English Literature & Composition - PopulationMe.com
English Literature & Composition - PopulationMe.com
English Literature & Composition - PopulationMe.com
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Chapter 5: Introduction to Short Fiction<br />
conditions" Gig pregnant, "Jane" with postpartum depression, and Louise with her<br />
"heart condition"), or men controlling women (obvious), or women who do or do not<br />
fight back Gig, from the 20s; the other two, Victorian ladies, either go mad or die of<br />
despair). From these jotted thoughts, you can have the class devise a <strong>com</strong>mon essay<br />
topic, or elect to go in individual directions, using these parallels as springboards.<br />
5. The pattern in Cisneros's "Woman Hollering Creek" (p. 246) is drearily familiar:<br />
Romanticize marriage, thanks to soap operas and other media versions of unreality;<br />
marry young, and experience the first of many beatings despite saying you would leave<br />
if your man ever hit you. But Cisneros breaks the pattern in several ways. In discussing<br />
this story with students, ask them how she breaks the pattern both in terms of plot<br />
(Cleofilas escapes her marriage with the help of a woman who dares to holler) and<br />
structure (using poetic, beautiful language in telling a tale fraught with pain; offering<br />
one-sided conversations; shifting time and perspective-although most of the thoughts<br />
that we are privy to are Cleofilas's). In the <strong>com</strong>ments from Cisneros included with these<br />
selections, the author sounds like Toni Morrison in asserting, 1/ 'I'm trying to write the<br />
stories that haven't been written. I feel like a cartographer; I'm determined to fill a<br />
literary void' 11 (255). Consider writing this <strong>com</strong>ment on the board before beginning a<br />
discussion of the story; return to it and ask students to apply the <strong>com</strong>ment to this<br />
particular text. A writing assignment might have students explore what "literary void"<br />
most needs filling these days, and which writer best fills it.<br />
Below you will see the first of several sets of multiple choice questions that we have developed<br />
in Chapters Four, Five, and Six for selected short stories, poems, and plays. In contrast to<br />
the ones on the actual AP <strong>Literature</strong> exam, the purpose of these is primarily pedagogical. They<br />
are intended to help students <strong>com</strong>prehend the specific literary work at hand. That makes them<br />
different from the actual multiple choice questions on the exam.<br />
In each set you will see that we have double-starred (**) the correct answer. In a few cases<br />
we have marked with a single star (*) the"distracter"-an answer that sounds tempting but is<br />
not as wholly satisfactory as the one with the double stars.<br />
Multiple Choice Questions for Hemingway's #Hills Like White Elephants"<br />
(<strong>Literature</strong> pp. 563-566)<br />
1. The opening description of the scenery serves primarily to<br />
a. appeal to potential tourists and travelers.<br />
b. appeal to readers' love of vivid sensory detail.<br />
c. introduce the story's setting.*<br />
d. suggest a symbolic reading of the story-showing two contrasting attitudes to life. **<br />
e. hint at the hot climate.<br />
2. The eleven lines of dialogue starting at "It's pretty hot" and ending at "No, you <br />
wouldn't have" most likely are meant to <br />
a. introduce readers to Spanish vocabulary.<br />
b. suggest the waitress's deep interest in her two customers.<br />
c. suggest some tension between the American and the girl.**<br />
d. show the girl's fascination with the countryside. *<br />
e. suggest the girl's familiarity with exotic animals.<br />
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