Right: Hayko at aconcert in Yerevan.Far right: Haykoat age two.Hayko, uponhis return fromEurovision inFinland. Photo :TV Mol.to go to cafés, restaurants, andclubs. I like good food. I play tenniswith my brother. I am alwaysin action,” he says.A sought-after bachelor, Haykoappears alone in public. “I amvery much unattached romantically,but I strongly desire to findmy love, get married, and settledown. Perhaps it will happen inthe United States. That countrybrings me luck in love, since Ihad fallen in love there and hada girlfriend,” says Hayko. He isdefinitely a heartthrob. He laughsself-consciously when I mentionthis. However, besides hisgood looks, he always maintainsthe pr<strong>of</strong>ile <strong>of</strong> being a well-manneredand respectable man. “I ama common <strong>Armenian</strong> man, whorespects everyone. I was educatedto be like this. I always try hardto do everything that is right andsuitable for an <strong>Armenian</strong> man,”says Hayko.European tours followEurovisionEurovision was clearly the mostambitious project <strong>of</strong> Hayko’scareer. He was already a well establishedname before the contest.But why would a singer withhis status need to participate inEurovision? Hayko admits thatit was a very big risk. “Even myproducers asked me not to go toEurovision, because I already wasa well known singer and did notneed that. <strong>The</strong> responsibility ishuge, because you are representingyour country and it wouldhave been too bad had I not sangwell, or achieved a lower rank.”(He came in eighth.) However,Hayko thought that an opportunitylike that is given only once ina lifetime and wanted to live theexperience.“I was sure <strong>of</strong> myself,” saysHayko. “I had faith in my friendsaccompanying me. My producerArthur Janibekyan together withArmenia’s Public Television dideverything to ensure that it allwent well. My show was stagedby the well-known Alain Sichov. Ithink that we all had a dazzlingperformance because <strong>pop</strong> singersGoga, Tigran Petrosyan, Arthurfrom the Opera and Ballet <strong>The</strong>ater,and Ara Torosyan, a master in musicalarrangements, who are all myvery dear friends were by my side,”says Hayko.“Songs are born withsinging, and then itoccurred to me whydon’t I start singingsome <strong>of</strong> my own songs?”At Eurovision Hayko’s performancewould determine the future<strong>of</strong> his singing career. “I wasvery well prepared. As soon as wewere in Helsinki, it became clearthat we had a good chance to competefor first place, because everyonewas talking about our showand performance.” Eurovisionlaunched a series <strong>of</strong> new concertsin Europe for Hayko. It providedthe young <strong>Armenian</strong> singer withthe heartthrob looks access to abroader audience, a European one.“I am invited for concerts all overEurope,” says Hayko.Hayko’s European tour will culminateby solo concerts in theUnited States at the beginning <strong>of</strong>2008. fC10 <strong>Armenian</strong> <strong>Reporter</strong> Arts & Culture 11/10/2007
<strong>The</strong> Zobian phenomenon(On the occasion <strong>of</strong> the fifth anniversary <strong>of</strong> his passing)by Aroutun PalianoperaI had not written anything for along time until my friend GerardSvazlian, who is currently a violinistin the orchestra <strong>of</strong> the SanFrancisco Opera Company, suggestedthat I write an article aboutthe renowned singer and soloist <strong>of</strong>the Bucharest Opera, Garbis Zobian.Gerard Svazlian had workedwith Zobian in his younger yearswhile he was a member <strong>of</strong> the YerevanNational Opera Orchestra.<strong>The</strong> temptation to write such anarticle was great, since G. Zobianwas paramount among all the wellknowndramatic tenors, as far as Iwas concerned.Inasmuch as I have been steepedin the traditions <strong>of</strong> classical musicand am familiar with the art <strong>of</strong>past and contemporary singers,Enrico Caruso, Gino Bechi, and G.Zobian have special significancefor me. God lavishly endowedthese singers with inimitable voices,which easily leveled the pathin front <strong>of</strong> them, like copiouslygushing rivers that are impossibleto resist. If talents are bornrelatively <strong>of</strong>ten, then phenomenaappear every couple <strong>of</strong> centuries.Suddenly a personality is born,who tops his predecessors whilepossessing their best characteristicsand experience. We call suchan individual a “phenomenon.”Such phenomena were Leonardoda Vinci, Bach, Paganini,Mozart and Caruso. <strong>The</strong> Peruviansinger Yma Sumac was a phenomenon,owing to the extensiverange <strong>of</strong> her voice. Caruso was aphenomenon because, prior tohim, mankind had not heard suchan unusually beautiful and powerfulvoice, which was capable <strong>of</strong>performing operatic arias <strong>of</strong> themost different nature, romances,Italian and Neapolitan songs. Carusoremained unique, althoughthe music business world proceededto present Gigli, Mario delMonaco and Mario Lanza to thepublic as the new Caruso.While the recording instrumentsat the beginning <strong>of</strong> thetwentieth century were primitive,they had become quite perfectedby the 1950’s and reproduced humanvoices more naturally. Bornafter Caruso was a new generation<strong>of</strong> talented singers, which lackeda “peak.” That peak was Garbis Zobian,whom God had graced withan exceptionally beautiful voice,coupled with obvious emotionalism,expressiveness and natural,vivid dramatization. In the case<strong>of</strong> certain well-known singers,dramatization is created throughthe intensity <strong>of</strong> the voice or artificialtension, and with the use <strong>of</strong>a microphone. Zobian’s voice wasGarbis Zobian inPagliacci (Canio).naturally endowed with dramaticcolor, and he didn’t need to exertartificial effort when singing highnotes. In all segments <strong>of</strong> his voicerange, the sound was symmetricaland smooth. Zobian’s voice canonly be compared to and competewith his own. Melik-Pashaev (Melik-Pashayian),principal conductor<strong>of</strong> the Bolshoi Opera <strong>of</strong> Moscow,described Zobian’s voice as“heroic tenor.” Heroic because itfreely gave renditions <strong>of</strong> the mostcomplex and difficult arias <strong>of</strong> operaticmusic: Othello, Canio, AndreaChenier, Radames, Cavaradossi,Hermann, Turidu, Manrico,and others.<strong>The</strong> purpose <strong>of</strong> this article isnot to comment on the singer’sperformances but to explain theZobian phenomenon.Was Zobian’s birth perhaps accidental?I would say no. <strong>The</strong> reasonis that the universe and all thephenomena being carried out in ithave been previously planned out<strong>Armenian</strong> <strong>Reporter</strong> Arts & Culture 11/10/2007C11