The Mendel Art Gallery
The Mendel Art Gallery
The Mendel Art Gallery
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director’s message<br />
art and her expressionistic approach to painting with<br />
local artists. According to painter William Perehudoff,<br />
“she gave the Saskatoon art community a vibrancy it<br />
has maintained ever since.” Eva’s enthusiasm for, and<br />
knowledge of art inspired her father, Fred <strong>Mendel</strong>, to<br />
begin collecting art, and to support local artists by<br />
buying their work. She also influenced her father to build<br />
an art facility in Saskatoon, and served on the Building<br />
Committee for this important project. It was Eva who<br />
proposed a national competition in the early 1960s to<br />
select the winning architectural firm that would design<br />
the <strong>Mendel</strong> <strong>Art</strong> <strong>Gallery</strong>. Over the course of the <strong>Mendel</strong>’s<br />
forty-three year history, she has generously given<br />
significant monetary donations, as well as outstanding<br />
gifts of art, which have had a profound, enriching effect<br />
on the cultural life of Saskatoon.<br />
Eva <strong>Mendel</strong> Miller served as Honourary Chair of<br />
the <strong>Gallery</strong> from 1976-1987; from 2000-2001; and<br />
from 2002 to the present. In addition, she is currently<br />
serving as Honourary Co-Chair (with Joni Mitchell) of<br />
the most ambitious initiative in the <strong>Mendel</strong>’s history:<br />
<strong>The</strong> “Expanding the Vision” Facility Renovation and<br />
Expansion Project. With her most recent gift of $200,000<br />
to our Capital Campaign, Eva <strong>Mendel</strong> Miller continues<br />
to inspire and lead the way for the future of the visual<br />
arts in Saskatoon. <strong>The</strong> <strong>Gallery</strong> is most grateful for her<br />
support.<br />
Our Autumn Season<br />
Autumn at the <strong>Mendel</strong> features an exceptional lineup<br />
of exhibitions and public programs. For starters,<br />
Graeme Patterson: Woodrow is receiving critical acclaim<br />
nationally, and bringing record numbers of visitors<br />
to the gallery. Through architectural constructions,<br />
animation, animatronics, and video components,<br />
Patterson invites us into a world of whimsy and tragedy<br />
in an imaginative reanimation of the ghosts of the<br />
dying town of Woodrow, Saskatchewan. Organized in<br />
partnership with the <strong>Art</strong> <strong>Gallery</strong> of Nova Scotia, Halifax,<br />
and curated by Ray Cronin, Senior Curator and Curator<br />
of Contemporary <strong>Art</strong> at that institution, Woodrow has<br />
been presented in Halifax and Montreal, and continues<br />
its national tour after the <strong>Mendel</strong> with venues in<br />
Alberta and British Columbia. I’m delighted to report<br />
the <strong>Gallery</strong>’s purchase of one of Graeme’s works from<br />
the exhibition for our Permanent Collection, <strong>The</strong> House,<br />
2006, pictured on the cover of this issue of Folio. This<br />
purchase has been made possible with support from the<br />
Canada Council’s Acquisition Assistance Program.<br />
<strong>The</strong> Insiders, curated by the <strong>Mendel</strong>’s former<br />
preparator and talented Saskatoon artist, Jeff Nachtigall,<br />
and generously sponsored by PotashCorp, is the result of<br />
some remarkable collaborations and synergies. Through<br />
the <strong>Art</strong>ist in the Community Program, a project of the<br />
City of Saskatoon and the Saskatchewan <strong>Art</strong>s Board,<br />
Jeff was enlisted as <strong>Art</strong>ist in Residence for the Saskatoon<br />
Health Region. At the Sherbrooke Community Centre,<br />
his passion for art has served as a catalyst for unleashing<br />
the innate creativity of the Centre’s residents, twelve of<br />
whom are represented in this very powerful exhibition.<br />
<strong>The</strong> <strong>Mendel</strong>’s Permanent Collection is given special<br />
focus this season with Emotional Geographies, a blast<br />
from past through a variety of works from the 1960s and<br />
1970s curated by Associate Curator Adrian A. Stimson;<br />
Grow Up or Blow Up, a rare look at the illustrative work<br />
of Ernest Lindner; and Joined, the concluding exhibition<br />
in Stimson’s <strong>Art</strong>iculation series, which blends old and<br />
new ideas through personal linkages between the work<br />
of contemporary Saskatoon artists Linda Young, Cheryl<br />
Buckmaster, Todd Gronsdahl, and Dallas Poundmaker<br />
and select works from the <strong>Mendel</strong>’s permanent<br />
collection.<br />
Special projects include Barrett Russell’s Here and<br />
<strong>The</strong>re: <strong>The</strong> Easy Magic Machine bicycle trip from<br />
Saskatoon to Burning Man, and Phantasmagoria, the<br />
inaugural exhibition of young people’s art curated by the<br />
<strong>Mendel</strong> Youth Council. In addition, the <strong>Mendel</strong>’s ongoing<br />
artistsbyartists series, which is designed to stimulate<br />
critical dialogue between an emerging and senior artist<br />
in the community, featured TransFIGUREmenT: Shelley<br />
Kaszefski and Leslie Potter, a series of gestural figurative<br />
works that explore the human condition.<br />
As you can see from this exciting edition of Folio,<br />
there is much activity happening at the <strong>Mendel</strong>. Please<br />
enjoy our autumn season.<br />
Warmest wishes,<br />
Terry Graff, Executive Director & CEO