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PDF version - Arizona Center for Medieval and Renaissance Studies

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Saturday, 13 February<br />

Session Seven<br />

2:00–3:30 pm<br />

7a. Decoding Nature: Flora <strong>and</strong> Fauna in <strong>Medieval</strong> <strong>and</strong> Early<br />

Modern Art<br />

Jerome Room<br />

Chair<br />

Lori Eshleman, <strong>Arizona</strong> State University<br />

Retrieving Nature: Decoding the Content of Germanic Animal Art<br />

Christopher Roberts, <strong>Arizona</strong> State University<br />

Freiberg’s Tulip Pulpit: Hybrid Nature <strong>and</strong> Civic Politics<br />

Guita Lamsechi, University of Toronto<br />

Friar Bernardino de Sahagun’s “Florentine Codex” in Light of <strong>Medieval</strong><br />

Traditions<br />

Laura Kilian, University of Oregon<br />

7b. Allegorizing <strong>and</strong> Domesticating the Natural World<br />

Ruby Room<br />

Chair<br />

Mary Bjork, <strong>Arizona</strong> State University<br />

To Tame “Wild Nature”: Humans <strong>and</strong> the Domestication of the Natural<br />

World in Early Modern Engl<strong>and</strong><br />

Joanna Kucinski, North Carolina Central University<br />

“The Queen in the Tempest”: An Important New Manuscript Source <strong>for</strong><br />

Relationships between Early Modern English Natural Science <strong>and</strong> the<br />

Humanities<br />

David Evett, Clevel<strong>and</strong> State University<br />

19

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