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American Chordata: Issue One, Spring 2015

American Chordata: Magazine of New Writing Issue One, Spring 2015 ISSN 2378-2579 (online) ISSN 2378-2560 (print) Featuring new fiction, poetry, art, and photography by Thomas Albdorf, Beto Ruiz Alonso, Sergiy Barchuk, Soren Bliefnick, Robbie Brannigan, Andrew Cedermark, Anthony Cudahy, Lindsay D’Addato, Kathryn Donohue, Rick Erfmann, Alberto Feijoo, Louis Fratino, Emma Furman, Cal Graves, Justin Guthrie, Sam Haberman, Colby Halloran, Carianne King, Helen Korpak, Kayla Krut, Mon Levchenkova, David Luraschi, Tammy Mercure, Ryan Oskin, D. Eric Parkison, Thomas Prior, Talena Sanders, Kier Cooke Sandvik, Nicole Schilder, Sarah V. Schweig, Jake Stangel, Hayley Stephon, Anika Steppe, Ally White, and Diana Xin. American Chordata is a biannual magazine of fiction, poetry, nonfiction, art, and photography. We are founded on the belief that a good literary magazine can celebrate sophisticated design and earnest expression on the same 5.5 by 8.5 page. We publish work that is brave, illuminating, and emotionally detailed. The electronic edition of Issue One is free to read, download, print, and share. For submission guidelines, digital subscriptions, and more information, visit americanchordata.org.

American Chordata: Magazine of New Writing
Issue One, Spring 2015
ISSN 2378-2579 (online)
ISSN 2378-2560 (print)

Featuring new fiction, poetry, art, and photography by

Thomas Albdorf, Beto Ruiz Alonso, Sergiy Barchuk, Soren Bliefnick, Robbie Brannigan, Andrew Cedermark, Anthony Cudahy, Lindsay D’Addato, Kathryn Donohue, Rick Erfmann, Alberto Feijoo, Louis Fratino, Emma Furman, Cal Graves, Justin Guthrie, Sam Haberman, Colby Halloran, Carianne King, Helen Korpak, Kayla Krut, Mon Levchenkova, David Luraschi, Tammy Mercure, Ryan Oskin, D. Eric Parkison, Thomas Prior, Talena Sanders, Kier Cooke Sandvik, Nicole Schilder, Sarah V. Schweig, Jake Stangel, Hayley Stephon, Anika Steppe, Ally White, and Diana Xin.

American Chordata is a biannual magazine of fiction, poetry, nonfiction, art, and photography. We are founded on the belief that a good literary magazine can celebrate sophisticated design and earnest expression on the same 5.5 by 8.5 page. We publish work that is brave, illuminating, and emotionally detailed.

The electronic edition of Issue One is free to read, download, print, and share.

For submission guidelines, digital subscriptions, and more information, visit americanchordata.org.

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“Okay, then. Let’s invite them,” he says, and so we do.<br />

For the special occasion of our first party, we string Christmas<br />

lights up along our ladder and stand it up in the back of the room<br />

near the oven and the fridge, not far from the crack where the<br />

plaster falls. Carson cleans and folds up our bed, leaning the mattress<br />

against the wall. I make several recipes from the 1970s, including<br />

a Watergate salad, which is a mixture of crushed pineapple,<br />

pistachio Jell-O, marshmallows and whipped cream. There are also<br />

pecans sprinkled on top.<br />

Ellen is the first to arrive. For the party, she has added more<br />

feathers to her hair. On the right side, they are small and brown<br />

and neat, much like the original three. On the left are two big black<br />

feathers that look like they have seen rough winds. The white<br />

rachises are bare at some points. I hope that no one else will see<br />

that she picked the feathers off the street.<br />

“I brought you an evil eye,” she says, holding up her token, “to<br />

ward off bad spirits.”<br />

The evil eye is a disc of transparent blue plastic, on top of which<br />

is a watery white circle with another oval of black felt inside.<br />

“I made it myself,” Ellen says.<br />

“It’s beautiful,” Carson says. “Welcome.”<br />

As the party picks up, I stick close to Ellen and Maurice like<br />

we are on our own planet, with a magnetic force that repels intruders.<br />

The rest of the party orbits around us. Someone laughs at the<br />

case of beer that Maurice has brought, because it is of low quality<br />

or because it has been linked to an unfavorable subculture through<br />

corporate marketing strategy. I try to make him feel better but I<br />

don’t know how. “I don’t think people like my salad, either,” I say,<br />

but neither of them responds.<br />

Carson steps in instead, picking up the case of beer. “This is just<br />

what we need,” he says. He places two cups of beer on the wooden<br />

chest and drags it out so it is across from the ladder. Then he places<br />

two more cups on the second step of the ladder, and pulls out three<br />

Ping-Pong balls from a drawer.<br />

Ellen sets down her drink and ruffles the feathers inside her<br />

hair. “This is my favorite game.”<br />

15 • FICTION

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