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Course Syllabus - Writing/Social Issues in Pop Culture (PDF) (2008)

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1/28/08<br />

Assignments and <strong>Course</strong> Schedule<br />

*All assignments, <strong>in</strong>clud<strong>in</strong>g read<strong>in</strong>gs, will be due the week they are listed unless otherwise<br />

noted.*<br />

Week One (1/28/08) – <strong>Pop</strong> Matters<br />

! Television and the Arts and Humanities, <strong>in</strong>troduction to the course and current issues <strong>in</strong><br />

contemporary television; key themes/terms.<br />

Week Two (2/4) – Representation & The Circuit of <strong>Culture</strong><br />

! What is representation? How do we decode mean<strong>in</strong>gs <strong>in</strong> television?<br />

! Assignment: What is your favorite TV show and why?<br />

! Read:<br />

o<br />

o<br />

Hall, S. (1997). Introduction. In S. Hall (Ed.), Representation: Cultural<br />

representations and signify<strong>in</strong>g practices (pp. 1-13). London: Sage Publications &<br />

Open University.<br />

Kellner, D. (2003). Critical Perspectives on Television from the Frankfurt School<br />

to Postmodernism. From Kellner’s Homepage:<br />

http://www.gseis.ucla.edu/faculty/kellner/flash/ Go to “Essays.” Also available on<br />

Blackboard.<br />

Week Three (2/11) – Race as Representation<br />

! Read:<br />

o Hunt, D. M. (2005). Mak<strong>in</strong>g sense of blackness on television. In D. M. Hunt (Ed.),<br />

Channel<strong>in</strong>g blackness: Studies on television and race <strong>in</strong> America (pp. 1-24). New<br />

York: Oxford University Press.<br />

o Gray, H. S. (2005). Different dreams, dreams of difference. In Cultural moves:<br />

African Americans and the politics of representation (pp. 114-119). Berkeley:<br />

University of California Press.<br />

Week Four (2/18) – Sexualities and/<strong>in</strong> <strong>Pop</strong>ular <strong>Culture</strong><br />

! Read:<br />

! Zeman, N. (2003). Gay-per-view TV; With Will & Grace, Queer Eye for the<br />

Straight Guy, and Boy Meets Boy, prime time has come out. Vanity Fair.<br />

! Tropiano, S. (2003). The prime time closet: Into the ma<strong>in</strong>stream.<br />

<strong>Pop</strong>matters.com.<br />

! Warn, S. (2003). Vanity Fair the latest to use gay men as lesbian equivalent.<br />

AfterEllen.com.<br />

Week Five (2/25) – (One) Queer Space: Will & Grace<br />

! Read:<br />

o<br />

Mitchell, D. (2005). Produc<strong>in</strong>g conta<strong>in</strong>ment: The rhetorical construction of<br />

difference <strong>in</strong> Will & Grace. Journal of <strong>Pop</strong>ular <strong>Culture</strong>, 38, 1050-1069.<br />

o Nero, C. I. (2005). Why are gay ghettos white? In E. P. Johnson & M. G.<br />

Henderson (Eds.), Black Queer Studies: An Anthology (pp. 228-247). Durham:<br />

Duke University Press.<br />

o<br />

Watch:<br />

! Season Six, Episode Seventeen, “East Side Story”<br />

Week Six (3/3) – Construct<strong>in</strong>g the Past: Mad Men<br />

! Read:<br />

o Stanley, A. (2007). Smok<strong>in</strong>g, dr<strong>in</strong>k<strong>in</strong>g, cheat<strong>in</strong>g and sell<strong>in</strong>g. New York Times, 19<br />

July.<br />

o Mittell, J. (2006). Narrative complexity <strong>in</strong> contemporary American television. The<br />

Velvet Light Trap, 58, 29-40.

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