March-April 2009 - Women's Press
March-April 2009 - Women's Press
March-April 2009 - Women's Press
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2 Women’s<strong>Press</strong><br />
Courtney’s Quill<br />
The recent rain has seemed to rejuvenate my<br />
spirit as I watch our community turn green<br />
and flourish. And maybe it’s the rain, but<br />
lately I’ve been feeling rather earthy, which<br />
is a difficult feeling to explain, but the other<br />
day, I told my friend that I felt like rolling in<br />
the mud just to be closer to nature. While my<br />
comment did garner an odd look from her, it<br />
was incredibly true. I’ve been craving the outdoors,<br />
and so despite the rainy weather, I’ve<br />
been taking long walks, hiking up our beautiful<br />
mountains, and getting some sand in<br />
between my toes. This is all, I’ve decided, an<br />
attempt to become more centered in spirit<br />
and quieter in mind—something that nature<br />
teaches us on a daily basis. And I think this<br />
is what spring is all about. As winter ends<br />
(oh wait…did we have a winter this year?)<br />
and spring approaches, we typically clean<br />
out our houses and get organized, but I find<br />
this the perfect time to also clean my mind<br />
of distractions and become a bit quieter in<br />
my daily thoughts. And in doing so, I will try<br />
to fill my mind with thoughts of gratitude,<br />
which is something that this issue of Women’s<br />
<strong>Press</strong> does as well. <strong>March</strong> is Women’s History<br />
Month, and we devoted a section in the<br />
paper to celebrating inspirational women. If<br />
you know someone who is an inspiration to<br />
you, say a silent thank you for this person.<br />
Could you imagine how different you might<br />
be if not for her influence? This month we<br />
also look forward to LUNAFEST! The event<br />
takes place on <strong>March</strong> 7th at the SLO Library.<br />
For the small cost of $8, please join us as we<br />
watch short films by, for, and about women.<br />
The event has been circled on my calendar for<br />
a month now, and I just can’t wait to feel the<br />
kinetic energy in the room as we watch, learn,<br />
and explore filmmaking at its finest. Finally, I<br />
encourage you to send us your thoughts and<br />
comments about our humble paper. In our<br />
next issue, we will have a local perspectives<br />
section celebrating Mother’s Day. Though<br />
this holiday is often viewed as “hallmark-y”,<br />
I challenge you to go beyond the obvious. In<br />
such a critical economic time, when so many<br />
of my friends and family are currently without<br />
employment, I have been inspired and<br />
moved to see communities of women come<br />
together to help each other. And so I think<br />
of mothers as not just women who have born<br />
children, but of women who have taught,<br />
encouraged, helped, lead, and supported, and<br />
really been the foundation for which all has<br />
been built upon. Send in your articles, letters,<br />
poems, and anything else you might think of<br />
about this topic. We would love to share your<br />
stories, furthering our commitment to you<br />
and those in the community.<br />
Courtney<br />
MAILING ADDRESS:<br />
Wo m e n’s Pre s s<br />
Women’s Community Center<br />
880 Industrial Way<br />
San Luis Obispo, CA 93401<br />
805.544.9313<br />
Managing Editor: Courtney Brogno<br />
womenspress.slo@gmail.com<br />
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ben@penciledin.com<br />
Photographer: Lynda Roeller<br />
Distribution Manager: Charlene Huggins<br />
Advertising Team:<br />
Beverly Cohen, Carol Dawn, Kathleen Deragon<br />
& Benjamin Lawless<br />
Submissions Welcomed!<br />
Articles, essays, opinion pieces, letters, artwork, poetry<br />
wanted & appreciated. The Women’s <strong>Press</strong> reserves the<br />
right to edit all submissions for content, clarity &<br />
length. Contact womenspress.slo@gmail.com or call<br />
805-544-9313.<br />
The opinions expressed in the Wo m e n’s Pre s s are those of the<br />
authors & do not necessarily reflect the opinions of the<br />
Women’s Community Center. The Women’s Community Center<br />
does not necessarily endorse products or services advertised<br />
in the Wo m e n’s Pre s s.<br />
What’s in a Name<br />
By Hilda Heifetz<br />
I’ve been saving a clipping from our local<br />
newspaper about a woodcarver who<br />
donated to our nearby park a sign showing<br />
his version of a ‘crane.” This was in tribute<br />
to what he believed was this bird’s habitat.<br />
Well…we have diligent and informed bird<br />
watchers in this area (Morro Bay, California<br />
is a bird refuge). There was an immediate<br />
outcry by them to let the woodcarver know<br />
that cranes don’t live here…but great, white<br />
EGRETS do!<br />
I can sympathize with the artist’s discomfort.<br />
As a matter of fact, several years<br />
before when I first moved to Morro Bay, I<br />
was raving to my new neighbors about my<br />
numerous encounters with the beautiful<br />
white cranes. They lost no time correcting<br />
me, that I must be referring to egrets. Their<br />
indignation made my mistake seem like<br />
a major offense against all egrets and that<br />
I was obliged to make amends. To write<br />
(right) the wrong, a poem emerged which<br />
seemed to allay my guilt and then was filed<br />
away.<br />
Somehow the woodcarver’s gaffe inspired<br />
me to bring out my poem and go public.<br />
For better or verse, I share my original:<br />
About the Cover Artist<br />
Anne Barga<br />
Anne Barga’s paintings have been described<br />
as containing a balance between spontaneity<br />
and control, emotion and thought.<br />
Her paintings are nature-based blends of<br />
abstraction and representation. Anne says<br />
“Everyone’s daily life is a series of emotions,<br />
thoughts, and impressions. I think, dream,<br />
and imagine colors and shapes to represent<br />
these sensations. My goal is to create art<br />
that is beautiful and that has wit and intelligence<br />
and humor. I hope my work inspires<br />
a natural high.” This painting, Green Buddha<br />
(Tara), was commissioned for Anne’s<br />
friend who is exploring Buddhist teachings.<br />
Tara, the Protectress, is known in many cultures<br />
as the ever accessible, all encompassing<br />
Great Mother. She is the embodiment<br />
of the highest qualities of wisdom, compassion,<br />
and power. Swift to reach out to all<br />
those in need, her 21 aspects reflect humanity’s<br />
radiant potential.<br />
Please see www.annebarga.com for more<br />
of Anne’s art.<br />
5000 free copies distributed in SLO County. Subscriptions available.<br />
Beverly Engel<br />
Jeanie Greensfelder<br />
Ali Hatcher<br />
Hilda Heifetz<br />
Charlene Huggins<br />
Laura Grace<br />
Angie King<br />
Evelyn Adams<br />
Barbara Atkinson<br />
Cassandra Carlson<br />
MaryAine Cherry<br />
Kathleen Deragon<br />
Bailey Drechsler<br />
Anne Dunbar<br />
Cynthia Fatzinger<br />
Ani Garrick<br />
Angela Henderson<br />
Margaret Hennessy<br />
Jane Hill<br />
Susan Howe<br />
Contributors<br />
Volunteers<br />
Owed To An Egret…<br />
An Apology<br />
I send my regrets<br />
To all egrets<br />
If I caused you pain<br />
By calling you “crane.”<br />
(It took more than I knew<br />
To identify you!)<br />
It is lots of trouble<br />
To have a bird double<br />
Who looks much the same<br />
But is different in name?<br />
I won’t be a botcher again<br />
Upsetting bird watchers again<br />
And I’ll never forget<br />
You’re known as “egret”!<br />
Dear bird, this ode to you is owed to you.<br />
Now, I cannot leave this confession without<br />
including my reflections following this<br />
experience. Having a predisposition to<br />
see the sublime in the ridiculous and vice<br />
versa, I also find my tongue likes to be in<br />
my cheek but also needs to wag with great<br />
seriousness. It was inevitable that I would<br />
ponder: “What’s in a name?” Even before<br />
I was introduced to William Shakespeare’s<br />
“he who steals my good name, steals that<br />
which does not enrich him, but makes<br />
me poor indeed” –even before that, I was<br />
shocked to learn that our Native Americans<br />
were not consulted about what they wanted<br />
to be called, but were named “Indians” by<br />
misguided explorers who thought they had<br />
landed in India!<br />
I have also learned that in the mysticism<br />
of the Kabala, a person’s name contains his<br />
destiny. In human beings the name seems<br />
to become the “self,” so that my friend,<br />
when asked who she is, promptly answered<br />
“Sarah!” Even more extreme that Shakespeare,<br />
to whom the loss of a good name<br />
is only impoverishing, taking Sarah’s name<br />
away could deprive her of her very existence.<br />
Do we go so far, as in the case of<br />
the egret, as to believe his life depends on<br />
correctly identifying him? Have I become<br />
ridiculous?<br />
The carver as well as the rhymester,<br />
meaning no harm, have been treated to<br />
the world of distinctions and differences.<br />
And the egret, by ANY other name, is still<br />
a beautiful bird and unimpressed by name<br />
calling.<br />
Dianne Legro<br />
Heather Mendel<br />
Berta Parrish<br />
Adele Sommers<br />
Jill Turnbow<br />
Jacqueline Turner<br />
Andrea Zeller<br />
Roberta Youtan Kay<br />
Shirley Kirkes Mar<br />
Elizabeth McGregor<br />
Mary Norby<br />
Sonia Paz Baron-Vine<br />
Barbara Perry<br />
Anne Quinn<br />
Robin Rinzler<br />
Lynda Roeller<br />
Renee Sante<br />
Dawn Williams<br />
Karen Wood<br />
Women’s <strong>Press</strong> | <strong>March</strong> & <strong>April</strong> <strong>2009</strong> | womenspress.slo@gmail.com<br />
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Letter to George,<br />
the Night Before<br />
By Judith Bernstein<br />
Note: I grew up in the house that George<br />
Putnam and Amelia Earhart lived in (Rye,<br />
NY), first in a “menage a trois” when he<br />
was married and she single, and later when<br />
he divorced his wife to marry her. So I have<br />
always been fascinated by the story of her life.<br />
She was a true ‘free spirit’ and wrote a letter to<br />
George the night before her marriage setting<br />
out some conditions, and letting him know he<br />
could still opt out. I imagined this letter in a<br />
poetic form.<br />
It’s the bite of marriage that I fear,<br />
markings<br />
left by teeth, a dog collar ‘round my neck<br />
(where once a silk scarf flowed)<br />
that say I have an owner.<br />
G.P., til now you’ve called me by my name,<br />
Amelia Earhart. Let that not change<br />
once we are wed. Our union’s not<br />
in names, nor written on a<br />
parchment scroll,<br />
nor sanctified by minister or state.<br />
Just as in passion’s moment we forget<br />
ourselves, mingling our sounds and smells,<br />
then reluctantly pull apart, taking back<br />
once more those places that were<br />
briefly bound,<br />
just so in marriage let us treasure<br />
times that bind, but also time apart.<br />
And sometimes sitting in my room alone,<br />
I forget for few moments I’m at home,<br />
and adjust my goggles at La Guardia field,<br />
reliving that delicious fear that leaves<br />
my arm pits wet, and then the rush<br />
of rising upward through the air<br />
then leveling off and floating with<br />
the currents.<br />
I may stay aloft past dark, then land<br />
for dinner.<br />
The clink of silver, the taking in of food<br />
and wine,<br />
the flight of words across the table<br />
feed our spirits as the meat our bones.<br />
Then let us drink a toast to marriage,<br />
regretting nothing we have left behind,<br />
celebrating what we bring together<br />
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