Vol 25, no 3, October - The Linnean Society of London
Vol 25, no 3, October - The Linnean Society of London
Vol 25, no 3, October - The Linnean Society of London
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4<br />
THE LINNEAN 2009 VOLUME <strong>25</strong>(3)<br />
Library<br />
I am delighted to report that our bid to the Wellcome Trust, for funding to catalogue<br />
the correspondence <strong>of</strong> Sir James Edward Smith, was successful. As a consequence, a<br />
lot <strong>of</strong> our time and energy over the past few months has gone into planning for the<br />
start <strong>of</strong> the project. <strong>The</strong> advertisement has gone out for an Archivist to work here parttime<br />
for nine months and we hope to have the successful candidate in post by mid- to<br />
late <strong>October</strong>. Cataloguing <strong>of</strong> the letters will be the first stage in making this material<br />
much more accessible and links will be created from the catalogue records to other<br />
resources, such as the biographical and biological content already available in databases<br />
created for the Linnaean and Smithian biological collections. Once the cataloguing is<br />
completed, we shall be looking for funding for the conservation and eventual digitisation<br />
<strong>of</strong> the letters.<br />
<strong>The</strong> digitisation <strong>of</strong> the Linnaean insect collection has <strong>no</strong>w been completed and the<br />
last <strong>of</strong> the specimens were returned to the <strong>Society</strong> in July. It is hoped that the images<br />
will go up online later this year after they have been checked and all the relevant data<br />
has been attached.<br />
During the summer, we became concerned about changes in the appearance <strong>of</strong> the<br />
Collier portrait <strong>of</strong> Charles Darwin, which hangs in the Meeting Room. <strong>The</strong> canvas<br />
seemed to have developed some gentle undulations. We consulted a picture conservator<br />
who recommended that the canvas needed re-lining and that the work should be carried<br />
out without too much delay. We agonised over losing Darwin during his anniversary<br />
year, but it was decided that the work could <strong>no</strong>t wait. <strong>The</strong> portrait has had to be<br />
removed to the conservator’s studio and some <strong>of</strong> you will have seen the forlorn empty<br />
frame hanging in the Meeting Room. We expect that the work will be completed and<br />
Darwin will be back in his rightful place by mid-<strong>October</strong>.<br />
Several other items from the <strong>Society</strong>’s collections have also been on the move<br />
recently. <strong>The</strong> Lincecum letter that was on loan to the Darwin exhibition at the Natural<br />
History Museum was safely returned to us in April when the exhibition closed. <strong>The</strong><br />
focus then switched to items associated with Robert Brown, President <strong>of</strong> the <strong>Society</strong><br />
from 1849-1853. Pr<strong>of</strong>essor Cutler transported Robert Brown’s microscope to Kew in<br />
order to re-create the experiment which resulted in the discovery <strong>of</strong> Brownean<br />
Movement. <strong>The</strong> experiment was filmed and formed part <strong>of</strong> the programme <strong>The</strong> Cell<br />
which was broadcast in August. <strong>The</strong> Sedgwick Museum <strong>of</strong> Earth Sciences in Cambridge<br />
has borrowed Brown’s seal for the exhibition Darwin the Geologist which opened at<br />
the beginning <strong>of</strong> July.<br />
Requests for tours <strong>of</strong> the <strong>Society</strong>’s rooms and collections are on the increase. We<br />
have given tours to the usual summer school groups from Michigan, Harvard, Georgia<br />
and Maryland and we have also hosted visits from the Anglo-Swedish Group, the<br />
Stanmore Strollers, Kensington and Chelsea National Trust Group, the <strong>London</strong><br />
Committee <strong>of</strong> the Heritage Lottery Fund, the Friends <strong>of</strong> Sydney Botanic Gardens, the<br />
British Association <strong>of</strong> Paper Historians and library staff from the Royal <strong>Society</strong>, the<br />
<strong>London</strong> Library and Kings College Special Collections.<br />
Members <strong>of</strong> the Library staff have recently attended two excellent seminars at the<br />
Royal <strong>Society</strong>; one examining the interpretation <strong>of</strong> museum exhibits and displays and