Revenge on Realism - the fictitious moment in current Polish art
Revenge on Realism - the fictitious moment in current Polish art
Revenge on Realism - the fictitious moment in current Polish art
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IGOR KRENZ<br />
Films (logical m<strong>in</strong>d games) are based <strong>on</strong><br />
different assumpti<strong>on</strong>s where <strong>the</strong> title<br />
c<strong>on</strong>ta<strong>in</strong>s a <strong>the</strong>sis and <strong>the</strong> c<strong>on</strong>tents of<br />
<strong>the</strong> film itself provides a proof of <strong>the</strong><br />
assumpti<strong>on</strong>. They questi<strong>on</strong> <strong>the</strong> exist<strong>in</strong>g<br />
systems of values and po<strong>in</strong>t to <strong>the</strong> relati<strong>on</strong>s<br />
between <strong>the</strong> motivati<strong>on</strong> for activity,<br />
<strong>the</strong> activity itself, and its result.<br />
&<br />
Films are a result of experiments, carried<br />
out <strong>on</strong> comm<strong>on</strong>ly accepted ideas. Ideas<br />
presented <strong>in</strong> a different c<strong>on</strong>text, questi<strong>on</strong>ed,<br />
and challenged, change <strong>the</strong>ir<br />
ascribed mean<strong>in</strong>g. And <strong>the</strong>n, absurd<br />
comes <strong>in</strong>. Absurd which is not a n<strong>on</strong>sense<br />
but ra<strong>the</strong>r is a meet<strong>in</strong>g of two ore<br />
more true statements. Results <strong>in</strong> c<strong>on</strong>tradicti<strong>on</strong>,<br />
which may become a new entity.<br />
&<br />
Motivati<strong>on</strong> and acti<strong>on</strong> are more important<br />
than results of it. To exist a movie<br />
should have <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>g at <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>g<br />
but it does have to have <strong>the</strong> end<br />
Watch<strong>in</strong>g a movie twice does not equal<br />
watch<strong>in</strong>g <strong>the</strong> same movie, <strong>the</strong>y may be<br />
different, although <strong>the</strong>y are identical.<br />
... St<strong>on</strong>e and Can, 1998<br />
Video, 10’ 12’’<br />
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