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October 22, 20<strong>10</strong> <strong>Clayton</strong> <strong>Pioneer</strong> • www.claytonpioneer .com Page 19<br />

Theatre<br />

Pursue the mystery with Willow’s ‘Sleuth’<br />

LOU FANCHER<br />

<strong>Clayton</strong> <strong>Pioneer</strong><br />

Reviewers do not allow theater companies<br />

to tell them what or what not to write.<br />

So it’s not the Willows Theatre Company<br />

that’s holding the reins of a reviewer’s pen:<br />

it’s Anthony Shaffer, the playwright of<br />

“Sleuth,” the Willow’s current production.<br />

Since the play’s original 1970 staging in<br />

London, audiences have been asked to<br />

remain mum about the plot. “Sleuth” is a<br />

murder mystery with multiple layers of<br />

deceit and deception. A tell-all would spoil<br />

half the fun of seeing the show.<br />

Many may already have seen the play or<br />

either of the two movies – a 1972 version<br />

with Laurence Olivier and Michael Caine<br />

or the 2007 film starring Caine and Jude<br />

Law. Yet due to Shaffer’s skillful playwriting<br />

and the popularity of the mystery<br />

genre, there’s still good reason to buzz<br />

over to the Campbell Theatre in downtown<br />

Martinez.<br />

Director Richard Elliott spins out an<br />

efficient tale, with enough humor and danger<br />

to satisfy the nearly sold-out houses<br />

the production is attracting.<br />

What can be told about the plot is simple.<br />

Andre Wyke, a wealthy thriller writer,<br />

invites young Milo Tindle to his home for<br />

a drink. Over scotch, Andrew reveals that<br />

he knows about the affair his wife is having<br />

with Milo. He suggests a devilish plan<br />

to rid himself of a tiresome wife and grant<br />

Milo his heart’s desire.<br />

Of course, there’s something fishy in<br />

Andrew’s motivation and in Milo’s participation,<br />

but that’s where the exposition<br />

must come to a halt.<br />

Shaun Carroll as Andrew Wyke is<br />

vibrant. He’s not as haughty as Olivier or<br />

as gritty as Caine, but his portrayal of a<br />

wronged spouse gains depth as the play<br />

progresses.<br />

Especially in the first act, Carroll bounds<br />

Everybody’s favorite nun is back at the<br />

Willows Theatre. Billed as a “one Nun-sense<br />

musical event,” “Sister Robert Anne’s<br />

Cabaret Class” stars Willows’ veteran<br />

Deborah Del Mastro as the tune-belting,<br />

wise-cracking, trumpet-playing nun who left<br />

her sandal prints over all the previous<br />

Nunsense musicals.<br />

“Sister Robert Anne’s Cabaret Class” is<br />

the Willows’ holiday musical offering, opening<br />

Nov. 29 in Martinez. The show features<br />

songs from all the “Nunsense” shows and is<br />

directed by Dan Goggin, the creator of all<br />

seven (so far) “Nunsense” musicals.<br />

“Danny Goggin made the Willows an<br />

offer that we couldn’t pass up: the West<br />

Coast premiere of a ‘Nunsense’ special,<br />

written specifically for Deb Del Mastro,”<br />

said Willows general manager Christine<br />

Marshall.<br />

Del Mastro and Goggin premiered<br />

“Sister Robert Anne’s Cabaret Class” in July<br />

Photo credit, David Faustina.<br />

SHAUN CARROLL AND ERIC INMAN star in the Willows Theatre production of Sleuth,<br />

Oct. 4-Nov. 7 at the Campbell Theatre in Martinez.<br />

across the Campbell’s diminutive stage with<br />

the dexterity of a gymnast. Although this<br />

energizes the production, it detracts from<br />

his character’s claims that he needs Milo’s<br />

help because he, an older gentleman, is less<br />

agile. It’s a small point, but an important<br />

one early on, when the plot is still dependent<br />

on an old cliché: Seeing is believing.<br />

Eric Inman is an enchanting blend of<br />

gullible lover and resentful, pouty, young<br />

professional. As Milo, he’s deft at comedic<br />

moments: climbing into a clown suit with<br />

all the delight of a 6-year-old at Halloween<br />

and in other scenes too far into the play’s<br />

“protected plot” to describe.<br />

The kitschy set is full of visual charm,<br />

at the Playhouse on the Green in Bridgeport,<br />

Conn., where it played to full houses and got<br />

superb reviews. The Willows is the first West<br />

Coast theater to produce the show.<br />

Del Mastro, a “singing nun with a difference,”<br />

is a longtime member of Goggin’s<br />

favorite nunnery, the Little Sisters of<br />

Hoboken. She originated Sister Robert Anne<br />

in “Nunsense Jamboree,” “Nuncrackers,”<br />

“Meshuggah-Nuns” and “Nunsensations,”<br />

all of which played at the Willows over the<br />

years, many as world premiers. She can be<br />

heard on all the original cast CDs.<br />

Del Mastro filmed “Nunsense Jamboree”<br />

with Vicki Lawrence, “Nuncrackers” with<br />

Rue McClanahan and “Nunsensations” with<br />

the original cast. She is also a Beach Blanket<br />

Babylon alumna. And as a U.S. Navy Band<br />

veteran, she really is the one playing the<br />

trumpet.<br />

“Sister Robert Anne’s Cabaret Class” plays<br />

Nov. 29-Jan. 16. at the Campbell Theatre, 626<br />

Ward Street, Martinez. Tickets available at willowstheatre.org<br />

or 798-1300.<br />

from a collection of colorful masks to a<br />

bubbling fish tank to the 4-foot tall fisherman<br />

doll that laughs upon the press of a<br />

button. Elliott demonstrates once again his<br />

affinity for humor, even amidst the blood<br />

and bullets.<br />

If you know the plot, it’s still a delight<br />

to watch how human desire for love or<br />

revenge leads to … well, I can’t tell you<br />

that part. You’ll have to go and see for<br />

yourself.<br />

“Sleuth” plays through Nov. 7 at the<br />

Campbell Theatre, 626 Ward St., Martinez.<br />

Tickets are $22-$32. For more information, call<br />

798-1300 or visit willowstheatre.org.<br />

Willows toasts the holidays with<br />

new ‘Nunsense’ musical<br />

GARY CARR<br />

Special to the <strong>Pioneer</strong><br />

Britney and friends play it out in Center REP show<br />

“Becoming Britney” opens at the<br />

CenterREP Oct. 28.<br />

How does a pop sensation wind up bald<br />

and trapped in her own musical?<br />

“Becoming Britney” is a caustic (but loving)<br />

PG-13 fable that chronicles the<br />

rise…the dip…and the salvation of a foolhardy<br />

celebrity phenom.<br />

Produced by Center REP and directed<br />

by Daya Curley, the show features eleven<br />

original songs that pay homage to multiple<br />

musical theatre genres including shows like<br />

“Annie” and “Rent,” and composers like<br />

Rodgers and Hammerstein among others.<br />

The songs include a comical waltz between<br />

Britney and K-Fed as they both agree the<br />

other is, “The Love of My Life (So Far),” a<br />

show-stopper called “Push It Out” in<br />

which Brit has two babies and “Out of<br />

Control,” a swingin’ jive number about her<br />

downward spiral with the help of friends<br />

Lindsay and Paris.<br />

NY Fringe Festival award winning<br />

DEB DEL MAESTRO stars as Sister Robert Anne,<br />

a part written especially for her, in the latest<br />

Willows Theatre “Nunsense” production,<br />

opening Nov. 29 at the Cabaret in Martinez.<br />

actress Molly Bell wrote the book, music<br />

and lyrics and also stars in the show. Bell<br />

was recently seen in Center REP’s “A<br />

Marvelous Party.”<br />

Performances run from Oct. 28 through<br />

Nov. 14 in the Knight Theater, Lesher<br />

Center for the Arts, Walnut Creek. Tickets<br />

are $25. For more information go to<br />

CenterREP.org or call (925) 943-SHOW<br />

(7469), or go to the LCA Ticket Office at<br />

1601 Civic Drive or the Ticket Office Outlet<br />

at Barnes & Noble in Walnut Creek.<br />

The <strong>Pioneer</strong> --<br />

It’s your paper!<br />

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