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campus life from dusk to dawn - University of Toronto Magazine

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MATH PROF AND AMATEUR COMICJEFFREY ROSENTHAL EMBRACES RANDOMNESS– BOTH ON STAGE AND IN CLASSGamesBY STACEY GIBSONChance<strong>of</strong>IT’Sa snowy Friday night in February, andwind lashes at the clusters <strong>of</strong> young pr<strong>of</strong>essionalson their way <strong>to</strong> the Irish pubsand Greek restaurants <strong>of</strong> Toron<strong>to</strong>’s trendyDanforth strip. But inside studio two <strong>of</strong> the Bad Dog Theatrea three year-old, hole-in-the-wall comedy joint – the heat ismaking the audience flush harder than an <strong>of</strong>f-colour AndrewDice Clay routine.The ratcheting temperature can be blamed on the tinyquarters: the 400-square-foot windowless studio holds 25specta<strong>to</strong>rs and four maniacal comedians, who are performingimprov for the pay-what-you-can crowd. A comedic version<strong>of</strong> rapier sword-fighting, improv is an intellectual sport inwhich each strike <strong>of</strong> an ad lib helps build a scene. The troupemembers play <strong>of</strong>f one-liners (or “<strong>of</strong>fers”) that they throw eachother, parrying and jostling their way <strong>to</strong> laughter or careeningdownward <strong>to</strong> a thud <strong>of</strong> silence.Perhaps the most boisterous troupe member is U <strong>of</strong> Tstatistics pr<strong>of</strong>essor Jeffrey Rosenthal – a six-foot-three, scruffyfellow with broad shoulders, a head <strong>of</strong> curly brown hair and athunderous voice. (“He is Little John <strong>from</strong> Robin Hood,” saysimprov buddy Mike Ranieri. “A big, burly, lovable guy.”)Rosenthal ricochets <strong>from</strong> playing a son yearning for the acceptance<strong>of</strong> his housepainter father <strong>to</strong> a jilted housewife. Then –channeling a bellowing, frenzied version <strong>of</strong> Mel Gibson inBraveheart and adding the most diabolical Scottish accent outsideGlasgow’s Barlinnie prison – he turns <strong>to</strong> a familiar role.He roars: “Alright then little boys and girls. It’s me first dayteaching so I don’t want anybody giving me a hard time. Thatincludes yew.” [looking at a cast member in a chair]Student [cast member]: “Yes, Mr. Angus.”Rosenthal: “Now look – I was <strong>to</strong>ld that you’re a difficultclass. So here’s what I want you <strong>to</strong> do. I want you <strong>to</strong> just cowerin fear and repeat after me: “I’m a miserable NOBODY.”Students [cast members], en masse: “I’m a miserable nobody.”Rosenthal: “You’re really not a bad class after all.”WWW.MAGAZINE.UTORONTO.CA 31PHOTOGRAPHY: LIAM SHARP

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