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62 nd<br />

ANNUAL<br />

CRITICS POLL<br />

JAZZ ALBUM<br />

OF THE YEAR<br />

Cécile McLorin Salvant, WomanChild<br />

(MACK AVENUE) 77<br />

The vocalist’s U.S. debut is a Grammy-nominated<br />

best-seller that draws on songs spanning three<br />

centuries of American music. She is joined by a<br />

world-class band, and her captivating singing is<br />

immersed in the immediacy of the moment.<br />

1<br />

Ambrose Akinmusire, The<br />

Imagined Savior Is Far Easier<br />

To Paint (BLUE NOTE) 59<br />

2<br />

One of the prime and powerful<br />

fresh voices in 21st century<br />

jazz pursues new paradigms in<br />

a musical context that folds in<br />

aspects of classical music, subtle<br />

hip-hop vibes and straightahead jazz quintet fodder.<br />

Dave Holland & Prism,<br />

Prism (DARE2) 52<br />

Far better than a conventional<br />

3<br />

supergroup, Prism is a democratic,<br />

hornless quartet of different sensibilities<br />

who join forces to make music<br />

that none of them would make<br />

on their own. The nine<br />

originals are engaging, many of them full of adrenaline.<br />

Gregory Porter, Liquid Spirit<br />

(BLUE NOTE) 50<br />

The singer-songwriter’s major<br />

4<br />

label debut marks his ascent<br />

into the top ranks of jazz and<br />

r&b vocalists today. Ten originals<br />

showcase Porter’s innate gift<br />

for composing poignant songs<br />

based upon personal experiences.<br />

Pat Metheny Unity<br />

Group, Kin (NONESUCH) 41<br />

The Unity Group concept has<br />

5<br />

coalesced, and the guitarist has<br />

drawn the different strands together<br />

into a unified whole befitting<br />

the band’s name. Metheny plays<br />

magnificently, and multi-instrumentalist<br />

Giulio Carmassi fills out the arrangements.<br />

6<br />

Frank Wess, Magic<br />

101 (IPO) 39<br />

The mood is gentle, the sound<br />

intimate and amorous on this<br />

program of warm ballads and one<br />

blues. Wess, who passed away last<br />

October at age 91, comes to us here<br />

in full flower, skills and sound intact.<br />

Kenny Garrett, Pushing<br />

The World Away<br />

(MACK AVENUE) 38<br />

7<br />

The saxophonist continues<br />

to explore the<br />

vast territory opened<br />

by John Coltrane<br />

and Sonny Rollins,<br />

while at the same time forging a personal<br />

middle ground between their knotty<br />

variations and his own singable tunes.<br />

Jane Ira Bloom, Sixteen<br />

Sunsets (OUTLINE) 36<br />

The beauty of Bloom’s<br />

8<br />

soprano saxophone<br />

tone is prominent<br />

on this program of<br />

eight classic ballads<br />

and six original<br />

compositions. Each song offers a<br />

demonstration of immaculate control<br />

and imaginative phrasing and attack.<br />

The Bad Plus, The Rite<br />

Of Spring (SONY<br />

MASTERWORKS) 34<br />

9<br />

The Bad Plus is the rare<br />

group with enough<br />

chops and chutzpah<br />

to take on the notorious<br />

Stravinsky/<br />

Nijinsky ballet, which a century ago signaled<br />

the beginning of music’s “modern” age. The<br />

trio’s version is as earthy as it is ingenious.<br />

Terence Blanchard,<br />

Magnetic (BLUE<br />

NOTE) 32<br />

10<br />

The art of blowing<br />

defines this date,<br />

where the trumpeter<br />

delivers a big blast of<br />

head-down, hard-driving<br />

swing. Even when<br />

the funk gets filtered through the rhythm<br />

section, an anything-goes vibe prevails.<br />

28 DOWNBEAT AUGUST 2014

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