La Boheme - Opera Guild of Rochester
La Boheme - Opera Guild of Rochester
La Boheme - Opera Guild of Rochester
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Andrew Oakden, Marcello<br />
Baritone Andrew Oakden continues to garner critical acclaim in opera<br />
houses across the United States and abroad making his international<br />
debut with <strong>Opera</strong> de Nice (France) as Rambaldo (<strong>La</strong> Rondine). Also this<br />
season he performs the roles <strong>of</strong> Marcello (<strong>La</strong> Bohème) with Mercury<br />
<strong>Opera</strong> and Sharpless (Madama Butterfly) with Utah <strong>Opera</strong>. <strong>La</strong>st<br />
season he made his New York City <strong>Opera</strong> mainstage debut performing<br />
the roles <strong>of</strong> Alfio (Cavalleria Rusticana) and Tonio (Pagliacci.) He<br />
recently made his Ft. Worth Symphony debut in the role <strong>of</strong> Papageno<br />
(Die Zauberflöte) and earlier this season with the Santa Fe Symphony in Carmina Burana.<br />
In 2005, he performed the Mandarin (Turandot) and Pietro (Simon Boccanegra) at Santa<br />
Fe <strong>Opera</strong>, and Alfio (Cavalleria Rusticana) and Tonio (Pagliacci) at Sarasota <strong>Opera</strong> where<br />
he additionally covered Stankar in Verdi’s (Stiffelio.) Following his success as Tonio at Sarasota<br />
<strong>Opera</strong>, The Sunday Telegraph (London) wrote: “…the unexpected thrill <strong>of</strong> a young baritone,<br />
Andrew Oakden, stepping in at a moment’s notice into the role <strong>of</strong> Tonio and bringing the house<br />
down with his superb singing <strong>of</strong> the prologue…Oakden is a name to note.” Mr. Oakden was<br />
the 1st Prize Winner in the Palm Beach <strong>Opera</strong> Vocal Competition as well as being a recent<br />
finalist in both the regional Metropolitan <strong>Opera</strong> Competition and the 2005 MacAllister Awards.<br />
Upcoming engagements include his role debut as Figaro (Le Nozze di Figaro) with Florida<br />
Grand <strong>Opera</strong> and Raleigh (Roberto Devereux) with Dallas <strong>Opera</strong>.<br />
Elena O’Connor, Musetta<br />
Soprano Elena O’Connor makes her debut with this performance.<br />
Previously, she has sung the role <strong>of</strong> Musetta under Julius Rudel and<br />
the direction <strong>of</strong> Ed Berkeley at the Aspen Music Festival. She has also<br />
appeared as Gilda in Rigoletto and Micaela in Carmen at the Aspen<br />
Music Festival, where she is also a winner <strong>of</strong> the Festival’s Vocal Concerto<br />
Competition. Other honors come from Mobile <strong>Opera</strong>’s Rose Palmai-<br />
Tenser Competition, the Metropolitan <strong>Opera</strong> National Council Auditions,<br />
and the Palm Beach <strong>Opera</strong> International Vocal Competition, where she<br />
was a winner two consecutive years. With Palm Beach <strong>Opera</strong>, Ms. O’Connor toured as the<br />
title role in their production <strong>of</strong> Chauls’s Alice in Wonderland and performed concerts<br />
throughout South Florida with Maestro Kamal Khan. A native <strong>of</strong> <strong>Rochester</strong>, Ms. O’Connor did<br />
her undergraduate studies at Eastman and the University <strong>of</strong> Miami School <strong>of</strong> Music, where<br />
she sang the role <strong>of</strong> Francesca in the U.S. premiere <strong>of</strong> Luigi Mancinelli’s Paolo e Francesca,<br />
South Florida’s Sun-Sentinel calling her portrayal “stunning.” She was also recently praised in<br />
the New York Times for her “standout” performance at Lincoln Center’s Alice Tully Hall in Scott<br />
Joplin’s Treemonisha with Collegiate Chorale. As an art song enthusiast, Ms. O’Connor has<br />
been a three-time fellow with the University <strong>of</strong> Miami’s Lieder program in Salzburg, Austria,<br />
where as an honoree <strong>of</strong> the Schloss-Leopoldskron Competition, she was featured in concerts<br />
and worked in masterclasses with Helen Donath and the late Jerry Hadley. In the summer <strong>of</strong><br />
2006, she was a member <strong>of</strong> the Ravinia Festival’s Steans Institute Program for Singers under<br />
the auspices <strong>of</strong> James Conlon and Margo Garrett, where she studied and performed works<br />
<strong>of</strong> Schumann, Rachmanin<strong>of</strong>f and Poulenc. Also under the auspices <strong>of</strong> Maestro Conlon, Ms<br />
O’Connor was one <strong>of</strong> the youngest ever featured soloists in the long history <strong>of</strong> the Cincinnati<br />
May Festival, performing the soprano role in Bach’s Cantata No. 21 under Robert Porco,<br />
Cincinnati’s Enquirer referring to her “a young star to watch.” She currently resides in New<br />
York City.