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LABELS AND TEXT PANELS - National Museum of Women in the Arts

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Gift <strong>of</strong> Les Zakar<strong>in</strong><br />

“Somewhere Out There” was <strong>the</strong> <strong>the</strong>me from <strong>the</strong> animated film An American Tail. It won two Grammy Awards <strong>in</strong><br />

1988.<br />

"Johnny Loves Me" Sheet Music, 1962<br />

Written by Barry Mann and Cynthia Weil<br />

Recorded by Shelley Fabares<br />

Gift <strong>of</strong> Les Zakar<strong>in</strong><br />

“Johnny Loves Me” was <strong>the</strong> follow up to Shelley Fabares’ Number One hit “Johnny Angel.” Fabares spun <strong>of</strong>f a<br />

music career from her role as Mary Stone on <strong>the</strong> television sitcom The Donna Reed Show. Fabares would go on to<br />

co-star <strong>in</strong> three Elvis Presley films and <strong>in</strong> <strong>the</strong> television sitcom Coach.<br />

“Kicks” Sheet Music, 1966<br />

Written by Barry Mann and Cynthia Weil<br />

Recorded by Paul Revere and <strong>the</strong> Raiders<br />

Gift <strong>of</strong> Les Zakar<strong>in</strong><br />

“Kicks” was orig<strong>in</strong>ally written for <strong>the</strong> Animals, but lead s<strong>in</strong>ger Eric Burdon decl<strong>in</strong>ed to record it. Paul Revere and<br />

<strong>the</strong> Raiders’ version reached Number Four. “Kicks” was also recorded by <strong>the</strong> Monkees, <strong>the</strong> Nazz, Everclear and Del<br />

Shannon.<br />

“Uptown” Sheet Music, 1962<br />

Written by Barry Mann and Cynthia Weil<br />

Recorded by <strong>the</strong> Crystals<br />

Gift <strong>of</strong> Les Zakar<strong>in</strong><br />

“Uptown” was quite groundbreak<strong>in</strong>g for its day. The song’s lyrics squarely confronted <strong>the</strong> striv<strong>in</strong>gs <strong>of</strong> poor<br />

m<strong>in</strong>orities, a subject seldom addressed by pop music <strong>in</strong> <strong>the</strong> early 1960s. The song reached Number 13.<br />

THE SHANGRI-LAS<br />

The Shangri-Las formed <strong>in</strong> 1963 <strong>in</strong> <strong>the</strong> borough <strong>of</strong> Queens <strong>in</strong> New York City. The group was composed <strong>of</strong><br />

sisters Betty and Mary Weiss and tw<strong>in</strong> sisters Margie and Mary Ann Ganser. The four girls (who performed live as a<br />

trio, as Betty didn’t tour) worked up a repertoire <strong>of</strong> popular songs <strong>of</strong> <strong>the</strong> day, started perform<strong>in</strong>g locally and were<br />

noticed by record producer George “Shadow” Morton. On Morton’s way to <strong>the</strong> Shangri-Las’ first record<strong>in</strong>g session,<br />

he realized he didn’t have a song. He pulled his car to <strong>the</strong> side <strong>of</strong> <strong>the</strong> road and quickly wrote “Remember (Walk<strong>in</strong>g<br />

<strong>in</strong> <strong>the</strong> Sand).” The song became <strong>the</strong> Shangri-Las’ first hit, reach<strong>in</strong>g Number Five <strong>in</strong> 1964. The group’s biggest hit,<br />

“Leader <strong>of</strong> <strong>the</strong> Pack,” followed later <strong>in</strong> 1964 and reached Number One. Ellie Greenwich, who wrote “Leader <strong>of</strong> <strong>the</strong><br />

Pack” for <strong>the</strong> Shangri-Las, remembers be<strong>in</strong>g afraid <strong>of</strong> “those scary girls from a rough neighborhood <strong>in</strong> Queens. I<br />

thought <strong>the</strong>y had razors <strong>in</strong> <strong>the</strong>ir hair.” Despite <strong>the</strong> group’s carefully crafted street-tough image, <strong>the</strong> girls’ look and<br />

appeal was accessible and marketable enough for <strong>the</strong>m to appear <strong>in</strong> television commercials and pr<strong>in</strong>t ads for<br />

Revlon makeup and public-service announcements for dat<strong>in</strong>g etiquette. The Shangri-Las cont<strong>in</strong>ued to record and<br />

hit Number Six with “I Can Never Go Home Anymore” <strong>in</strong> 1965. Mary Ann Ganser died <strong>in</strong> 1970, her tw<strong>in</strong> Margie<br />

died <strong>in</strong> 1996. Mary Weiss recalled, “I came from an extremely poor family. The Gansers were relatively poor.<br />

Nobody had any money…so consider<strong>in</strong>g where <strong>the</strong> four <strong>of</strong> us came from…it’s a miracle <strong>in</strong> itself to have come from<br />

those circumstances and have hit records, so I’m very grateful.”<br />

Golden Hits <strong>of</strong> <strong>the</strong> Shangri-Las, 1966<br />

The Shangri-Las<br />

Collection <strong>of</strong> Cheese Borger<br />

I Can Never Go Home Any More, 1965<br />

The Shangri-Las<br />

Collection <strong>of</strong> Cheese Borger<br />

16

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