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October 22, 20<strong>10</strong> <strong>Clayton</strong> <strong>Pioneer</strong> • www.claytonpioneer .com Page 19<br />
Theatre<br />
Pursue the mystery with Willow’s ‘Sleuth’<br />
LOU FANCHER<br />
<strong>Clayton</strong> <strong>Pioneer</strong><br />
Reviewers do not allow theater companies<br />
to tell them what or what not to write.<br />
So it’s not the Willows Theatre Company<br />
that’s holding the reins of a reviewer’s pen:<br />
it’s Anthony Shaffer, the playwright of<br />
“Sleuth,” the Willow’s current production.<br />
Since the play’s original 1970 staging in<br />
London, audiences have been asked to<br />
remain mum about the plot. “Sleuth” is a<br />
murder mystery with multiple layers of<br />
deceit and deception. A tell-all would spoil<br />
half the fun of seeing the show.<br />
Many may already have seen the play or<br />
either of the two movies – a 1972 version<br />
with Laurence Olivier and Michael Caine<br />
or the 2007 film starring Caine and Jude<br />
Law. Yet due to Shaffer’s skillful playwriting<br />
and the popularity of the mystery<br />
genre, there’s still good reason to buzz<br />
over to the Campbell Theatre in downtown<br />
Martinez.<br />
Director Richard Elliott spins out an<br />
efficient tale, with enough humor and danger<br />
to satisfy the nearly sold-out houses<br />
the production is attracting.<br />
What can be told about the plot is simple.<br />
Andre Wyke, a wealthy thriller writer,<br />
invites young Milo Tindle to his home for<br />
a drink. Over scotch, Andrew reveals that<br />
he knows about the affair his wife is having<br />
with Milo. He suggests a devilish plan<br />
to rid himself of a tiresome wife and grant<br />
Milo his heart’s desire.<br />
Of course, there’s something fishy in<br />
Andrew’s motivation and in Milo’s participation,<br />
but that’s where the exposition<br />
must come to a halt.<br />
Shaun Carroll as Andrew Wyke is<br />
vibrant. He’s not as haughty as Olivier or<br />
as gritty as Caine, but his portrayal of a<br />
wronged spouse gains depth as the play<br />
progresses.<br />
Especially in the first act, Carroll bounds<br />
Everybody’s favorite nun is back at the<br />
Willows Theatre. Billed as a “one Nun-sense<br />
musical event,” “Sister Robert Anne’s<br />
Cabaret Class” stars Willows’ veteran<br />
Deborah Del Mastro as the tune-belting,<br />
wise-cracking, trumpet-playing nun who left<br />
her sandal prints over all the previous<br />
Nunsense musicals.<br />
“Sister Robert Anne’s Cabaret Class” is<br />
the Willows’ holiday musical offering, opening<br />
Nov. 29 in Martinez. The show features<br />
songs from all the “Nunsense” shows and is<br />
directed by Dan Goggin, the creator of all<br />
seven (so far) “Nunsense” musicals.<br />
“Danny Goggin made the Willows an<br />
offer that we couldn’t pass up: the West<br />
Coast premiere of a ‘Nunsense’ special,<br />
written specifically for Deb Del Mastro,”<br />
said Willows general manager Christine<br />
Marshall.<br />
Del Mastro and Goggin premiered<br />
“Sister Robert Anne’s Cabaret Class” in July<br />
Photo credit, David Faustina.<br />
SHAUN CARROLL AND ERIC INMAN star in the Willows Theatre production of Sleuth,<br />
Oct. 4-Nov. 7 at the Campbell Theatre in Martinez.<br />
across the Campbell’s diminutive stage with<br />
the dexterity of a gymnast. Although this<br />
energizes the production, it detracts from<br />
his character’s claims that he needs Milo’s<br />
help because he, an older gentleman, is less<br />
agile. It’s a small point, but an important<br />
one early on, when the plot is still dependent<br />
on an old cliché: Seeing is believing.<br />
Eric Inman is an enchanting blend of<br />
gullible lover and resentful, pouty, young<br />
professional. As Milo, he’s deft at comedic<br />
moments: climbing into a clown suit with<br />
all the delight of a 6-year-old at Halloween<br />
and in other scenes too far into the play’s<br />
“protected plot” to describe.<br />
The kitschy set is full of visual charm,<br />
at the Playhouse on the Green in Bridgeport,<br />
Conn., where it played to full houses and got<br />
superb reviews. The Willows is the first West<br />
Coast theater to produce the show.<br />
Del Mastro, a “singing nun with a difference,”<br />
is a longtime member of Goggin’s<br />
favorite nunnery, the Little Sisters of<br />
Hoboken. She originated Sister Robert Anne<br />
in “Nunsense Jamboree,” “Nuncrackers,”<br />
“Meshuggah-Nuns” and “Nunsensations,”<br />
all of which played at the Willows over the<br />
years, many as world premiers. She can be<br />
heard on all the original cast CDs.<br />
Del Mastro filmed “Nunsense Jamboree”<br />
with Vicki Lawrence, “Nuncrackers” with<br />
Rue McClanahan and “Nunsensations” with<br />
the original cast. She is also a Beach Blanket<br />
Babylon alumna. And as a U.S. Navy Band<br />
veteran, she really is the one playing the<br />
trumpet.<br />
“Sister Robert Anne’s Cabaret Class” plays<br />
Nov. 29-Jan. 16. at the Campbell Theatre, 626<br />
Ward Street, Martinez. Tickets available at willowstheatre.org<br />
or 798-1300.<br />
from a collection of colorful masks to a<br />
bubbling fish tank to the 4-foot tall fisherman<br />
doll that laughs upon the press of a<br />
button. Elliott demonstrates once again his<br />
affinity for humor, even amidst the blood<br />
and bullets.<br />
If you know the plot, it’s still a delight<br />
to watch how human desire for love or<br />
revenge leads to … well, I can’t tell you<br />
that part. You’ll have to go and see for<br />
yourself.<br />
“Sleuth” plays through Nov. 7 at the<br />
Campbell Theatre, 626 Ward St., Martinez.<br />
Tickets are $22-$32. For more information, call<br />
798-1300 or visit willowstheatre.org.<br />
Willows toasts the holidays with<br />
new ‘Nunsense’ musical<br />
GARY CARR<br />
Special to the <strong>Pioneer</strong><br />
Britney and friends play it out in Center REP show<br />
“Becoming Britney” opens at the<br />
CenterREP Oct. 28.<br />
How does a pop sensation wind up bald<br />
and trapped in her own musical?<br />
“Becoming Britney” is a caustic (but loving)<br />
PG-13 fable that chronicles the<br />
rise…the dip…and the salvation of a foolhardy<br />
celebrity phenom.<br />
Produced by Center REP and directed<br />
by Daya Curley, the show features eleven<br />
original songs that pay homage to multiple<br />
musical theatre genres including shows like<br />
“Annie” and “Rent,” and composers like<br />
Rodgers and Hammerstein among others.<br />
The songs include a comical waltz between<br />
Britney and K-Fed as they both agree the<br />
other is, “The Love of My Life (So Far),” a<br />
show-stopper called “Push It Out” in<br />
which Brit has two babies and “Out of<br />
Control,” a swingin’ jive number about her<br />
downward spiral with the help of friends<br />
Lindsay and Paris.<br />
NY Fringe Festival award winning<br />
DEB DEL MAESTRO stars as Sister Robert Anne,<br />
a part written especially for her, in the latest<br />
Willows Theatre “Nunsense” production,<br />
opening Nov. 29 at the Cabaret in Martinez.<br />
actress Molly Bell wrote the book, music<br />
and lyrics and also stars in the show. Bell<br />
was recently seen in Center REP’s “A<br />
Marvelous Party.”<br />
Performances run from Oct. 28 through<br />
Nov. 14 in the Knight Theater, Lesher<br />
Center for the Arts, Walnut Creek. Tickets<br />
are $25. For more information go to<br />
CenterREP.org or call (925) 943-SHOW<br />
(7469), or go to the LCA Ticket Office at<br />
1601 Civic Drive or the Ticket Office Outlet<br />
at Barnes & Noble in Walnut Creek.<br />
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