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Insights into the Ancient, the Contemporary Insights into the Ancient ...

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Bernardino’s “ArtStop,” a<br />

public art project for which<br />

she earned a $500 commission.<br />

Her works have been<br />

displayed in numerous campus<br />

student exhibitions, including<br />

<strong>the</strong> Robert V. Fullerton<br />

Art Museum’s 36th Annual<br />

Student Exhibition, where<br />

her suburban night scene,<br />

“Clusters,” was given <strong>the</strong><br />

President’s Purchase Award.<br />

“She is extraordinarily<br />

focused in her work,” says<br />

Brad Spence, a CSUSB assistant<br />

professor of art. “Annabel<br />

has exacting standards for<br />

her hyper-realist works …<br />

and is unquestionably one of<br />

<strong>the</strong> most ambitious undergraduates<br />

I have had <strong>the</strong><br />

opportunity to teach.”<br />

Specializing in environmental<br />

critiques, and specifically in<br />

suburban <strong>the</strong>mes, she draws<br />

her creative and technical<br />

inspiration from artists such as<br />

Salvador Dali, and also favors<br />

contemporary environmental<br />

artists David Korty, Solomon<br />

Huerta and Bill Owens. From<br />

<strong>the</strong> Center of a Child’s Universe<br />

Welcome to <strong>the</strong> happiest place on campus.<br />

On Cal State San Bernardino’s west end in two spacious<br />

rooms, on any given weekday, children enjoy<br />

an “enhancement of <strong>the</strong> environment” or are o<strong>the</strong>rwise<br />

engaged in a curriculum of play that draws from<br />

<strong>the</strong> constructivist approach of Piaget and Vygotsky.<br />

Yes, Piaget and Vygotsky. Now, kids ages 3-12 who<br />

come to <strong>the</strong> Children’s Center at CSUSB really couldn’t<br />

give an owl’s hoot about Piaget and Vygotsky. At this point<br />

in life <strong>the</strong>y’re thinking more Yu-Gi-Oh!, Lego, Nabisco<br />

and Kraft. None<strong>the</strong>less, Piaget and Vygotsky fit snugly<br />

<strong>into</strong> <strong>the</strong> center’s belief – supported by mounting evidence<br />

– that children develop best when <strong>the</strong>y’re active,<br />

exploring and involved in <strong>the</strong> world around <strong>the</strong>m. This<br />

is what children like and need, and this is why CSUSB’s<br />

Children’s Center is <strong>the</strong> happiest place on campus.<br />

The Children’s Center provides a comprehensive<br />

educational program for children between<br />

<strong>the</strong> ages of 3 and 5 years old, and an after-school<br />

enrichment program for children ages 6-12.<br />

The center includes two preschool classrooms.<br />

One room has carpeted areas for quiet activities<br />

and stories, “housekeeping” areas for dramatic<br />

play, and tables for creativity and discovery.<br />

A fenced outdoor play area runs adjacent to <strong>the</strong> classrooms.<br />

The area is covered with wood chips and has paved<br />

bicycle paths for tricycles and wheeled toys. Sandboxes,<br />

water tables, climbing equipment, a basketball court,<br />

tire chips, and outside toys help develop <strong>the</strong> children’s<br />

motor skills. An outdoor art area promotes creativity.<br />

The Children’s Center is open from 7:30 a.m.-10 p.m.<br />

Monday-Thursday and 7:30 a.m.-6 p.m. on Fridays through-<br />

out <strong>the</strong> academic year.<br />

<strong>the</strong>ir work, she has gained<br />

insight <strong>into</strong> subject portrayal<br />

and critique and <strong>the</strong> perpetual<br />

search for beauty.<br />

This can be difficult in a<br />

region where tract housing<br />

abounds. Annabel uses words<br />

like “conformity” and “banality”<br />

to describe <strong>the</strong> suburban<br />

landscape. “But at <strong>the</strong> same<br />

time I critique <strong>the</strong> environment,<br />

I try to look for beauty<br />

in it,” she says. “I try to make<br />

it more interesting for myself.<br />

I add certain things.”<br />

By heightening color or<br />

introducing light, Annabel<br />

caters to <strong>the</strong> human need for<br />

beauty, meaning and hope<br />

beyond what is physically and<br />

visually present. At <strong>the</strong> same<br />

time, says Spence, her work<br />

has a “consistently unsettling<br />

mood.” The push and pull of<br />

<strong>the</strong>se dissonant elements is<br />

this painter’s visual and visceral<br />

commentary.<br />

Annabel’s goal is to<br />

become a gallery artist and<br />

fully support herself by selling<br />

her art. Although she realizes<br />

this is a lofty ambition,<br />

she believes that people make<br />

<strong>the</strong>ir own opportunities. “That<br />

means not letting anything get<br />

in <strong>the</strong> way of what you want<br />

to do, not giving up, not taking<br />

a defeatist attitude, having<br />

confidence in yourself, working<br />

… as hard as you possibly<br />

can to achieve your goals,<br />

never wavering.”<br />

Teresa Sinner is an intern in <strong>the</strong><br />

California State University, San<br />

Bernardino public affairs office.<br />

A communication studies major,<br />

she will graduate in December<br />

with her bachelor’s degree.<br />

25<br />

Spring/Summer CSUSB

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