The Nargun and the Stars - 2009 - Perth International Arts Festival
The Nargun and the Stars - 2009 - Perth International Arts Festival
The Nargun and the Stars - 2009 - Perth International Arts Festival
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Actors<br />
Stephen Klinder<br />
STAGE MANAGER<br />
Stephen Klinder graduated from UWS <strong>The</strong>atre<br />
Nepean in 1995. Since <strong>the</strong>n he has worked in<br />
Australia, <strong>the</strong> UK <strong>and</strong> <strong>the</strong> US in a number of<br />
positions. He has stage managed for independent<br />
<strong>the</strong>atre, musical events, dance <strong>and</strong> arena<br />
spectaculars, yet this is only a very small chapter<br />
in <strong>the</strong> enigmatic life of Stephen ‘National Treasure’<br />
Klinder. Google him.<br />
Bill Young<br />
PERFORMER<br />
Bill Young is one of Australia’s busiest character<br />
actors with over 20 feature films under his belt,<br />
a wealth of television experience, an impressive<br />
array of <strong>the</strong>atre credits <strong>and</strong> a reputation for being a<br />
much sought-after voiceover artist. Recent feature<br />
film work includes Superman Returns, Japanese<br />
Story, You Can’t Stop <strong>the</strong> Murders, Chopper, <strong>The</strong><br />
Nugget, <strong>The</strong> Matrix <strong>and</strong> <strong>The</strong> Road to Nhill. Recent<br />
television work includes ABC TV’s <strong>The</strong> Cut, <strong>The</strong> Hollowmen <strong>and</strong> <strong>The</strong> Prime<br />
Minister is Missing, <strong>the</strong> Spielberg / Hanks mini-series <strong>The</strong> Pacific, as well<br />
as <strong>the</strong> Logie Award-winning dramatised documentary <strong>The</strong> Bridge, in which<br />
he played <strong>the</strong> role of Jack Lang. <strong>The</strong>atre performances include roles in Don’s<br />
Party, Spinning Into Butter <strong>and</strong> Broadway Bound. He is <strong>the</strong> founder, producer<br />
<strong>and</strong> director of <strong>the</strong> Kirribilli Pub <strong>The</strong>atre. He also directs film, <strong>the</strong>atre <strong>and</strong><br />
television. His 1994 feature film <strong>The</strong> Roly Poly Man picked up a number of<br />
international film festival awards, most notably <strong>the</strong> Vincent Price Audience<br />
Award at XVth Fantafestival in Italy. He has been a member of MEAA (Actors<br />
Equity) since 1975.<br />
Annie Byron<br />
PERFORMER<br />
An actress for over 30 years, Annie Byron’s work<br />
has taken her all over Australia <strong>and</strong> <strong>the</strong> world. She<br />
has most recently appeared in Yibiyung at Belvoir<br />
St <strong>The</strong>atre <strong>and</strong> Malthouse <strong>The</strong>atre in Melbourne.<br />
Prior to that, she performed in <strong>The</strong> Age I’m In<br />
for <strong>the</strong> Sydney <strong>and</strong> Adelaide festivals 2008 <strong>and</strong><br />
Small Things at Downstairs Belvoir. She recently<br />
shot a short film called Glory for Metroscreen <strong>and</strong><br />
<strong>the</strong> feature film <strong>The</strong> View from Greenhaven Drive. O<strong>the</strong>r recent work includes<br />
Embers <strong>and</strong> Hedda Gabler for Sydney <strong>The</strong>atre Company, as well as <strong>the</strong><br />
telemovie Stepfa<strong>the</strong>r of <strong>the</strong> Bride for ABC TV. She received an AFI nomination<br />
for her role in Doin’ Time for Patsy Cline <strong>and</strong> <strong>the</strong> AFI Award for Best Actress in a<br />
Supporting Role for her work in Fran.<br />
Tom Green<br />
PERFORMER<br />
Tom Green began working professionally as an<br />
actor in 2007. He played <strong>the</strong> lead role of Zac in<br />
<strong>the</strong> telemovie Emerald Falls, directed by Peter<br />
Andrikidis, <strong>and</strong> made his stage debut as Phillip in<br />
Lockie Leonard for Merrigong <strong>The</strong>atre Co. In 2008<br />
Tom brought lead character Kaden to life in <strong>The</strong><br />
Ground Beneath, a 25-minute short film directed<br />
by Rene Hern<strong>and</strong>ez that was nominated for <strong>the</strong> AFI<br />
Best Short Film Award. He starred as Vafa in <strong>the</strong> AFTRS short film Cross-over<br />
directed by Amin Palangi <strong>and</strong> shot <strong>the</strong> comedy pilot Too Far in 2008, playing<br />
<strong>the</strong> lead role of Tom alongside Peter Rowsthorn <strong>and</strong> Corinne Grant, with<br />
directors Matt Peek <strong>and</strong> Cam Ford.<br />
Puppeteers<br />
Sharon Kerr<br />
PUPPETEER<br />
A trained school teacher majoring in Drama,<br />
Sharon left teaching to perform with Barnstorm<br />
<strong>The</strong>atre <strong>and</strong> Graffiti Dance <strong>The</strong>atre before<br />
co-founding ERTH. She has experience in<br />
improvisational movement, having trained with<br />
Al Wunder <strong>and</strong> Lynden Nicholls, a teacher best<br />
known for Animotion – work based on animal<br />
movements. She has worked with a range of<br />
people, from <strong>the</strong> very young (teaching aerobics) to <strong>the</strong> aged in care. Within<br />
ERTH Sharon is a performer, prop maker, costume maker <strong>and</strong> manager /<br />
producer <strong>and</strong> contributes creative <strong>and</strong> performance directions. She has toured<br />
to Irel<strong>and</strong>, South Korea, Singapore, <strong>the</strong> United States, New Zeal<strong>and</strong> <strong>and</strong><br />
Engl<strong>and</strong> <strong>and</strong> throughout Australia, including to <strong>the</strong> Melbourne <strong>International</strong><br />
<strong>Festival</strong>, Adelaide Fringe <strong>Festival</strong> <strong>and</strong> <strong>the</strong> openings of both <strong>the</strong> Melbourne <strong>and</strong><br />
National museums. She also appeared in an aerial pyrotechnic spectacular for<br />
<strong>the</strong> opening of <strong>the</strong> Sydney Olympics in 2000. She has performed on <strong>the</strong> sails<br />
of <strong>the</strong> Sydney Opera House, <strong>the</strong> spire of St Pauls Ca<strong>the</strong>dral in Melbourne <strong>and</strong><br />
from <strong>the</strong> 24th floor of <strong>the</strong> Nge Ann building in Singapore.<br />
Jacob Boehme<br />
PUPPETEER<br />
Jacob Boehme is a Melbourne-born artist of<br />
Narangga (Yorke Peninsula, SA) <strong>and</strong> Kaurna<br />
(Adelaide, SA) heritage. He trained in dance<br />
at NAISDA, Australia’s leading institute for<br />
Indigenous performing arts <strong>and</strong> is a choreographer<br />
<strong>and</strong> puppeteer. For <strong>the</strong> past ten years he has<br />
worked with Indigenous youth in remote areas<br />
creating visual <strong>the</strong>atre that combines traditional<br />
<strong>and</strong> contemporary dance <strong>and</strong> puppetry techniques. He recently completed<br />
a masters in Puppetry at <strong>the</strong> Victorian College of <strong>the</strong> <strong>Arts</strong> with a successful<br />
season of his show Idja (which means ‘skin’ in Narangga), a work that explores<br />
<strong>the</strong> collaborative possibilities between Indigenous storytelling conventions<br />
<strong>and</strong> Western <strong>the</strong>atre methodologies. Jacob’s artistic practice keenly focuses on<br />
education <strong>and</strong> <strong>the</strong> celebration of Indigenous culture within both Indigenous<br />
<strong>and</strong> broader communities <strong>and</strong> enhancing contemporary <strong>the</strong>atre practices<br />
through cross-cultural collaborations with o<strong>the</strong>r Indigenous cultures.<br />
Jo Clancy<br />
PUPPETEER<br />
Contemporary Indigenous dancer / choreographer<br />
Jo Clancy is a descendant of <strong>the</strong> Wiradjuri people<br />
of western New South Wales but was raised <strong>and</strong><br />
still lives on Gundungurra <strong>and</strong> Darug country in<br />
<strong>the</strong> Blue Mountains. She commenced her dance<br />
training at NAISDA Dance College in 1990 <strong>and</strong><br />
went on to <strong>the</strong> University of Western Sydney<br />
where she became <strong>the</strong> first Aboriginal person to<br />
gain a Bachelor of <strong>Arts</strong> in Dance in NSW. From 2005 to 2007 she was head<br />
of dance at NAISDA Dance College. She is currently <strong>the</strong> artistic director of <strong>the</strong><br />
Wollemi Aboriginal Dancers <strong>and</strong> is also working with <strong>Arts</strong>Outwest to deliver<br />
contemporary Indigenous dance <strong>and</strong> performance professional development<br />
to Aboriginal communities in central-west NSW. In July 2008 Jo developed <strong>the</strong><br />
first stage of a new contemporary Indigenous dance work entitled Yarringan<br />
(which means ‘like clear water’ in her language group) through <strong>the</strong> support of<br />
<strong>the</strong> Australia Council for <strong>the</strong> <strong>Arts</strong> dance board.<br />
9