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The Rape of Medusa - Beth J. Seelig, MD

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as it has been by Kulish & Holtzman (1998), as depicting the girl's sexual love for<br />

her father conflicting with her attachment to her mother. When she eats the<br />

pomegranate seeds, she symbolically unites with Hades sexually. As a result, she<br />

must return to him every year. She shuttles between her mother and her husband,<br />

who also represents her father. <strong>The</strong> girl's forbidden desire for sexual fulfilment<br />

with her father is portrayed by rape by his proxy. All direct sexual desire is<br />

attributed to the male. Persephone's own desire is represented as oral only. In the<br />

male-dominated Greek culture this form <strong>of</strong> female desire might have been less<br />

threatening. According to the myth, Persephone knows that if she eats anything<br />

while she is in the realm <strong>of</strong> Hades, she will have to stay. <strong>The</strong>refore, from her<br />

eating the seeds <strong>of</strong> the pomegranate, we can infer that, at least in part, she wanted<br />

to be forced to remain with him. Her vaginal hunger for the seed(s) <strong>of</strong> Hades is<br />

represented and disguised by her oral hunger for the seeds <strong>of</strong> the pomegranate.<br />

Athena and Demeter are both powerful goddesses. <strong>The</strong>y both represent<br />

maternal figures. <strong>The</strong>y are also sisters, daughters <strong>of</strong> Zeus. However, unlike<br />

Athena, Demeter is a mother. Her daughter Persephone is her brother Zeus's child.<br />

Both Persephone and <strong>Medusa</strong> are raped by father-surrogates, but Demeter does not<br />

blame Persephone for having been raped as Athena blames the victimised <strong>Medusa</strong>.<br />

Persephone is regarded as virginal and blameless until she eats the pomegranate<br />

seeds.<br />

<strong>The</strong> story <strong>of</strong> <strong>Medusa</strong> in the temple <strong>of</strong> Athena depicts the dilemma <strong>of</strong> the<br />

oedipal daughter from another perspective to that <strong>of</strong> Demeter and Persephone, in<br />

which the attachment to the mother is the primary focus. <strong>Medusa</strong>, like Persephone,<br />

is attractive to her father. However, unlike Persephone who keeps her mother's<br />

love, by a process <strong>of</strong> projection <strong>Medusa</strong> becomes a hideous monster to her envious<br />

mother. In the case <strong>of</strong> human <strong>Medusa</strong>s and Athenas, the mother's sexual<br />

possession <strong>of</strong> the father is regarded as monstrous by her daughter. Mother and<br />

daughter can agree that there is a sexual monster in this story and that she is<br />

female. However, the two disagree passionately about which <strong>of</strong> them is the<br />

monster. From the perspective <strong>of</strong> the Athena-daughter, who has successfully<br />

repressed her sexual desire for her father, Mother's sexual relationship with him is<br />

horrifying and disgusting. Her sexual face is hideous in the eyes <strong>of</strong> her ‘pure’<br />

daughter. Similarly, in the eyes <strong>of</strong> the narcissistic Athena-mother, the daughter's<br />

burgeoning sexuality is hideous. She is the <strong>Medusa</strong>.<br />

<strong>The</strong> male figure in these mythological stories is depicted as a rapist god, in an<br />

incompletely successful effort to delegate all sexual desire and aggression to the<br />

male. However, although a rapist, he is regarded as entitled to satisfy his sexual<br />

desires, even forcefully. In the <strong>Medusa</strong> myth, he has been seduced by the power <strong>of</strong><br />

female sexual attractiveness and is not to be condemned for succumbing to her<br />

allure. She is entirely to blame for attracting his desire. In this way, the male is<br />

also protected from female condemnation. Paradoxically, he is also regarded as

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