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Biography of Bapak O'ong Maryono He was born on July 28, 1953 in ...

Biography of Bapak O'ong Maryono He was born on July 28, 1953 in ...

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Pencak Silat as Humanistic Discipl<strong>in</strong>e<br />

By <str<strong>on</strong>g>O'<strong>on</strong>g</str<strong>on</strong>g> <str<strong>on</strong>g>Mary<strong>on</strong>o</str<strong>on</strong>g><br />

Changes <strong>in</strong> the functi<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> pencak silat came about <strong>in</strong> l<strong>in</strong>e with the gradual transformati<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> it<br />

surround<strong>in</strong>g society, and <str<strong>on</strong>g>was</str<strong>on</strong>g> <strong>in</strong>itiated <strong>in</strong> the two key loci (locati<strong>on</strong>s) <str<strong>on</strong>g>of</str<strong>on</strong>g> silat study: the kerat<strong>on</strong><br />

(royal palace) and the mandala. As expla<strong>in</strong>ed <strong>in</strong> the previous article, <strong>in</strong>itially <strong>in</strong> the kerat<strong>on</strong> the<br />

art <str<strong>on</strong>g>of</str<strong>on</strong>g> pen-cak silat self-defense <str<strong>on</strong>g>was</str<strong>on</strong>g> exclusively for members <str<strong>on</strong>g>of</str<strong>on</strong>g> the royal family to prepare<br />

themselves as defenders <str<strong>on</strong>g>of</str<strong>on</strong>g> the empire. However, with the changes <strong>in</strong> the role <str<strong>on</strong>g>of</str<strong>on</strong>g> the kerat<strong>on</strong><br />

due to the decl<strong>in</strong>e <str<strong>on</strong>g>of</str<strong>on</strong>g> the Maja-pahit Empire, pencak silat <str<strong>on</strong>g>was</str<strong>on</strong>g> enriched by a new c<strong>on</strong>cept which<br />

explicitly l<strong>in</strong>ked technical expertise <strong>in</strong> self-defense with humanistic growth <strong>in</strong> <strong>on</strong>e<br />

comprehensive cosmology. Pencak silat could no l<strong>on</strong>ger be characterized as a vocati<strong>on</strong>, or a<br />

mere skill, but focused <strong>in</strong>stead <strong>on</strong> mold<strong>in</strong>g <strong>in</strong>dividual, human qualities. Dur<strong>in</strong>g this transiti<strong>on</strong>,<br />

the spiritual aspect that had always been implicit <strong>in</strong> pencak silat, came to the forefr<strong>on</strong>t and<br />

ultimately dom<strong>in</strong>ated the self-defense aspect. In the Javanese kerat<strong>on</strong> for <strong>in</strong>stance, the<br />

c<strong>on</strong>necti<strong>on</strong> between pen-cak si-lat and the cosmological c<strong>on</strong>cept <str<strong>on</strong>g>of</str<strong>on</strong>g> manunggal<strong>in</strong>g kawula Gusti<br />

(the unity <str<strong>on</strong>g>of</str<strong>on</strong>g> humanity and God) developed systematically. Spiritual study to acquire<br />

supernatural powers from objects, mantras, and even <strong>in</strong>dividual <strong>in</strong>ner power <str<strong>on</strong>g>was</str<strong>on</strong>g> undertaken<br />

and developed, although the goal <str<strong>on</strong>g>of</str<strong>on</strong>g> this underwent a significant transformati<strong>on</strong>. Although it<br />

<str<strong>on</strong>g>was</str<strong>on</strong>g> still utilized for practical purposes to enhance physical skills <strong>in</strong> battle, the spiritual aspect<br />

began to be emphasized as a means for humans to unite themselves with God.<br />

As a result, the appreciati<strong>on</strong> Javanese felt towards the pesilat (pencak silat practiti<strong>on</strong>er) also<br />

changed, as the c<strong>on</strong>sensus arose that not <strong>on</strong>ly should they have expertise <strong>in</strong> fac<strong>in</strong>g the enemy,<br />

but also a level-headedness and ability to actualize the pr<strong>in</strong>cipals <str<strong>on</strong>g>of</str<strong>on</strong>g> harm<strong>on</strong>y and etiquette<br />

accord<strong>in</strong>g to ancestral values. A pesilat moreover a master must safeguard, preserve and<br />

defend the basic cultural values <str<strong>on</strong>g>of</str<strong>on</strong>g> perseverance, patience, h<strong>on</strong>esty, heroism, obedience and<br />

devoti<strong>on</strong>, and provide a model to the populati<strong>on</strong> for what may and may not be d<strong>on</strong>e. Besides<br />

master<strong>in</strong>g its techniques and physical skills, a pesilat is also expected to develop <strong>on</strong>e's <strong>in</strong>ner<br />

self, a process which <strong>in</strong>volves learn<strong>in</strong>g about strengthen<strong>in</strong>g <strong>on</strong>e's soul, the faithfulness <str<strong>on</strong>g>of</str<strong>on</strong>g> <strong>on</strong>e's<br />

heart and c<strong>on</strong>troll<strong>in</strong>g <strong>on</strong>e's emoti<strong>on</strong>s. S<strong>in</strong>ce this time, pencak silat started to be seen as a form<br />

<str<strong>on</strong>g>of</str<strong>on</strong>g> humanistic endeavor. It requires that any practiti<strong>on</strong>er <str<strong>on</strong>g>of</str<strong>on</strong>g> pencak silat has a str<strong>on</strong>g sense <str<strong>on</strong>g>of</str<strong>on</strong>g><br />

humanity, h<strong>on</strong>esty and goodness, and will not be led astray by feel<strong>in</strong>gs <str<strong>on</strong>g>of</str<strong>on</strong>g> self importance, but<br />

will, <strong>in</strong>stead, be sensitive to the suffer<strong>in</strong>g <str<strong>on</strong>g>of</str<strong>on</strong>g> others, striv<strong>in</strong>g to alleviate it. This element <str<strong>on</strong>g>of</str<strong>on</strong>g><br />

emoti<strong>on</strong>s' c<strong>on</strong>trol is also symbolized <strong>in</strong> many <str<strong>on</strong>g>of</str<strong>on</strong>g> the movements. Thus, for <strong>in</strong>stance, block<strong>in</strong>g<br />

with the hand <strong>in</strong> fr<strong>on</strong>t <str<strong>on</strong>g>of</str<strong>on</strong>g> the face symbolizes the resist<strong>in</strong>g <str<strong>on</strong>g>of</str<strong>on</strong>g> negative <strong>in</strong>fluences as seen by the<br />

eyes, heard by the ears or spoken by mouth. Certa<strong>in</strong> hand movements <strong>in</strong> fr<strong>on</strong>t <str<strong>on</strong>g>of</str<strong>on</strong>g> the chest<br />

signify that <strong>on</strong>e is patient, calm and able to ma<strong>in</strong>ta<strong>in</strong> <strong>on</strong>e's sense <str<strong>on</strong>g>of</str<strong>on</strong>g> balance (or, <strong>in</strong> Javanese:<br />

tepa selira). Only when <strong>on</strong>e has mastered all these elements, is able to apply them and put<br />

them <strong>in</strong>to practice can a practiti<strong>on</strong>er <str<strong>on</strong>g>of</str<strong>on</strong>g> pencak silat be called a true 'master'.<br />

Let me expand a little bit <strong>on</strong> this. Accord<strong>in</strong>g to our elders, tra<strong>in</strong><strong>in</strong>g pencak silat is like open<strong>in</strong>g a<br />

coc<strong>on</strong>ut. First, you must learn to open the sk<strong>in</strong>, then proceed to open the coc<strong>on</strong>ut fiber, then<br />

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