THURSDAYPICKSALL SHOWCASES SUBJECT TO CHANGEPETER MURPHY7pm, Elysium At last summer’s birthday/Emo’s gig, Bauhaus’ skeletal frontman andgoth-rock godhead proved once and for all hisethereal pipes have aged better than Bowie’s.<strong>The</strong> world has not failed to fall apart in theinterim, however; expect a soul-searing coverof Nine Inch Nails’ “Hurt” and a deep, darkcascade of lovely hysteria. – Marc SavlovCHIKITA VIOLENTA8pm, the M<strong>usic</strong> Gym Patio <strong>The</strong>se rockerostake cues from el Norte and British indiebands, giving them a sound that veers fromsingsong to miasmic. <strong>The</strong>ir onda seems spareuntil they engross with something like “<strong>The</strong>Last Film,” from 2007’s <strong>The</strong> Stars and SunsSessions, which comes at you like an electricdrill before settling into a pensive, driving melody.(Also: Fri., Fuze, 1am.) – Belinda AcostaTHE GOLDEN ARM TRIO DOESDUKE!8pm, Elephant Room In the restless digitsof the Golden Arm Trio’s Graham Reynolds,popular m<strong>usic</strong>’s greatest figure still leads the“Caravan.” <strong>Austin</strong>’s answer to Philip Glassfollows his score to A Scanner Darkly withan upcoming Ellington immersion, featuringlocal jazz standards Alex Coke, FreddieMendoza, and Chris Maresh on Far East Suitefare (“Blue Pepper”) and a perennial or five(“Perdido”). See the light. – Raoul HernandezDAPPLED CITIES8pm, the Ranch Fivepiece indie rock fromSydney, Australia, with two lovely releasesto its credit: 2004’s A Smile and 2007’sGranddance. Think jangly, dreamy, chamberpop with complex tempo changes and chordfussiness recommended for Fleet Foxes (albeitnot as self-indulgent). Quiet for the pastcouple of years but emerging soon with newmaterial.– Melanie HauptGRIZZLY BEAR8:30pm, Central Presbyterian Church Freshfrom anti-hibernation amid the Department ofEagles, the Brooklyn fourpiece is prepping aPrimal Scream12:30am, Cedar Street Courtyard(Also: Fri., La Zona Rosa, 12:45am)<strong>The</strong> last time Primal Scream came totown – the XTRMNTR tour, June 2000 –the Scottish rockers started a brawl atRuth’s Chris Steak House, drank the towndry, and then managed to blow out a pairof day-old Polk Audio speakers within fiveminutes of arriving at an impromptu afterpartyhosted by yours truly. FrontmanBobby Gillespie inadvertently locked himselfin the WC later, requiring much assistanceand a bolt cutter to effect hisescape. <strong>The</strong>n the cops dropped by.“I did all that?!” the newly clean andsober Gillespie puzzles through his denseGlaswegian burr. “Ah, man, I’m sorry.Psychotic episode, right? But that’s justso weird, right, ’cause up until just thismoment, I thought the last time I’d beenin <strong>Austin</strong> was in 1990 when Sire Recordsflew me down to meet Roky Erickson.”Primal Scream’s imminent ninth studioalbum, Beautiful Future, is a1980s-esque, synth-and-hand-clap-drivenpower-pop masterpiece. “It’s sincerelyMay disc, Veckatimest (Warp). Daniel Rossen& Co. return to the haunting melodies andharmonies that made them heroes. (Also: Fri.,Cedar Street Courtyard, 11:45pm.) – Dan OkoMEAT PUPPETS9pm, Stubb’s Formed in 1980, Phoenix, Ariz.’sMeat Puppets are the latest in a parade ofproto-grunge survivors to storm back from irrelevance.<strong>Austin</strong> resident and principal PuppetCurt Kirkwood reunited with ultimate survivorCris Kirkwood for 2007’s return to psychedelicroots form Rise to Your Knees, and follow-upSewn Together (Mega Force) drops in July. Live,there are no survivors.– Dan OkoYOUNG GALAXY9pm, Buffalo Billiards Stephen Ramsay andCatherine McCandless are dreamy, a couplepoised on the brink of dusk as the stars breaksarcastic and sarcastically sincere,”says Gillespie. “<strong>The</strong> idea was to have apop song [“Beautiful Future”] that wouldget on the charts and have everybodyhumming along with it. ’Cause at thetime it was written, it felt like we wereliving in a dystopia, like J.G. Ballard,Burroughs, and Philip K. Dick all cometrue. So that song was a reaction tothat dark culture.”Pop m<strong>usic</strong> to the emotional rescue, then?“If you react with another angry punksong, that’s not going to get anywhere,”Gillespie muses. “But if you make a reallybeautiful pop song, like Blondie, a realfeel-good pop song with a huge chorus ofbells and a beautiful melody, really joyfulbut also sneaking in malevolent lyrics witha critique of society in there, you know,that’ll get through to people, right? It’skind of conceptual, but that was the generalidea.”Clever lad. Beautiful m<strong>usic</strong>.Primal Scream.– Marc Savlovthrough the clouds. <strong>The</strong> core of Montreal quartetYoung Galaxy, the two balance harmonieson 2007’s self-titled Arts & Crafts debut, andwith a new album in the can, it’s time to swayin the dark.– Darcie StevensTORI AMOS10pm, La Zona Rosa Amos’ new album,Abnormally Attracted to Sin, drops in May,but then the flame-haired pianist has a vastcatalog from which to cherry-pick. She’sbeen exploring her multiple personalities asof late (2007’s American Doll Posse), but herearlier 1990s albums remain fierce visionsof strength for a whole generation of womenages 25-35.– Audra SchroederSEBASTIEN GRAINGER10pm, El Sol y la Luna <strong>The</strong>re’s no substitutefor Death From Above 1979, but as theMSTRKRFTCanadian Dance-OffMSTRKRFT(Sat., Radio Room Patio, 1am)DFA 1979 bassist Jesse F. Keeler’s Toronto DJduo with Al Puodziukas.Deadmau5(Wed., La Zona Rosa, 11:30pm)Say “Dead mouse.” Torontonian JoelZimmerman as progressive house/trance DJ.Felix Cartal(Sat., Radio Room Patio, 10pm)MSTRKRFT tourmate Cartal brings hard-hittingelectro from Vancouver.Jokers of the Scene (Fri., Vice, 10pm)Ottawa’s DJ Booth and Chameleonic releasedelectro-rave EP Acid Bagg last year, includingsingle “Baggy Bottom Boys.”Les Handclaps(Sat., Beauty Bar, 1am)Montreal guitar-Farfisa-laptop trio incorporatesdancers.Shout Out Out Out Out(Wed., Karma Lounge, 1am; Fri., Beauty BarBackyard, 1am)SXSW veterans and Edmonton, Alberta,rhythm-loving sixpiece (two drummers plus fourbassists) takes dance punk to a new level.Thunderheist(Thu., Beauty Bar, 12:15am; Fri., Club deVille, 11:30pm)Rapper Isis plus producer Grahm Zilla sweatToronto digitally with Sweet 16.Woodhands(Wed., Habana Calle 6 Patio, 12mid)“Wood” is the new “wolf,” but don’t tellToronto electro-pop duo Dan Werb and PaulBanwatt.– Darcie Stevensdrummer/singer for the former duo, Toronto’sGrainger carries the torch on debut solo LPSebastien Grainger & the Mountains (SaddleCreek). He’s no longer cacophonous or lowend-only,but he still rocks it heavy with“American Names” and a full band. (Also: Fri.,Radio Room, 12mid.) – Darcie StevensGUY DAVIS10pm, Victorian Room at the Driskill NewYork acoustic bluesman Guy Davis, blessedwith a deep, soulful voice, can pick, pluck,and sing, but his mischievous sense of humorand impeccable timing make him special.Original tunes from latest disc SweetheartLike You could be lost Taj Mahal sides, whilerenderings of Leadbelly and Son House areinjected with new life. – Thomas Fawcett34 THE AUSTIN CHRONICLE SXSW MUSIC SUPPLEMENT MARCH 20, 20<strong>09</strong> a u s t i n c h r o n i c l e . c o m
EfterklangHometapes7pm, Habana Bar Hometapes might have relocated from Brooklyn to Portland, Ore.,but they’ve still got a digit on cross-cultural pulse. Danish headliners Slaraffenland andformer tourmates Efterklang return with spaced-out mood m<strong>usic</strong> and whimsical chamberrock, respectively. Quintet Slaraffenland dropped EP Sunshine last fall, and a new LP isforthcoming. North Carolina trio Megafaun paints bearded Appalachian tunes with anexperimental blush, Florida hip-hoppers CYNE keep it smooth and soulful on latest PrettyDark Things, and Stars Like Fleas cue the strings and polish the brass from last year’s<strong>The</strong> Ken Burns Effect. Gypsy-folk duo A Hawk & a Hacksaw, back in New Mexico after astint in Budapest, and Madison, Wis., electro quartet All Tiny Creatures pull down thedrawbridge.– Audra SchroederRUTHIE FOSTER11pm, Mother Egan’s You won’t hear a bettersinger all weekend than <strong>Austin</strong>ite RuthieFoster. Her amazingly radiant, powerful voiceis steeped in the gospel tradition, althoughshe feels equally at home singing blues,country, R&B, and folk. Her new album, <strong>The</strong>Truth According to Ruthie Foster (Blue CornM<strong>usic</strong>), recorded in Memphis, Tenn., at thefamed Ardent Studios, is a soulful delight.– Jay TrachtenbergJ*DAVEY11pm, Pangaea Pair the playful and seductivevocals of mohawked singer Jack Davey(the girl) with the future funk production ofBrook D’Leau (the guy), and you have theoddly punctuated J*Davey. On <strong>The</strong> Beauty inDistortion/<strong>The</strong> Land of the Lost, the Hollywoodhipsters spew a brew of acid grooves andglitchy hip-hop that channels everyone fromBadu and Bambaataa to the B-52s.– Thomas FawcettFLOWER TRAVELLIN’ BAND11pm, Smokin’ M<strong>usic</strong> No group betterrepresented the enlightened countercultureof postwar Japan than the Flower Travellin’Band. <strong>The</strong> psychedelic pioneers’ second LP,1971’s Satori – a five-part suite of explosive,exploratory heavy blues – tops Julian Cope’slist of essential recordings in his 2007 book,Japrocksampler. After a three-decade hiatus,the Flower Travellin’ Band reunited last year forthe Fuji Rock Festival and has since releaseda new album, We Are Here, along with aneponymous live documentary. – <strong>Austin</strong> Powell8BALL & MJG11pm, Dirty Dog Bar 8Ball and MJG havebeen slingin’ dirty Delta rap since 1993debut Comin’ Out Hard, but the Memphislowriders have been going at it alone as oflate. <strong>The</strong>y followed up 2007’s Ridin Highwith 8’s Doin It Big and MJG’s This Could Bethe Day but recently returned to the studioto record a 10th LP. – Chase HoffbergerBEAUTIFUL NUBIA11pm, Copa Soweto’s streets aren’t theonly ones defining Afro-pop. This Nigeriansinger-songwriter from Lagos has sold millionsof albums but remains unknown stateside.Boasting traditional Yaruba harmonies,folk instrumentation, and quality riddem,last year’s Kilòkilò should be a bigger breakthrough.– Dan OkoTHEE OH SEES11:20pm, Emo’s Jr. With John Dwyer(Coachwhips, the Hospitals, Pink & Brown)leading the way, this SF quartet tossesWest Coast pop in a psychedelic blenderwith droning garage riffs. After numerousincarnations and experimental forays, Dwyersettled the band into a bruising force withlast year’s <strong>The</strong> Master’s Bedroom Is WorthSpending a Night In (Tomlab).– Doug FreemanBLACK LIPS11:30pm, Cedar Street Courtyard M<strong>usic</strong>spawned of pre-cosmic-cowboy Texas psychedeliadoesn’t seem the likeliest candi-CONTINUED ON P.36a u s t i n c h r o n i c l e . c o m MARCH 20, 20<strong>09</strong> THE AUSTIN CHRONICLE SXSW MUSIC SUPPLEMENT 35