HCPDPM - HCP Design and Project Management Pvt. Ltd.
HCPDPM - HCP Design and Project Management Pvt. Ltd.
HCPDPM - HCP Design and Project Management Pvt. Ltd.
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were joined by Asarpota, Madhukar Thakore <strong>and</strong> Rajendra Choksi among others. In the<br />
mid fifties Balkrishna Doshi, Arvind Talati <strong>and</strong> later in 1960 Hasmukh Patel started their<br />
practice. The earlier group was building from the 30’s to the early 50’s <strong>and</strong> had the baggage<br />
of pre-independence G<strong>and</strong>hian ideology but did not have an architectural philosophy<br />
beyond Swadeshi or the Indian context. By the sixties Modernist philosophy <strong>and</strong> its<br />
architectural idiom were in place <strong>and</strong> the professional proponents ready.<br />
Within this scenario, when he started working, there was something in Hasmukh Patel’s<br />
nature <strong>and</strong> personality that played an important role. Function, client <strong>and</strong> the context<br />
were pivotal in his perception of good architecture. His houses from the 60’s till date<br />
have a certain charm of Brutalism while being perfectly acceptable to traditional Guajarati<br />
families. The new ver<strong>and</strong>ah in the front <strong>and</strong> at the back responded to the desire<br />
for a welcoming entrance space <strong>and</strong> an informal, private get-away space in response to<br />
the climate. The owners proudly showed off their kitchens <strong>and</strong> bathrooms on the house<br />
tours they gave to their guests! From the very beginning, art objects as a necessary adjunct<br />
to the living environment became a part of the residents’ life style. Art was also a<br />
priority in his designs for public buildings.<br />
In his work, one cannot but notice that the buildings that are mere boxes to shelter a<br />
given activity are turned into architecture by the manipulation of spaces, circulation,<br />
fenestrations, careful detailing <strong>and</strong> precise execution. Upon reviewing the entire gamut<br />
of architecture that <strong><strong>HCP</strong>DPM</strong> has produced, one finds that the following questions are<br />
asked as a matter of practice <strong>and</strong> production of architecture. What is it to underst<strong>and</strong><br />
the social <strong>and</strong> the cultural aspects of a people <strong>and</strong> to rationalize them into architecture?<br />
Should the social interactions remain traditional or go towards modern transformations?<br />
Isn’t modernity inevitable <strong>and</strong> sought after by society? Buildings are different <strong>and</strong><br />
aloof social nodes, so why not make them that way, why not let them have their own<br />
personality? Why decorate buildings with constructional obstructions, why not detail<br />
15