br />
and it was often noted that d’Eon drank, swore and acted<br />
like a soldier, and was chivalrous to the ladies: hardly the<br />
sort of feminine behaviour that was expected of women in<br />
eighteenth-century drawing rooms! On the other hand, when<br />
in France d’Eon was received at Versailles by the young Louis<br />
XVI and his wife Marie Antoinette: indeed, the queen even<br />
arranged for d’Eon to be dressed by her fashionista<br />
Rose Bertin. Piecing all the evidence together<br />
though, it appears that d’Eon was a middle-aged<br />
soldier who donned female attire and then carried<br />
on behaving like a man. He was no Dana International,<br />
more like Les Dawson in drag.<br />
So why did he ‘change sex’ half way through his long<br />
life? <strong>The</strong> usual answer is that while spying in London for<br />
Louis XV he fell out with the French government and<br />
feared that he would be kidnapped or even assassinated.<br />
<strong>The</strong>se were realistic anxieties, and so d’Eon announced<br />
his spectacular news and then started appearing as a<br />
woman in public so as to turn himself into a notoriety and<br />
raise his profile and become untouchable. But this bluff<br />
soldier must have had a predisposition to cross dressing<br />
as there are many other ways of becoming well-known.<br />
Surprisingly for a Frenchman and a Catholic, d’Eon was<br />
very popular in London and once the French Revolution<br />
brought an end to his pension he survived by giving fencing<br />
demonstrations.<br />
By 1810 d’Eon was old and penniless and shared a bedsit<br />
and a bed with an octogenarian Admiral’s widow called<br />
Mrs Cole. After d’Eon died it was Mrs Cole who washed his<br />
corpse and made the startling discovery that her spinster<br />
soul mate was really a man! D’Eon was buried in the<br />
beige 27<br />
Old St Pancras Churchyard, but along with many others, his<br />
grave disappeared in the 1860s when the Midland Railway<br />
expanded its tracks. Although there is no evidence that d’Eon<br />
was homosexual – throughout his life he claimed to be a<br />
virgin – his outrageous story and billowing skirts make him<br />
ideal for this column!<br />
Dr Stephen Brogan<br />
Further reading:<br />
Cynthia Cox, <strong>The</strong> Enigma of the Age (1966)<br />
Gary Kates, Monsieur d’Eon is a Woman (1997)<br />
Simon Burrows, Jonathan Conlin, Russell Goulbourne<br />
and Valerie Mainz (eds), <strong>The</strong> Chevalier d’Eon and<br />
His Worlds (2010)