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62 nd<br />
ANNUAL<br />
CRITICS POLL<br />
JAZZ ALBUM<br />
OF THE YEAR<br />
Cécile McLorin Salvant, WomanChild<br />
(MACK AVENUE) 77<br />
The vocalist’s U.S. debut is a Grammy-nominated<br />
best-seller that draws on songs spanning three<br />
centuries of American music. She is joined by a<br />
world-class band, and her captivating singing is<br />
immersed in the immediacy of the moment.<br />
1<br />
Ambrose Akinmusire, The<br />
Imagined Savior Is Far Easier<br />
To Paint (BLUE NOTE) 59<br />
2<br />
One of the prime and powerful<br />
fresh voices in 21st century<br />
jazz pursues new paradigms in<br />
a musical context that folds in<br />
aspects of classical music, subtle<br />
hip-hop vibes and straightahead jazz quintet fodder.<br />
Dave Holland & Prism,<br />
Prism (DARE2) 52<br />
Far better than a conventional<br />
3<br />
supergroup, Prism is a democratic,<br />
hornless quartet of different sensibilities<br />
who join forces to make music<br />
that none of them would make<br />
on their own. The nine<br />
originals are engaging, many of them full of adrenaline.<br />
Gregory Porter, Liquid Spirit<br />
(BLUE NOTE) 50<br />
The singer-songwriter’s major<br />
4<br />
label debut marks his ascent<br />
into the top ranks of jazz and<br />
r&b vocalists today. Ten originals<br />
showcase Porter’s innate gift<br />
for composing poignant songs<br />
based upon personal experiences.<br />
Pat Metheny Unity<br />
Group, Kin (NONESUCH) 41<br />
The Unity Group concept has<br />
5<br />
coalesced, and the guitarist has<br />
drawn the different strands together<br />
into a unified whole befitting<br />
the band’s name. Metheny plays<br />
magnificently, and multi-instrumentalist<br />
Giulio Carmassi fills out the arrangements.<br />
6<br />
Frank Wess, Magic<br />
101 (IPO) 39<br />
The mood is gentle, the sound<br />
intimate and amorous on this<br />
program of warm ballads and one<br />
blues. Wess, who passed away last<br />
October at age 91, comes to us here<br />
in full flower, skills and sound intact.<br />
Kenny Garrett, Pushing<br />
The World Away<br />
(MACK AVENUE) 38<br />
7<br />
The saxophonist continues<br />
to explore the<br />
vast territory opened<br />
by John Coltrane<br />
and Sonny Rollins,<br />
while at the same time forging a personal<br />
middle ground between their knotty<br />
variations and his own singable tunes.<br />
Jane Ira Bloom, Sixteen<br />
Sunsets (OUTLINE) 36<br />
The beauty of Bloom’s<br />
8<br />
soprano saxophone<br />
tone is prominent<br />
on this program of<br />
eight classic ballads<br />
and six original<br />
compositions. Each song offers a<br />
demonstration of immaculate control<br />
and imaginative phrasing and attack.<br />
The Bad Plus, The Rite<br />
Of Spring (SONY<br />
MASTERWORKS) 34<br />
9<br />
The Bad Plus is the rare<br />
group with enough<br />
chops and chutzpah<br />
to take on the notorious<br />
Stravinsky/<br />
Nijinsky ballet, which a century ago signaled<br />
the beginning of music’s “modern” age. The<br />
trio’s version is as earthy as it is ingenious.<br />
Terence Blanchard,<br />
Magnetic (BLUE<br />
NOTE) 32<br />
10<br />
The art of blowing<br />
defines this date,<br />
where the trumpeter<br />
delivers a big blast of<br />
head-down, hard-driving<br />
swing. Even when<br />
the funk gets filtered through the rhythm<br />
section, an anything-goes vibe prevails.<br />
28 DOWNBEAT AUGUST 2014