<strong>Arts</strong>pace in Raleigh, NC, Offers Worksby Amy Gross and Barry Sparkman<strong>Arts</strong>pace in Raleigh, NC, is presentingthe exhibit, Microcosms/Macrocosms,featuring works by Amy Gross and BarrySparkman, on view in Gallery 2 throughMar. 31, <strong>2012</strong>.Microcosms/Macrocosms presentsthe work of two artists exploring similarconcepts, though utilizing vastly differentmedia and techniques. Amy Gross’ twoandthree-dimensional works are stitched,sculptural fiber works, while Barry Sparkman’smixed media works incorporateprintmaking and painting techniques.Work by Amy GrossGross’ works are an attempt to mergethe natural observable world with her owninner life. Gross notes that she is “tryingto remake nature sieved through myexperiences. I’ve always been attractedand frightened by things that are in theirfullest bloom but on the verge of spoiling.There’s beauty and sadness in them,heightened by the undeniable inevitabilityof their ending in death. This fascinationand fear describes my own psychologymore than I would like to admit.”The process forces Gross to considerthat which she would rather not – theheedlessness of time, of aging, and of thestealthy undermining of illness. Workssimilar to those exhibited at <strong>Arts</strong>pacebegan when some people closest to Grosswere diagnosed with illnesses that at thetime were mostly unknown. With fewsymptoms or signs, Gross began a processthat made the microscopic – essentiallythe invisible – real. Her current stitchedworks mimic both the microscopic andlife forms in our human eye scale. Theseforms grow, take over, and climb. Thoughthey diagram stages of decay and change,the different is that these forms are notcorporeal – they cannot evolve or die.Gross recognizes that making these objectsdoesn’t alter reality, but for the artist,it freezes time, if just for a little while.Gross was born and raised on LongIsland, NY, and received her BFA fromThe Cooper Union for the Advancementof Science and Art in NYC. After attendingThe Skowhegan School of Paintingand Sculpture in ME, she returned to NYand established Color Box Studio, Inc.,a design company specializing in textileand surface design, and Amy Designs,Inc., concentrating on children’s productdevelopment. Following a move to SouthFlorida in 1999 Gross began working infiber. Her pieces evolved from beaded,painted, and embroidered works on canvasto three-dimensional embellished objects.Gross’ works has been widely exhibitedincluding in Florida at the BocaRaton Museum of Art, The Donna TribbyGallery, The Armory Art Center, and18 Rabbit Gallery, as well as nationallyincluding at Three Graces Gallery and thePortsmouth Museum of Art, Portsmouth,NH, Target Gallery, Alexandria, VA, LoudonHouse Gallery, Lexington, KY, andKenise Barnes Fine Art, NY. Her work isrepresented by Watson MacRae Gallery.Gross’ work has appeared in the summer2009 issue of Fiber <strong>Arts</strong> and the winter2009 issue of Visual Overtures magazine.In <strong>2012</strong>, her work will be included in thebotany-themed issue of HESA Inprint.Barry Sparkman uses abstraction tosuggest the sense of a subconscious universe.Lines and shapes twist and streamthrough multicolored environments tocreate the sense of a fourth-dimensionalspace accessible through the artist’simagination. The spiraling tendrils andPage 42 - <strong>Carolina</strong> <strong>Arts</strong>, <strong>March</strong> <strong>2012</strong>wave-like forms often seem to allude toliving organisms; the ambiguous spacethey inhabit simultaneously suggests amicrocosm and a macrocosm. While hisimagery typically arises spontaneously,based upon formal or emotional impulses,more recently he has been inspired byimages from biology, particularly microbiology.Sparkman often works subtractivelywhen creating his oil paintings, layingdown paint and then scraping off linesand layers to create complex, texturedsurfaces and subtle color effects. Hisrecent monoprints have provided anothermeans for layering colors and texturesthrough the use of photo-silkscreen. Theswirling, colorful, other-worldly environmentsthat he creates are simultaneouslybeautiful and alien, even while the organicand spatial elements refer distantly to ourmore familiar, mundane world.A native of Tennessee, Sparkman wasan artist from an early age. After completinghis BFA at Middle Tennessee StateUniversity, he earned a MFA in paintingat Louisiana State University in 1989, andrecently earned a second MFA in printmakingfrom the University of Miami. Hehas held a variety of jobs while pursuinghis art career, including working on aranch in Montana and running a conveniencestore. Sparkman also has workedas a museum preparator and galleriesmanager at the Art Museum of FloridaInternational University and the LoweArt Museum at the University of Miami.He has taught at Florida InternationalUniversity, Miami and Clarion University,Pennsylvania, among others.Work by Barry SparkmanSparkman has shown his work extensively,including solo shows in Miami,Nashville, Atlanta, and Chapel Hill, aswell as group shows across the countryfrom Provincetown, MA, to Alamosa, CO.He currently works out of his studio inPhoenix, AZ.<strong>Arts</strong>pace, a thriving visual art centerlocated in downtown Raleigh, brings thecreative process to life through inspiringand engaging education and communityoutreach programming, a dynamicenvironment of over 30 professionalartists studios, and nationally acclaimedexhibitions. Approximately 95 artists holdprofessional memberships in the <strong>Arts</strong>paceArtists Association. Thirty-five of theseartists have studios located at <strong>Arts</strong>pace.<strong>Arts</strong>pace is located in Historic City Marketin Raleigh at the corner of Blount andDavie Streets.<strong>Arts</strong>pace is supported by the <strong>No</strong>rth<strong>Carolina</strong> <strong>Arts</strong> Council, the United <strong>Arts</strong>Council of Raleigh and Wake County, theRaleigh <strong>Arts</strong> Commission, individuals,corporations, and private foundations.For further information check ourNC Institutional Gallery listings, call thecenter at 919/821-2787 or visit (www.artspacenc.org).The deadline each month to submit articles, photos and ads is the 24th of the monthprior to the next issue. This will be Mar. 24th for the April <strong>2012</strong> issue and Apr. 24 for theMay <strong>2012</strong> issue. After that, it’s too late unless your exhibit runsinto the next month. But don’t wait for the last minute - send your info now.And where do you send that info?E-mail to (info@carolinaarts.com).Table of ContentsAdam Cave Fine Art in Raleigh,NC, Offers Works by Joseph CaveWhat happens when a renownedSouthern landscape painter turns his fullattention to floral still-lifes and interiors?When the artist is Joseph Cave, a wholenew genre is born. Adam Cave Fine Artin Raleigh, NC, will present The FloralReimagined, an exhibit of twelve new oilson canvas, on view from Mar. 1 throughApr. 14, <strong>2012</strong>.Work by Joseph CaveCave reimagines the traditional stilllife in paintings full of bold color, playfulpattern, and rich, abstract brushwork.There is nothing still about these still-The Raleigh Fine <strong>Arts</strong> Society is proudto host its 34th <strong>No</strong>rth <strong>Carolina</strong> ArtistsExhibition, on view from Mar. 4 throughMay 2, <strong>2012</strong>. This juried exhibition formultimedia visual art features establishedand emerging artists from more than60 counties across <strong>No</strong>rth <strong>Carolina</strong>. Theexhibit will be on view in the Betty RayMcCain Gallery at the Progress EnergyCenter for the Performing <strong>Arts</strong> in Raleigh,NC. An awards reception will begin at2pm on Mar. 4, with a juror’s lecture offeredin Meymandi Hall at the ProgressEnergy Center for the Performing <strong>Arts</strong>.This year’s juror is Mark Sloan, Directorand Senior Curator of the Halsey Instituteof Contemporary Art at the College ofCharleston, School of the <strong>Arts</strong> in Charleston,SC. In his twenty-seven year careerhe has organized hundreds of exhibitions,ranging from contemporary Japaneseinstallation art to 19th Century Baluchitribal weavings. Several of his exhibitionshave traveled to institutions such as theHigh Museum in Atlanta, Yerba BuenaCenter for the <strong>Arts</strong> in San Francisco, theNew Orleans Museum of Art, and others.Sloan will be viewing 584 works submittedby 309 artists. He will select approximately65 for the show.Event sponsors are John William PopeFoundation, Smith, Anderson, Blount,Dorsett, Mitchell & Jernigan, LLP andMary Duke Biddle Foundation.In 1978-79, the Raleigh Fine <strong>Arts</strong>Society sponsored its first juried show formultimedia art created by Wake Countyartists. This exhibition expanded overlifes. The artist starts with the simplest ofideas, placing a bouquet of flowers in a jaror vase, and painting what he sees. But ineach work we see amazing flights of fancyas patterns of tablecloths and shadowson the wall all compete with the flowersthemselves for the viewer’s attention. Thiscontrolled chaos moves the viewer’s eyearound the canvas of which there is notone square inch lacking in visual interest.Gone is the traditional subject andbackground we are used to. The resultingpaintings seem more alive than the flowersthat they depict.Cave has been painting professionallyfor almost fifty years. Born in Columbia,SC, the artist attended the University ofGeorgia followed by the San FranciscoArt Institute and San Francisco State University.Following his MFA he spent yearsin <strong>No</strong>rthern California, as well as Europe,returning to the South in the late 80’s.Cave settled in Durham, NC, and now residesin the mountains near Asheville, NC.Adam Cave Fine Art is located on thesecond floor of a 120-year-old historicbuilding in the heart of downtown Raleigh.For further information check our NCCommercial Gallery listings, call thegallery at 919/838-6692 or visit (www.adamcavefineart.com).Progress Energy Center for thePerforming <strong>Arts</strong> in Raleigh, NC, OffersAnnual Exhibit Featuring NC Artiststhe years and now attracts artists from allover the state. Thousands of spectatorswho come to the Progress Energy Centerfor the Performing <strong>Arts</strong> enjoy having thisopportunity to view and purchase artworkcreated by <strong>No</strong>rth <strong>Carolina</strong> artists.The Raleigh Fine <strong>Arts</strong> Society had itsbeginning in 1964 when a small numberof volunteers staged an exhibition of localart at the Olivia Raney Library in Raleigh.The following year the Raleigh Fine <strong>Arts</strong>Society, Inc. was formed. The role todayof The Raleigh Fine <strong>Arts</strong> Society remainsas it was in 1965: To encourage the pursuitof art, music and the written word.That means identifying, supporting andrecognizing creative people and helpingassure their work is seen, heard and appreciated.This organization has establishedand nurtured the essential links amongthose who support these pursuits, thosewho enjoy them and those whose hands,hearts and minds create them.Since the 1970’s, The Raleigh Fine<strong>Arts</strong> Society has been actively involved ina variety of projects that support the arts.In addition to the art exhibition, otherprojects include an annual Choral Celebrationfor elementary schools in WakeCounty and an annual Literary Contest,open to short story writers from everyhigh school in Wake County, public orprivate.For further information check our NCInstitutional Gallery listings, call 919/787-7480, ext. 1064 or visit (www.raleighfinearts.org).Ackland Art Museum in Chapel Hill,NC, Features Works by Thomas HartBenton, Thornton Dial, and QuiltsThe Ackland Art Museum in ChapelHill, NC, will present several new exhibitsincluding: Chords of Memory: Lithographsby Thomas Hart Benton, on view from Mar.9 through May 13, <strong>2012</strong>; Thornton Dial:Thoughts on Paper, on view from Mar. 30through July 1, <strong>2012</strong> and Piece by Piece:Quilts, Collages, and Constructions, onview from Mar. 30 through July 1, <strong>2012</strong>..Associated with the Regionalist movement,Thomas Hart Benton wanted to createa “living art” that presented American subjectsin a way that was easily accessible toeveryday people. He traveled on sketchingtrips around America’s heartland during theDepression, often playing his harmonica inexchange for room and board. His lithographsrecord his travels, paying homage tothe people and places that he encountered.continued on Page 43
Ackland Art Museum in Chapel Hillcontinued from Page 42Some of the prints deal with Benton’smemories of his own childhood in Missouri,of his family and neighbors and howthey lived. Others deal with music - withthe singing, foot stamping, and folk songsthat shaped the character of rural life in theSouth and Midwest. However, by the 1940s,these songs were beginning to disappear.Chords of Memory examines Benton’s attemptto record these songs and the way oflife that they represented.Work by Thomas Hart BentonTwo abstract oil paintings by Benton willbe shown along with the exhibition. Theyrepresent the artist’s early experiments insynchronism, a movement interested in creatingharmonies with color just as musicianscomposed with sound.While most recognized for his largescale, multi-media assemblages, ThorntonDial’s drawings are his most prolific bodyof work, spanning from the early 1990s intoWork by Pete SackThe Mahler in Raleigh, NC, will presentthe exhibit, New Works by Pete Sack,on view from Mar. 2 - 31, <strong>2012</strong>. A receptionwill be held on Mar. 2, from 6-9pm.the present. Organized by the Ackland ArtMuseum, Thornton Dial: Thoughts on Paperwill feature 50 of Dial’s earliest drawingsfrom 1990-1991, a pivotal moment inhis artistic career.The Ackland Art Museum is well knownfor its extensive collection of works on paperand in particular, its outstanding collectionof drawings, making it a natural venuein which to explore this less-known buthighly significant portion of Dial’s oeuvre.The works in the exhibition - characterizedby flowing lines, color washes, and imagesof women, fish, and tigers - provide a touchstoneof Dial’s creative process.A fully-illustrated book, Thornton Dial:Thoughts on Paper, co-published by theAckland Art Museum and The Universityof <strong>No</strong>rth <strong>Carolina</strong> at Chapel Hill, will beavailable. The book is edited by Bernard L.Herman, with contributions by Bernard L.Herman, Juan Logan, Glenn Hinson, ColinRhodes, and Cara Zimmerman.Piece by Piece: Quilts, Collages, andConstructions is centered on a quilt fromthe legendary Gee’s Bend, Alabama, quiltingcommunity, this exhibition celebratesboth the act of “piecing together” works ofart from disparate elements and the influenceof traditional women’s fabric arts onmodern and contemporary art.For further information check our NCInstitutional Gallery listings, call the Museumat 919/966-5736 or visit (http://www.ackland.org/index.htm).The Mahler in Raleigh, NC,Features Works by Pete SackThe NC Museum of Natural Sciencesin Raleigh, NC, is presenting the 2011Wildlife in <strong>No</strong>rth <strong>Carolina</strong> Photo Competition,on view through Mar. 31, <strong>2012</strong>.In his new series of paintings, Sackcontinues to express his own human conditionthrough the combination of watercolorand paint. The images that he usesare taken from a variety of places, bothpersonal and public, and by removing theimages from their context Sack is able tocreate a new personal narrative throughhis art.The Mahler is a dynamic fine artgallery located in downtown Raleigh inthe historic and newly renovated MahlerBuilding on Fayetteville Street. TheMahler is dedicated to significant art ofour time, committed to offering the best inregional and national fine art by emergingand established artists.For further information check our NCCommercial Gallery listings, call MeggRader at 919/896-7503 or visit (www.themahlerfineart.com).NC Museum of Natural Sciences inRaleigh, NC, Offers Wildlife PhotographyWork by Gene Furr the Grand Prize winner<strong>No</strong>w in its seventh year, the Wildlifein <strong>No</strong>rth <strong>Carolina</strong> Photo Competitionseeks to encourage high-quality naturephotography and to identify talentedwildlife photographers working in <strong>No</strong>rth<strong>Carolina</strong>. This year’s field totaled 3,689photographs from approximately 1,000photographers. Judges were: WINC art directorMarsha Tillett, WINC photographerMelissa McGaw, Museum senior managerof outreach Mike Dunn, and Wildlife ResourcesCommission public informationofficer Jodie Owen.“Sometimes you have to break therules to get results,” says Gene Furr, the2011 Wildlife in <strong>No</strong>rth <strong>Carolina</strong> PhotoCompetition Grand Prize winner, who didjust that for his winning shot of the greategret. His photo, along with 30 other winningshots, are on display.“Most of the time, you do not want tophotograph birds from the rear, but breakingthis rule gave me a special image,”said Furr. “I am so honored to win theGrand Prize.”Furr is no newcomer to photography.During his 30 years at The News &Observer of Raleigh, he won more than300 awards while serving as staff photographer,chief photographer and photographycoach. He retired in 2002 and startedphotographing wildlife.The Photo Competition is held in collaborationwith the NC Wildlife Resourcescontinued above on next column to the rightCommission, the NC Museum of NaturalSciences and the NC Division of Parksand Recreation, with support from JWPhoto of Raleigh (Exhibition Sponsor).Table of ContentsThe Rosenzweig Gallery, part of theJudea Reform Congregation in Durham,NC, is presenting the exhibit, A Journey,featuring a print series exploringthe meaning of each of the twenty-twoFor further information check ourNC Institutional Gallery listings, call theMuseum at 919/733-7450 or visit (http://www.naturalsciences.org/).The Rosenzweig Gallery in Durham,NC, Offers Works by Julie KlaperWork by Julie KlaperHebrew letters by Charleston, SC, artist,Julie Klaper. A reception will be held onMar. 4, from 2-4pm.Klaper was inspired to do the workwhile studying for her Bat Mitzvah. Eachprint includes symbols which give thehistorical reference, numerical value andsymbolism of the letters. In addition,as appropriate for this coming of ageceremony, the artist selected an attributebeginning with each letter, traits she isfocusing on achieving as she grows older.Klaper celebrated her Bat Mitzvah theday before her sixtieth birthday at a serviceat KKBE Synagogue in Charleston,SC. She describes the process of creatingthe work, “Each piece is a monoprint, anedition of one, requiring at least six toeight passes through the press. I paint theimage, in reverse, on plexiglass and thentransfer it to paper. I used some form ofmetallic ink on each one, a reference tothe ancient manuscripts which gave mecreative inspiration.”The framed prints are available forpurchase.For further information check our NCInstitutional Gallery listings or call thegallery at 919/489-7062.ENO Gallery in Hillsborough, NCcontinued from Page 41 / back to Page 41Work by Donna Polsenoof Design. She is the recipient of twoNational Endowment of the <strong>Arts</strong> grants forindividual artists. Polseno teaches ceramicsat Hollins University, in Roanoke, VA.Wayne Higby, Chair of Ceramic Art,Alfred University, said the followingabout Polseno, “Artists contextualize andcreate a point of view that informs theviewer. They tell us what to think, to feel,to understand. They reveal. We knowabout the sunset because artists have revealedit to us. Likewise, we know aboututility in this case because Donna Polsenoreveals it so poetically.”Also on view at ENO Gallery throughApr. 22, <strong>2012</strong>, is the exhibit, Totemsand Talismans, a sculpture invitational,by eleven artists offering contemporaryinterpretations of Totems and Talismans.Participating artists include: Alice Ballard(Greenville, SC); Lisa Creed (Durham,NC); Daniel Essig (Asheville, NC); JohnGeldersma (Santa Fe, NM); Virginia Gibbons(Wilmington, NC); Kelly Guidry(Breaux Bridge, LA); Tinka Jordy (Hillsborough,NC); William Moore (Pittsboro,NC); Hope Swann (Charlotte, NC); KathyTriplett (Weaverville, NC); and SusanWells (Hillsborough, NC).ENO Gallery represent exceptionalcontemporary artists for both first timebuyers and discerning collectors. Thegallery is a unique and intimate exhibitionspace in the heart of the Hillsboroughhistoric district, offering work from artistsof exceptional quality and dedication. Weare honored to represent some of the mostcreative individuals from both the regionaland national communities. Our name is inspiredby the Eno River that runs throughdowntown Hillsborough, which was laidout in 1754 by William Churton on 400acres where the Occaneechi Indian TradingPath crossed the Eno River.For further information check our NCCommercial Gallery listings, call the galleryat 919/833-1415 or visit(http://www.enogallery.net/).<strong>Carolina</strong> <strong>Arts</strong>is now onFacebookGo to this link and“like” us!<strong>Carolina</strong> <strong>Arts</strong>, <strong>March</strong> <strong>2012</strong> - Page 43