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Remediation - Dss-edit.com

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<strong>Remediation</strong> as Reform<br />

The word remediation is used today by educators as a euphemism for the task of bringing<br />

lagging students up to an expected level of performance. The word derives ultimately<br />

from the Latin remederi--to heal, to restore to health--and we have adopted the word to<br />

express the way in which one medium is seen by our culture as reforming or improving<br />

upon another. This belief in reform is particularly strong for those who are today<br />

repurposing earlier media into digital forms. They tell us, for example, that when<br />

broadcast television be<strong>com</strong>es interactive digital television, it will motivate and liberate the<br />

viewer as never before; that virtual reality improves upon film by placing the viewer at the<br />

center of a moveable point of view; that electronic mail is more convenient and reliable<br />

than physical mail; that hypertext brings interactivity to the novel; and that digital audio<br />

and video improve upon their analog equivalents. The assumption of reform is so strong<br />

that a new medium is now expected to justify itself by improving upon a predecessor:<br />

hence the need for <strong>com</strong>puter graphics to achieve full photorealism. Yet the assumption of<br />

reform has not been limited to digital media. Photography was seen as the reform of [End<br />

Page 350] illusionistic painting; the cinema as the reform of the theater (in the sense that<br />

early films were once called "photoplays").<br />

It is possible to claim that a new medium makes a good thing even better, but this seldom<br />

seems to be the rhetoric of remediation and is certainly not the case for digital media.<br />

Each new medium is justified because it fills a lack or repairs a fault in its predecessor,<br />

because it fulfills the unkept promise of an older medium. (Typically, of course, users did<br />

not realize that the older medium had failed in its promise, until the new one appeared.)<br />

The rhetorical virtue of virtual reality, of videoconferencing and interactive television, and<br />

of the World Wide Web, is that each of these technologies repairs the inadequacy of the<br />

medium or media that it now supersedes. In each case that inadequacy is represented as<br />

a lack of immediacy. This seems to be generally true of the rhetoric of remediation. So<br />

photography was more immediate than painting; film than photography; television than<br />

film; and now virtual reality fulfills the promise of immediacy and supposedly ends the<br />

progression. The rhetoric of remediation favors immediacy, even though as the medium<br />

matures it offers new opportunities for hypermediacy.<br />

<strong>Remediation</strong> can also imply reform in a social or political sense, and again this sense has<br />

emerged with particular clarity in the case of digital media. A number of American political<br />

figures have even suggested that the World Wide Web and the Internet can reform<br />

democracy by lending immediacy to the process of making decisions. When citizens are<br />

able to participate in the debate of issues and possibly even vote electronically, we may<br />

substitute direct (immediate) democracy for our representational system. Here too, as it<br />

happens, digital media promise to over<strong>com</strong>e representation. Even beyond claims for<br />

overt political reform, many cyberenthusiasts suggest that the web and <strong>com</strong>puter<br />

applications are creating a digital culture that will revolutionize <strong>com</strong>merce, education, and<br />

social relationships. Thus, broadcast television is associated with the old order of<br />

hierarchical control, while interactive media move the locus of control to the individual.<br />

That digital media can reform and even save society reminds us of the promise that has<br />

been made for technologies throughout much of the twentieth century: it is a peculiarly, if<br />

not exclusively, American promise. American culture seems to believe in technology in a<br />

way that European culture, for example, may not. Throughout the twentieth century, or<br />

really since the French Revolution, salvation in Europe has been defined in political<br />

terms--finding the appropriate (radical left or radical right) political formula. Even<br />

traditional Marxists, who believed in technological progress, subordinated that progress to<br />

political change. In America, [End Page 351] however, collective (and perhaps even<br />

personal) salvation has been thought to <strong>com</strong>e through technology rather than through<br />

political or even religious action. Contemporary American culture claims to have lost

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