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Special Section: Lighting<br />

From the Cloud to<br />

the Wave<br />

By Justin Lang<br />

In the world of live events, it takes countless man-hours to<br />

produce the show well before the curtain rises on opening<br />

night. Teams of designers, technicians, directors, managers,<br />

producers and event staff are all required to turn out that two- to<br />

three-hour production. Because production staff can be working<br />

from different offices or locations around town and sometimes<br />

around the world, tracking and communicating with the entire<br />

Google Wave can help a<br />

production team get on the same<br />

page when they can’t be<br />

in the same room.<br />

anyone can access, share or modify it. This approach could be a<br />

powerful tool for the production staff, allowing them—regardless<br />

of physical location—to stay in touch and share single<br />

versions of files, photos and schedules, letting anyone on the<br />

staff reference, update or comment on the correct version of<br />

files. One tool that gives production teams just this capability is<br />

Google’s latest creation, Google Wave.<br />

Todd Proffitt<br />

Colin Chauche, lighting and scenic designer, and Gerald Aragon, assistant lighting designer, discuss lighting paperwork for SUNY-Fredonia’s production<br />

of Elektra. Google Wave facilitates communication among a production team when such face-to-face communication can’t happen.<br />

Colin Chauche during the focus for Elektra. Chris<br />

Swinn, one of the Master Electricians for the show,<br />

is on the ladder.<br />

production team, let alone your department, can be tricky.<br />

Before the personal computer revolution, almost all paperwork<br />

was either hand-written or typed, duplicated on carbon<br />

copies, and distributed to the necessary persons. Most times,<br />

after a meeting or run-throughs, paperwork had to be updated:<br />

re-written or re-typed, and re-carbon copied—a time-consuming<br />

and ungreen way to do things.<br />

Then along came the Internet.<br />

Communicating with fellow production<br />

team members (even from<br />

across the world) suddenly became<br />

quicker and a lot more efficient.<br />

With the click of a button, designers<br />

now e-mail their notes to the entire<br />

production staff to team members<br />

who update paperwork or schedule<br />

changes. Designers can now “Skype”<br />

in for a face-to-face meeting.<br />

And progress still continues—one of the newest trends on<br />

the Internet involves “cloud” computing—keeping your data<br />

not on local computers, but on servers on the Internet where<br />

This could be useful for<br />

tracking down mistakes<br />

made during the course of<br />

the wave, and reverting to<br />

an earlier version.<br />

Wavelengths<br />

In May of 2009, Google launched a beta version Google<br />

Wave, an online communication and collaboration tool that<br />

operates in real-time. Think of it as a cross between instant<br />

messaging, chatting in a forum, e-mailing, posting to a bulletin<br />

board, and document editor all in one location. A wave is a<br />

conversation with multiple users discussing and collaborating<br />

on the specific topics and content.<br />

Users can reply any time, anywhere<br />

within the wave, as well as edit content<br />

created by another user within<br />

the wave. A wave isn’t limited just to<br />

words, either. Users can attach web<br />

pages, videos, photos, files—almost<br />

anything—to a wave to share with<br />

others.<br />

For this reason, production teams<br />

will find Google Wave useful in their<br />

work. Using multiple waves, design staff, such as the director<br />

and stage manager, can track progress, discuss changes and go<br />

over rehearsal notes, all in real time.<br />

40 March 2010 • www.stage-directions.com

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