spatial experience narrative and architecture - Architecture Insights
spatial experience narrative and architecture - Architecture Insights
spatial experience narrative and architecture - Architecture Insights
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SPATIAL EXPERIENCE, NARRATIVE & ARCHITECTURE - BYERA HADLEY REPORT 72.0 CASE STUDIES2.012TH INT. ARCHITECTURE EXHIBITION2.1 12th International <strong>Architecture</strong> ExhibitionThe <strong>experience</strong> <strong>and</strong> observation of a majorarchitectural exhibition (12th International <strong>Architecture</strong>Exhibition, Venice Biennale 2010) was used toaid in underst<strong>and</strong>ing the architectural possibilitiesof the <strong>spatial</strong> sequence of temporary structures.The Director of the 12th International <strong>Architecture</strong>exhibition “People meet in <strong>Architecture</strong>”, KazuyoSejima of SANAA stated, “The 2010 edition of theBiennale is an exhibition about finding <strong>architecture</strong>;to reconsider the potential of <strong>architecture</strong> incontemporary society”. 1 The exhibition, ‘People meetin <strong>Architecture</strong>’ showcased 48 participants: firms,architects, engineers <strong>and</strong> artists from around theworld <strong>and</strong> ran from 29th August-21st November 2010at the Giardini <strong>and</strong> the Arsenale <strong>and</strong> in various othervenues in Venice. 2The Arsenale site:The South-East area of the historic Arsenale sitehas become the stable site of the Biennale activitiessince 1999, with exhibition spaces such as: Corderie,Artiglierie, Gaggi<strong>and</strong>re, Tese Cinquecentesche, <strong>and</strong>Tese delle Vergini. 3 Kazuyo Sejima invited theparticipants of this group exhibition to explorethe relationship between <strong>architecture</strong> <strong>and</strong> humaninteraction. Many architects were also invited to studytheir own work in films in an attempt to explore howpeople within the space make the space itself. 4 Theresulting collection of temporary installations at theArsenale was extremely diverse.”Individuals will be showing their position towards theinteraction of new social <strong>and</strong> natural environments; allof which means that each person is his or her owncurator. This way the atmosphere of the exhibitionitself will be achieved through multiple points of viewrather than a single orientation” (Sejima). 5 While thecollection of installations infused the historic site withnew life, they read as separate parts. The <strong>spatial</strong>sequence of the exhibition as a whole seemed quitearbitrary over the five exhibition spaces on the South-East end of the Arsenale. The most engaging of theworks was ‘Cloudscapes’ by Transolar <strong>and</strong> TetsuoKondo Architects. This installation successfullyacknowledged the space <strong>and</strong> materiality of thebuilding it inhabited, <strong>and</strong> encouraged increaseddegrees of interactivity (refer Section 2.2).The Giardini site:The Giardini site housed the various Nationalexhibitions. Sejima stated, “This exhibition allowspeople to acknowledge various ideas from diversebackgrounds <strong>and</strong> will reflect the present, which initself encapsulates future potential. (Her) hope wasthat the show would be an <strong>experience</strong> of architecturalpossibilities; about an <strong>architecture</strong> created bydifferent approaches, expressing new ways of living.” 6The French <strong>and</strong> the Netherl<strong>and</strong>s pavilions used theirexhibition to rethink the way in which <strong>architecture</strong>deals with <strong>spatial</strong> sequence <strong>and</strong> <strong>spatial</strong> <strong>narrative</strong>in cities. Both these exhibitions framed this ideathrough the focus on empty <strong>and</strong> available spaces inthe urban environment <strong>and</strong> how these spaces mightbe productively re-integrated for urban renewal (referSection 2.3-2.4).PICTUREDLocation photograph Arsenalesite