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Wayne Donnelly - Audio Tweak

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Isolated low-level power supplies: Over the years, some preamplifier designers have gone<br />

so far as to use batteries to achieve isolation from the AC mains. To achieve the same effect,<br />

Spectron employs a micro-sized switching supply for the +15V that operate the low-level<br />

amplifier and the digital logic. This design is about 500 times more isolated than the<br />

conventional method of taking power from a 50/60Hz transformer. As a result, the new<br />

Spectron amplifiers are far less in need of power conditioning or premium power cords in<br />

order to sound their best.<br />

Floating RCA inputs: Ground loops have always been a problem in audio. They may show<br />

up as obvious buzz from speakers with no music playing, or as more insidious hum that rises<br />

with increasing loudness. Even when masked by the music, this hum can make music sound<br />

less natural and detailed. The Musician III's balanced XLR inputs are not susceptible to<br />

ground loops. When connected via single-ended interconnects, the Musician III's floating RCA<br />

inputs eliminate ground loop buzz and hum.<br />

Power capacitors: To store energy between each cycle of power from the 50/60 Hz power<br />

lines, all amplifiers use energy-storage capacitors. Most amplifiers have one big capacitor for<br />

the + supply and a second for the - supply. The Musician III uses separate banks of<br />

capacitors for the left and right channels, emulating a dual mono topology. Those banks of<br />

small capacitors provide a lower-impedance supply to each amplifier module than one big<br />

capacitor can achieve.<br />

High-output voltage and current: A power amplifier's ability to drive loudspeakers is based<br />

on its supplying ample voltage and current. When the amplifier runs out of voltage, it voltage<br />

clips; when it runs out of current, it current clips. With the Musician III's very high peak voltage<br />

of 110 volts and peak current of 50 amps, neither voltage nor current clipping is likely in a<br />

home music system. Despite numerous excursions into unwisely loud listening levels during<br />

the review period, I was never able to push the Musician III into audible clipping.<br />

In addition to the preceding highlights, there are a couple of other features that distinguish the<br />

Musician III from most other power amplifiers. Any audiophile who has ever shorted out a big<br />

amplifier knows what a heart- sickening phenomenon it is — likely to involve loud pops,<br />

electrical flashes and smoke, followed by deadly silence and lingering bad smells. The<br />

Musician III is blessedly immune to such destructive blowups — a comforting thought when<br />

running such high power into your precious loudspeakers.<br />

With the fold-back current limiting implemented in the Musician III, if the amplifier is<br />

overdriven to the 50-Amp peak current limit, it will continue to deliver 50 Amps for half a<br />

second. It then automatically reduces the output current to 15 Amps over the next half<br />

second, and maintains the 15 Amps until the load returns to normal. The practical effect is<br />

that shorting out the Musician III won't hurt it. And if you have "amp-killer" speakers — like the<br />

infamous Infinity Kapa 9s, which go below one-ohm impedance — you can play them loudly,<br />

and you probably won't even hear when the current limit kicks in. The Musician III won't just<br />

shut down at too-high current levels as other amplifiers do.<br />

Unique to Spectron is the Remote Sense speaker cable system, which is designed to<br />

eliminate sonic degradations caused by the musical signal passing through various types of<br />

loudspeaker cables. For $595/pair, Spectron supplies special four-conductor cables; two<br />

conductors carry the musical signal, while the other two feed back to the amplifier output<br />

terminals. They connect to the amplifier via twist-to-connect SpeakON connectors.

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