MATTHEW ALEXANDER

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‘A Bright Morning, Honfleur’ (oil on board)16” x 24” £4,000.00 Front Cover: ‘Morning Light at Tower Bridge’ (oil on board) 20” x 30” £5,500.00
<strong>MATTHEW</strong> <strong>ALEXANDER</strong> ONE-MAN exhibition SATURDAY 25 th APRIL - SATURDAY 9 th MAY 2015 (open daily (except Sunday & Monday) 10.00 - 4.00 (or at other times by appointment) We are pleased to present this major exhibition of new and recent paintings by one of the UK’s foremost landscape painters. Matthew’s work has received acclaim both here and abroad, most notably in the USA, and since he finished his studies and began painting and exhibiting full time his paintings have been admired by both fellow artists and collectors all over the world. Whilst this catalogue illustrates the major body of the work in this show, Matthew will be working constantly up to the preview so please visit the gallery or re-visit the website to see the very latest paintings. ‘Sunset on the Norfolk Broads’ (oil on board) 12” x 24” £3,500.00
Page 1: MATTHEW ALEXANDER ONE-MAN EXHIBITIO
Page 5 and 6: ‘Squall at Sea’ (oil on board)
Page 7 and 8: ‘Late Afternoon Light, Grand Cana
Page 9 and 10: ‘Beached Barges at Pin Mill’ (o
Page 11 and 12: ‘Street Café, Arles’ (oil on b
Page 13 and 14: ‘Moonlight on the Norfolk Broads
Page 15 and 16: ‘Wet Sand Reflections’ (oil on
Page 17 and 18: ‘The Fishmarket, Venice’ (oil o
Page 19 and 20: ‘Snow on the River Stour’ (oil
Page 21 and 22: ‘View over Marshside’ (study) o
Page 23 and 24: ‘A Blowy Day on the Marshes’ (o
Page 25 and 26: ‘Stormy Sky, Monkton’ (oil on b
Page 27 and 28: ‘Snow at West Stourmouth’ (oil
Page 29 and 30: ‘Storm Clouds at Marshside’ (oi
Page 31 and 32: ‘Autumn Light, St James’s Park
Page 33 and 34: ‘Le Pont St Michel, Paris’ (oil
Page 35 and 36: ‘Snow on the Marshes’ (oil on t
Page 37 and 38: ‘Sunlight and Snow, Monkton, Kent
Page 39 and 40: ‘Last of the Snow, Sarre Mill’
Page 41 and 42: ‘Tree Study’ (oil on board) 10
Page 43 and 44: ‘Tall Ships at Ramsgate’ (oil o
Page 45 and 46: ‘Street Café, Rome II’ (oil on
Page 47 and 48: ‘Cottages at Millers Lane’ (oil
Page 49 and 50: ‘The Marsh Gate’ (oil on board)
Page 51 and 52: ‘Stormy Sky on the Swale’ (oil
Page 53 and 54:
‘Marsh Houses’ (oil on board) 1
Page 55 and 56:
‘Sunset over Relculver’ (oil on
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MATTHEW ALEXANDER

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