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March-April 2009 - Women's Press

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2 Women’s<strong>Press</strong><br />

Courtney’s Quill<br />

The recent rain has seemed to rejuvenate my<br />

spirit as I watch our community turn green<br />

and flourish. And maybe it’s the rain, but<br />

lately I’ve been feeling rather earthy, which<br />

is a difficult feeling to explain, but the other<br />

day, I told my friend that I felt like rolling in<br />

the mud just to be closer to nature. While my<br />

comment did garner an odd look from her, it<br />

was incredibly true. I’ve been craving the outdoors,<br />

and so despite the rainy weather, I’ve<br />

been taking long walks, hiking up our beautiful<br />

mountains, and getting some sand in<br />

between my toes. This is all, I’ve decided, an<br />

attempt to become more centered in spirit<br />

and quieter in mind—something that nature<br />

teaches us on a daily basis. And I think this<br />

is what spring is all about. As winter ends<br />

(oh wait…did we have a winter this year?)<br />

and spring approaches, we typically clean<br />

out our houses and get organized, but I find<br />

this the perfect time to also clean my mind<br />

of distractions and become a bit quieter in<br />

my daily thoughts. And in doing so, I will try<br />

to fill my mind with thoughts of gratitude,<br />

which is something that this issue of Women’s<br />

<strong>Press</strong> does as well. <strong>March</strong> is Women’s History<br />

Month, and we devoted a section in the<br />

paper to celebrating inspirational women. If<br />

you know someone who is an inspiration to<br />

you, say a silent thank you for this person.<br />

Could you imagine how different you might<br />

be if not for her influence? This month we<br />

also look forward to LUNAFEST! The event<br />

takes place on <strong>March</strong> 7th at the SLO Library.<br />

For the small cost of $8, please join us as we<br />

watch short films by, for, and about women.<br />

The event has been circled on my calendar for<br />

a month now, and I just can’t wait to feel the<br />

kinetic energy in the room as we watch, learn,<br />

and explore filmmaking at its finest. Finally, I<br />

encourage you to send us your thoughts and<br />

comments about our humble paper. In our<br />

next issue, we will have a local perspectives<br />

section celebrating Mother’s Day. Though<br />

this holiday is often viewed as “hallmark-y”,<br />

I challenge you to go beyond the obvious. In<br />

such a critical economic time, when so many<br />

of my friends and family are currently without<br />

employment, I have been inspired and<br />

moved to see communities of women come<br />

together to help each other. And so I think<br />

of mothers as not just women who have born<br />

children, but of women who have taught,<br />

encouraged, helped, lead, and supported, and<br />

really been the foundation for which all has<br />

been built upon. Send in your articles, letters,<br />

poems, and anything else you might think of<br />

about this topic. We would love to share your<br />

stories, furthering our commitment to you<br />

and those in the community.<br />

Courtney<br />

MAILING ADDRESS:<br />

Wo m e n’s Pre s s<br />

Women’s Community Center<br />

880 Industrial Way<br />

San Luis Obispo, CA 93401<br />

805.544.9313<br />

Managing Editor: Courtney Brogno<br />

womenspress.slo@gmail.com<br />

Layout & Design: Benjamin Lawless<br />

ben@penciledin.com<br />

Photographer: Lynda Roeller<br />

Distribution Manager: Charlene Huggins<br />

Advertising Team:<br />

Beverly Cohen, Carol Dawn, Kathleen Deragon<br />

& Benjamin Lawless<br />

Submissions Welcomed!<br />

Articles, essays, opinion pieces, letters, artwork, poetry<br />

wanted & appreciated. The Women’s <strong>Press</strong> reserves the<br />

right to edit all submissions for content, clarity &<br />

length. Contact womenspress.slo@gmail.com or call<br />

805-544-9313.<br />

The opinions expressed in the Wo m e n’s Pre s s are those of the<br />

authors & do not necessarily reflect the opinions of the<br />

Women’s Community Center. The Women’s Community Center<br />

does not necessarily endorse products or services advertised<br />

in the Wo m e n’s Pre s s.<br />

What’s in a Name<br />

By Hilda Heifetz<br />

I’ve been saving a clipping from our local<br />

newspaper about a woodcarver who<br />

donated to our nearby park a sign showing<br />

his version of a ‘crane.” This was in tribute<br />

to what he believed was this bird’s habitat.<br />

Well…we have diligent and informed bird<br />

watchers in this area (Morro Bay, California<br />

is a bird refuge). There was an immediate<br />

outcry by them to let the woodcarver know<br />

that cranes don’t live here…but great, white<br />

EGRETS do!<br />

I can sympathize with the artist’s discomfort.<br />

As a matter of fact, several years<br />

before when I first moved to Morro Bay, I<br />

was raving to my new neighbors about my<br />

numerous encounters with the beautiful<br />

white cranes. They lost no time correcting<br />

me, that I must be referring to egrets. Their<br />

indignation made my mistake seem like<br />

a major offense against all egrets and that<br />

I was obliged to make amends. To write<br />

(right) the wrong, a poem emerged which<br />

seemed to allay my guilt and then was filed<br />

away.<br />

Somehow the woodcarver’s gaffe inspired<br />

me to bring out my poem and go public.<br />

For better or verse, I share my original:<br />

About the Cover Artist<br />

Anne Barga<br />

Anne Barga’s paintings have been described<br />

as containing a balance between spontaneity<br />

and control, emotion and thought.<br />

Her paintings are nature-based blends of<br />

abstraction and representation. Anne says<br />

“Everyone’s daily life is a series of emotions,<br />

thoughts, and impressions. I think, dream,<br />

and imagine colors and shapes to represent<br />

these sensations. My goal is to create art<br />

that is beautiful and that has wit and intelligence<br />

and humor. I hope my work inspires<br />

a natural high.” This painting, Green Buddha<br />

(Tara), was commissioned for Anne’s<br />

friend who is exploring Buddhist teachings.<br />

Tara, the Protectress, is known in many cultures<br />

as the ever accessible, all encompassing<br />

Great Mother. She is the embodiment<br />

of the highest qualities of wisdom, compassion,<br />

and power. Swift to reach out to all<br />

those in need, her 21 aspects reflect humanity’s<br />

radiant potential.<br />

Please see www.annebarga.com for more<br />

of Anne’s art.<br />

5000 free copies distributed in SLO County. Subscriptions available.<br />

Beverly Engel<br />

Jeanie Greensfelder<br />

Ali Hatcher<br />

Hilda Heifetz<br />

Charlene Huggins<br />

Laura Grace<br />

Angie King<br />

Evelyn Adams<br />

Barbara Atkinson<br />

Cassandra Carlson<br />

MaryAine Cherry<br />

Kathleen Deragon<br />

Bailey Drechsler<br />

Anne Dunbar<br />

Cynthia Fatzinger<br />

Ani Garrick<br />

Angela Henderson<br />

Margaret Hennessy<br />

Jane Hill<br />

Susan Howe<br />

Contributors<br />

Volunteers<br />

Owed To An Egret…<br />

An Apology<br />

I send my regrets<br />

To all egrets<br />

If I caused you pain<br />

By calling you “crane.”<br />

(It took more than I knew<br />

To identify you!)<br />

It is lots of trouble<br />

To have a bird double<br />

Who looks much the same<br />

But is different in name?<br />

I won’t be a botcher again<br />

Upsetting bird watchers again<br />

And I’ll never forget<br />

You’re known as “egret”!<br />

Dear bird, this ode to you is owed to you.<br />

Now, I cannot leave this confession without<br />

including my reflections following this<br />

experience. Having a predisposition to<br />

see the sublime in the ridiculous and vice<br />

versa, I also find my tongue likes to be in<br />

my cheek but also needs to wag with great<br />

seriousness. It was inevitable that I would<br />

ponder: “What’s in a name?” Even before<br />

I was introduced to William Shakespeare’s<br />

“he who steals my good name, steals that<br />

which does not enrich him, but makes<br />

me poor indeed” –even before that, I was<br />

shocked to learn that our Native Americans<br />

were not consulted about what they wanted<br />

to be called, but were named “Indians” by<br />

misguided explorers who thought they had<br />

landed in India!<br />

I have also learned that in the mysticism<br />

of the Kabala, a person’s name contains his<br />

destiny. In human beings the name seems<br />

to become the “self,” so that my friend,<br />

when asked who she is, promptly answered<br />

“Sarah!” Even more extreme that Shakespeare,<br />

to whom the loss of a good name<br />

is only impoverishing, taking Sarah’s name<br />

away could deprive her of her very existence.<br />

Do we go so far, as in the case of<br />

the egret, as to believe his life depends on<br />

correctly identifying him? Have I become<br />

ridiculous?<br />

The carver as well as the rhymester,<br />

meaning no harm, have been treated to<br />

the world of distinctions and differences.<br />

And the egret, by ANY other name, is still<br />

a beautiful bird and unimpressed by name<br />

calling.<br />

Dianne Legro<br />

Heather Mendel<br />

Berta Parrish<br />

Adele Sommers<br />

Jill Turnbow<br />

Jacqueline Turner<br />

Andrea Zeller<br />

Roberta Youtan Kay<br />

Shirley Kirkes Mar<br />

Elizabeth McGregor<br />

Mary Norby<br />

Sonia Paz Baron-Vine<br />

Barbara Perry<br />

Anne Quinn<br />

Robin Rinzler<br />

Lynda Roeller<br />

Renee Sante<br />

Dawn Williams<br />

Karen Wood<br />

Women’s <strong>Press</strong> | <strong>March</strong> & <strong>April</strong> <strong>2009</strong> | womenspress.slo@gmail.com<br />

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Letter to George,<br />

the Night Before<br />

By Judith Bernstein<br />

Note: I grew up in the house that George<br />

Putnam and Amelia Earhart lived in (Rye,<br />

NY), first in a “menage a trois” when he<br />

was married and she single, and later when<br />

he divorced his wife to marry her. So I have<br />

always been fascinated by the story of her life.<br />

She was a true ‘free spirit’ and wrote a letter to<br />

George the night before her marriage setting<br />

out some conditions, and letting him know he<br />

could still opt out. I imagined this letter in a<br />

poetic form.<br />

It’s the bite of marriage that I fear,<br />

markings<br />

left by teeth, a dog collar ‘round my neck<br />

(where once a silk scarf flowed)<br />

that say I have an owner.<br />

G.P., til now you’ve called me by my name,<br />

Amelia Earhart. Let that not change<br />

once we are wed. Our union’s not<br />

in names, nor written on a<br />

parchment scroll,<br />

nor sanctified by minister or state.<br />

Just as in passion’s moment we forget<br />

ourselves, mingling our sounds and smells,<br />

then reluctantly pull apart, taking back<br />

once more those places that were<br />

briefly bound,<br />

just so in marriage let us treasure<br />

times that bind, but also time apart.<br />

And sometimes sitting in my room alone,<br />

I forget for few moments I’m at home,<br />

and adjust my goggles at La Guardia field,<br />

reliving that delicious fear that leaves<br />

my arm pits wet, and then the rush<br />

of rising upward through the air<br />

then leveling off and floating with<br />

the currents.<br />

I may stay aloft past dark, then land<br />

for dinner.<br />

The clink of silver, the taking in of food<br />

and wine,<br />

the flight of words across the table<br />

feed our spirits as the meat our bones.<br />

Then let us drink a toast to marriage,<br />

regretting nothing we have left behind,<br />

celebrating what we bring together<br />

Wo m e n’s Co m m u n i t y Center Bo a r d<br />

Angie King, President<br />

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