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Post-conflict reconstruction in Mostar: Cart before the Horse

Post-conflict reconstruction in Mostar: Cart before the Horse

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or <strong>the</strong> <strong>in</strong>terest of BH society” x and accord<strong>in</strong>gly undertake many low-impact, high-visibility<br />

projects.<br />

The local guidance and data that might have been provided by a professional agency --<br />

like <strong>the</strong> much anticipated Stari Grad Agency which f<strong>in</strong>ally became operational years after<br />

<strong>the</strong> new Old Bridge was completed -- was not forthcom<strong>in</strong>g due to <strong>the</strong> same k<strong>in</strong>ds of political<br />

<strong>in</strong>fight<strong>in</strong>g that crippled <strong>the</strong> city as a whole. Not <strong>in</strong> <strong>the</strong> habit of extensive local consultations,<br />

largely left to <strong>the</strong>ir own devices, and lack<strong>in</strong>g reliable data about <strong>the</strong>ir constituents, external<br />

actors contribut<strong>in</strong>g rehabilitation work <strong>in</strong> <strong>Mostar</strong> often made decisions <strong>in</strong> a predictably<br />

haphazard, ill-coord<strong>in</strong>ated, and capricious fashion.<br />

At <strong>the</strong> conclud<strong>in</strong>g session of <strong>the</strong> f<strong>in</strong>al “<strong>Mostar</strong> 2004” symposium <strong>in</strong> 2004 - <strong>the</strong> annual<br />

summer workshop and conference sponsored by <strong>the</strong> International Research Centre for<br />

Islamic Culture and Art that focused on post-war urban plann<strong>in</strong>g from 1994 until 2004 - local<br />

participants identified a handful of lessons and revised expectations that <strong>the</strong>y hoped will<br />

shape <strong>the</strong> next decade of <strong>reconstruction</strong>. Local experts looked forward to autonomy and<br />

non-partisan professional exchange after an era of development driven by foreign capital<br />

and models, not<strong>in</strong>g that external <strong>in</strong>terventions s<strong>in</strong>ce <strong>the</strong> war were often accompanied by<br />

paternalistic behavior, aggravation of local rivalries, and failed projects. Local professionals<br />

underscored <strong>the</strong> need for an <strong>in</strong>tegrated public school system as <strong>the</strong> “o<strong>the</strong>r bridge” and<br />

po<strong>in</strong>ted to <strong>the</strong> High School rehabilitation project - designed to provide basic opportunities<br />

while attack<strong>in</strong>g prejudice and mutual suspicion at <strong>the</strong> root - as a complement for <strong>the</strong><br />

symbolism of <strong>the</strong> reconstructed Old Bridge.<br />

Conclusions<br />

<strong>Mostar</strong> received much more than its fair share of post-war foreign capital. Its<br />

reconstructed monuments, while perhaps “<strong>in</strong>sufficient”, are still valuable psychological<br />

assets <strong>in</strong> support of future <strong>reconstruction</strong> activities. Strategic errors and lost opportunities<br />

may be little more than water under <strong>the</strong> Bridge. Yet, o<strong>the</strong>r war-torn cities and projects lie<br />

downstream from <strong>Mostar</strong>. As long as <strong>the</strong> key decisions that shaped <strong>reconstruction</strong> efforts <strong>in</strong><br />

<strong>Mostar</strong> are valorised, o<strong>the</strong>rs will imitate <strong>the</strong>m and, <strong>in</strong> do<strong>in</strong>g so, repeat mistakes that should<br />

be avoided. Here are a few more reasons why <strong>the</strong> mistakes <strong>in</strong> <strong>Mostar</strong> matter:<br />

Poorly conceived <strong>reconstruction</strong> priorities lead to vast amounts of wasted time and<br />

money. Some of this money takes <strong>the</strong> form of debt that will be carried by Bosnian<br />

tax payers for years. In a country with such limited resources, <strong>the</strong>se errors are<br />

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