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Inside…<br />
THE MAGAZINE OF THE CENTER FOR JEWISH HISTORY<br />
I.B. I.B. I.B. I.B. I.B. SINGER SINGER SINGER SINGER SINGER<br />
An An An An An American-<strong>Jewish</strong> American-<strong>Jewish</strong> American-<strong>Jewish</strong> American-<strong>Jewish</strong> American-<strong>Jewish</strong> Journey Journey Journey Journey Journey<br />
see page 4<br />
From the Executive Director 2<br />
Chairman’s Report 3<br />
I.B. Singer: An American-<strong>Jewish</strong> Journey 4<br />
The <strong>Center</strong> and the Scholars 6<br />
Lawyers Without Rights 7<br />
<strong>Center</strong> Newswire 8–11<br />
Brazil: The Hidden “<strong>Jewish</strong>” State 13<br />
The Early Days of the Hadassah<br />
Medical Organization 14<br />
Development News 16<br />
Fall/Winter 2004/2005 | Volume 1, Issue 2<br />
CENTER FOR JEWISH HISTORY
2<br />
From the Executive Director<br />
Left to right: Struggle <strong>for</strong> Soviet Jewry poster, 1964; Sabato Morais, 1823-1897; Letter to Benjamin Peixotto, 1839-1890, U.S. Council to Romania; Molly Picon<br />
in “Circus Girl,” 1928. All images from the Timeline, courtesy of American <strong>Jewish</strong> Historical Society.<br />
O<br />
ver the past year, there<br />
has rarely been a day<br />
when I have not met or spoken<br />
with someone who has an exciting<br />
new idea <strong>for</strong> the <strong>Center</strong><br />
<strong>for</strong> <strong>Jewish</strong> History. One wishes<br />
to collect autobiographies of<br />
North American Jews,<br />
another their photographs,<br />
yet another<br />
their home movies; we<br />
should hold a conference<br />
on the <strong>Jewish</strong><br />
role in the American<br />
theatre; we should<br />
exh<strong>ib</strong>it the contr<strong>ib</strong>utions<br />
of the Soviet<br />
<strong>Jewish</strong> soldiers to the<br />
Red Army during the<br />
Second World War; we<br />
should have programs<br />
highlighting American <strong>Jewish</strong><br />
writers, artists and musicians;<br />
or the <strong>Jewish</strong> role in medicine,<br />
law and business…and the<br />
ideas never stop.<br />
This coming May, 2005,<br />
the American <strong>Jewish</strong> Historical<br />
Society will lead the <strong>Center</strong>’s<br />
ef<strong>for</strong>ts in celebrating the challenges<br />
and achievements of<br />
350 years of the American<br />
<strong>Jewish</strong> experience. All of the<br />
<strong>Center</strong>’s partner organizations<br />
are committed to plumbing<br />
their collections <strong>for</strong> their most<br />
interesting and exciting holdings<br />
and sharing them with<br />
the public. We hope that you<br />
will plan to visit us between<br />
May 15 and August 15, 2005 to<br />
see <strong>for</strong> yourself the wealth and<br />
treasure that is housed here at<br />
the <strong>Center</strong>. The partner collections<br />
are unparalleled, and are<br />
being preserved and protected<br />
<strong>for</strong> today’s scholars and <strong>for</strong><br />
those of the decades and centuries<br />
to come.<br />
Peter A. Geffen<br />
The <strong>Center</strong>’s commemoration<br />
of the 350th anniversary<br />
of American Jewry will<br />
not be an exercise in self-congratulation.<br />
Rather, it will provide<br />
a provocative encounter<br />
with our past. Visitors will<br />
likely find themselves asking<br />
as many questions as the exh<strong>ib</strong>ition<br />
committee sought to<br />
answer as it planned the commemoration.<br />
What is really<br />
important to examine and portray<br />
in this centuries-long<br />
story? Who are the heroes of<br />
this story, and what makes<br />
their lives heroic?<br />
Last June I had the privilege<br />
of standing in my grandfather’s<br />
footsteps in Kovno,<br />
Lithuania. As I walked the<br />
STANLEY BERGMAN<br />
streets of his childhood, I<br />
wondered what it took <strong>for</strong> a<br />
young rabbi to decide to leave<br />
his family and birthplace in<br />
1903, and make his way with<br />
his wife and two small children<br />
to America. What could he have<br />
known that lent sufficient<br />
security to his decision?<br />
In Vilna the next day,<br />
the questions continued. Was<br />
the relationship with America<br />
a one-way street? Did Jews<br />
leave Vilna and Kovno never to<br />
return physically or spiritually?<br />
If so, why was I so drawn?<br />
Why did I feel so attached?<br />
What was it about my grandfather’s<br />
own education and<br />
upbringing that made his transition<br />
to America so successful?<br />
Was there something in<br />
the relationship between Jews<br />
and Christians that prepared<br />
him to willingly participate<br />
in the tolerant and mutually<br />
respectful atmosphere of<br />
Atlanta, Georgia, where he<br />
made his home <strong>for</strong> 60 years? I<br />
had been taught that America<br />
was a completely new beginning<br />
<strong>for</strong> Eastern European<br />
Jewry in the early years of the<br />
20th century… but was it?<br />
When I returned to the<br />
<strong>Center</strong> <strong>for</strong> <strong>Jewish</strong> History, Dr.<br />
Brad Sabin Hill, Dean of the<br />
YIVO l<strong>ib</strong>rary, took me into the<br />
rare book room and showed me<br />
a one-of-a-kind volume, in<br />
Yiddish, descr<strong>ib</strong>ing America to<br />
the Eastern European Jew, pub-<br />
lished in 1817. I wondered, did<br />
my grandfather read this book?<br />
The <strong>Center</strong> <strong>for</strong> <strong>Jewish</strong><br />
History is rooted in the question.<br />
Our resources provide<br />
scholars, students and the general<br />
public the opportunity to<br />
look <strong>for</strong> answers, explore new<br />
understandings and finally<br />
share with the public their<br />
observations and conclusions.<br />
Our partner organizations provide<br />
daily programming that<br />
transports audiences to the far<br />
reaches of the <strong>Jewish</strong> world,<br />
both in time and in space. In<br />
one week in October, I went<br />
from Emilia-Romanga in Italy,<br />
to Teheran and Shiras in Iran,<br />
to Warsaw and Cracow in<br />
Poland! And now, in a new initiative<br />
begun last month, the<br />
<strong>Center</strong> is broadcasting its<br />
unparalleled programming to<br />
communities across the country<br />
through state-of-the-art<br />
video conferencing, enabling<br />
audiences on college campuses,<br />
in <strong>Jewish</strong> community centers,<br />
and in synagogues and churches<br />
to participate (at low cost)<br />
in programs that would otherwise<br />
be beyond their reach.<br />
Enjoy this issue of The<br />
<strong>Jewish</strong> Experience and help us<br />
to maintain this jewel of the<br />
<strong>Jewish</strong> people. Visit us when<br />
you visit New York and visit us<br />
online at www.cjh.org.
Published by<br />
<strong>Center</strong> <strong>for</strong> <strong>Jewish</strong> History<br />
15 West 16th Street, New York, NY 10011<br />
212-294-8301 fax: 212-294-8302<br />
website: www.cjh.org<br />
BOARD OF DIRECTORS<br />
Bruce Slovin, Chair<br />
Joseph D. Becker, Vice Chair<br />
Kenneth J. Bialkin, Vice Chair<br />
Erica Jesselson, Vice Chair<br />
Joseph Greenberger, Secretary<br />
Michael A. Bamberger<br />
Norman Belmonte<br />
George Blumenthal<br />
Eva B. Cohn<br />
David Dangoor<br />
Henry L. Feingold<br />
Max Gitter<br />
Michael Jesselson<br />
Sidney Lapidus<br />
Leon Levy<br />
Theodore N. Mirvis<br />
Nancy T. Polevoy<br />
Robert Rifkind<br />
David Solomon<br />
BOARD OF OVERSEERS<br />
William A. Ackman<br />
Stanley I. Batkin<br />
Joseph D. Becker<br />
Kenneth J. Bialkin<br />
Leonard Blavatnik<br />
George Blumenthal<br />
Arturo Constantiner<br />
Mark Goldman<br />
Joan L. Jacobson<br />
Ira H. Jolles<br />
Harvey M. Krueger<br />
Sidney Lapidus<br />
Leon Levy<br />
Ira A. Lipman<br />
Theodore N. Mirvis<br />
Joseph H. Reich<br />
Robert S. Rifkind<br />
Stephen Rosenberg<br />
Bernard Selz<br />
Bruce Slovin<br />
Mary Smart<br />
Edward L. Steinberg<br />
Joseph S. Steinberg<br />
Michele Cohn Tocci<br />
Roy Zuckerberg<br />
Peter A. Geffen,<br />
Executive Director<br />
STAFF<br />
Ira Berkowitz,<br />
Chief Financial Officer<br />
Robert Friedman,<br />
Director, Geneology Institute<br />
Tamara Moscowitz,<br />
Director of Public Relations<br />
Diane Spielmann, Ph.D.<br />
Director, the Lillian Goldman<br />
Reading Room<br />
Bob Sink, Chief Archivist and<br />
Project Director<br />
Lynne Winters,<br />
Director of Program Production<br />
Natalia Indrimi, Program Curator<br />
Stuart Chizzik,<br />
Associate Director of Development<br />
PARTNER INSTITUTIONS<br />
American <strong>Jewish</strong> Historical Society<br />
David Solomon,<br />
Interim Executive Director<br />
American Sephardi Federation<br />
Esme Berg, Executive Director<br />
Leo Baeck Institute<br />
Carol Kahn Strauss,<br />
Executive Director<br />
Yeshiva University Museum<br />
Sylvia A. Herskowitz, Director<br />
YIVO Institute <strong>for</strong> <strong>Jewish</strong> Research<br />
Carl J. Rheins, Executive Director<br />
ACADEMIC ADVISORY<br />
COUNCIL<br />
Elisheva Carlebach, Co-Chair<br />
Queens College<br />
Michael A. Meyer, Co-Chair<br />
Hebrew Union College<br />
Robert Chazan<br />
New York University<br />
Todd Endelman<br />
University of Michigan<br />
Henry L. Feingold<br />
Baruch College<br />
David Fishman<br />
<strong>Jewish</strong> Theological Seminary<br />
Ernest Frerichs<br />
Brown University<br />
Jane Gerber<br />
Graduate <strong>Center</strong> of the City<br />
University of New York<br />
Deborah Dash Moore<br />
Vassar College<br />
Lawrence H. Schiffman<br />
New York University<br />
Jeffrey Shandler<br />
Rutgers University<br />
Paul Shapiro<br />
United States Holocaust<br />
Memorial Museum<br />
Chava Weissler<br />
Lehigh University<br />
Beth S. Wenger<br />
University of Pennsylvania<br />
Steven J. Zipperstein<br />
Stan<strong>for</strong>d University<br />
Editor: Jay Michaelson<br />
Managing Editor: Tamara Moscowitz<br />
The <strong>Jewish</strong> Experience is made<br />
poss<strong>ib</strong>le, in part, with the<br />
generous support of the<br />
Liman Foundation.<br />
Design: Flyleaf<br />
From the<br />
Chairman<br />
he <strong>Center</strong> <strong>for</strong> <strong>Jewish</strong> History<br />
T is growing at an astonishing<br />
pace. Last year alone, we hosted<br />
nearly 4,500 scholars, writers,<br />
artists, and academics, while our<br />
events and exh<strong>ib</strong>itions attracted<br />
over 45,000 visitors. More tang<strong>ib</strong>ly,<br />
we are proud to announce the completion<br />
of six additional floors to properly house and preserve our<br />
priceless archival collections, thus achieving the aims of our<br />
founders: to become the central address <strong>for</strong> all those interested in<br />
<strong>Jewish</strong> history and culture. And the best is yet to come.<br />
Thanks to the enthusiasm of the <strong>Center</strong>’s committed staff,<br />
and the generosity of our donors, we have undertaken an array of<br />
new initiatives, including the high quality digitization of the <strong>Center</strong>’s<br />
collections of images on our website, www.cjh.org, and<br />
videoconference-based attendance at the <strong>Center</strong>’s superb public<br />
programs, allowing audiences in every region of the United States<br />
to participate in these events. The generous assistance of city,<br />
state, and federal officials, as well as the many individuals and<br />
foundations, has strengthened our resolve and has enabled us to<br />
establish the <strong>Center</strong> <strong>for</strong> <strong>Jewish</strong> History as an essential part of New<br />
York’s wonderfully diverse cultural life. (See page 16 “Development<br />
News” <strong>for</strong> details.)<br />
This issue of “The <strong>Jewish</strong> Experience” has a feature essay<br />
related to each of our five partners’ upcoming exh<strong>ib</strong>its, which represent<br />
a wonderful breadth of subject matters and time periods. In<br />
addition to two exh<strong>ib</strong>its celebrating the Isaac Bashevis Singer centenary,<br />
the coming months will see the openings of “Lawyers<br />
Without Rights,” (Leo Baeck Institute), “For the Health of Israel,”<br />
(Hadassah and AJHS) and, now on view, “Pernambuco, Brazil:<br />
Gateway to New York” (American Sephardi Federation and Yeshiva<br />
University Museum).<br />
We were honored to be selected by Governor George E. Pataki<br />
to host, last September 9, the official state reception marking<br />
the 350th Anniversary of <strong>Jewish</strong> settlers in America. There will be<br />
many more celebrations of the 350th anniversary taking place<br />
across the land this coming year. But it is only fitting that the<br />
<strong>Center</strong> <strong>for</strong> <strong>Jewish</strong> History, which brings together sources and<br />
materials from every <strong>Jewish</strong> ethnic community in recent history<br />
— Lodz to Los Angeles, Montevideo to Marrakech — will be<br />
mounting the grandest exh<strong>ib</strong>ition of them all: “From Haven to<br />
Home,” sponsored by the Congressionally appointed Commission<br />
on the 350th Anniversary. The exh<strong>ib</strong>it will integrate documents,<br />
photographs, and objects from the vast archival holdings of all the<br />
partners, as well as items from the American <strong>Jewish</strong> Historical<br />
Society on loan to the L<strong>ib</strong>rary of Congress.<br />
At such an exciting time, your support <strong>for</strong> the <strong>Center</strong> <strong>for</strong><br />
<strong>Jewish</strong> History is vital. I hope that we will continue to be able to<br />
count on you as we enrich the future of the <strong>Jewish</strong> community by<br />
perpetuating the knowledge of its proud past.<br />
FRED CHARLES<br />
3
4<br />
Near right: I.B. and Alma<br />
Singer in Manhattan, 1978<br />
(Jack Smith). Far right:<br />
Yiddish P.E.N. Club ID<br />
card, 1935. Accredited in<br />
1926, the Yiddish P.E.N.<br />
Club, was the first branch of the organization dedicated to a<br />
minority literature. Photos courtesy of The Harry Ransom<br />
Humanities Research <strong>Center</strong>.<br />
T<br />
his fall, the <strong>Center</strong> <strong>for</strong> <strong>Jewish</strong> History celebrates<br />
the centennial of one of the most famous <strong>Jewish</strong><br />
writers of all time, as it hosts multiple exh<strong>ib</strong>its on the life and<br />
work of Isaac Bashevis Singer.<br />
Singer’s many colorful novels and stories eventually won<br />
him the Nobel Prize <strong>for</strong> literature. Yet had it not been <strong>for</strong> a<br />
unique relationship with the <strong>Jewish</strong> Daily Forward, Singer might<br />
never have become an American, let alone an American writer<br />
who created many works now in our country’s literary canon.<br />
Singer’s curious relationship to the Forward (or, in its Yiddish<br />
pronunciation, the Forverts) is a fascinating tale, and it is one<br />
that illustrates that even as Singer became world-famous, he<br />
remained a thoroughly <strong>Jewish</strong> writer to the end.<br />
Singer landed on these shores in 1935, arriving with the<br />
help of his brother, Israel Joshua Singer, who was then on the<br />
staff of the Forward. Six months after he arrived, the budding<br />
writer applied <strong>for</strong> an extension of his visa. He was denied. It was<br />
only when the paper’s editorial staff, led by Abraham Cahan,<br />
wrote to the Commissioner of Immigration on Singer’s behalf<br />
that he was permitted to stay in the country where he would<br />
ultimately flourish.<br />
The letter which won Singer his visa — and, by extension,<br />
won America one of its most engaging writers — is on display as<br />
part of “Becoming an American Writer: The Life and Work of<br />
Isaac Bashevis Singer,” an exh<strong>ib</strong>it sponsored by the Yeshiva<br />
University Museum, which incorporates a cornucopia of Singer<br />
paraphernalia, ranging from family photographs and passports<br />
to Singer’s Yiddish typewriter, with which he allegedly maintained<br />
a kind of supernatural relationship. (“If this typewriter<br />
doesn’t like a story, it refuses to work,” he once said.)<br />
“The visitor to this exh<strong>ib</strong>ition will be pulled into Singer’s life<br />
through photographs of scenes from his childhood, portraits of<br />
him posing with other Yiddish writers, and family pictures,” said<br />
Katharina Feil, curator at the Yeshiva University Museum.<br />
Singer’s journey into the pantheon of American writers<br />
I.B. SINGER<br />
An American-<strong>Jewish</strong> Journey<br />
by Alana Newhouse<br />
likely began in 1953, when the literary critic Irving Howe was<br />
given a copy of his story “Gimpel the Fool,” which Howe persuaded<br />
the novelist Saul Bellow to translate. Within a short time,<br />
editors from the country’s most prestigious publications, including<br />
The New Yorker and Harper’s, were knocking on Singer’s door.<br />
Eventually, in 1977, he won the Nobel Prize <strong>for</strong> literature.<br />
Even then, as he stood on the podium in Norway, and until<br />
his death in 1991, Singer continued to contr<strong>ib</strong>ute to the paper<br />
that gave him his first audience.<br />
In its heyday, the Forward, with a circulation of well over<br />
200,000, was the voice of the <strong>Jewish</strong> immigrant in America. The<br />
paper, which was then a daily, saw as its mission to help these<br />
newcomers adapt into American society while maintaining their<br />
connection to <strong>Jewish</strong> life and culture. As a member of its staff,<br />
Singer was purveyor of this process, yet he became a beneficiary<br />
of it as well.<br />
At the start of his career at the Forward, Singer, like many<br />
aspiring writers, contr<strong>ib</strong>uted an assortment of journalistic<br />
pieces, as the artifacts in this exh<strong>ib</strong>ition show — from human<br />
interest stories (“What Studies Have Uncovered About Talented<br />
Children”) and news pieces (“English Jews Fought As Heroes,<br />
Died as Martyrs In York Pogrom”) to social commentary and<br />
advice columns (“Why Men and Women Divorce — No Rules But<br />
the Cases Are Interesting”). And he employed a coterie of pseudonyms,<br />
including “Yitskhok Varshavski” and “D. Segal.”<br />
These pieces assured Singer a regular readership, one that<br />
would mature with him throughout his career. Nearly his entire<br />
oeuvre was serialized in the Forward, including articles and stories<br />
that later made it into the pages of The New Yorker, Harper’s and<br />
Playboy. The exh<strong>ib</strong>it offers a fascinating window into Singer’s relationship<br />
with the paper, including his scrapbook with clippings of<br />
the serialization of “Di Familye Mushkat,” which appeared<br />
between 1945 to 1948 in the Forward and was translated into Eng-
Singer (rear center) with other Yiddish writers in Warsaw during the 1930s.<br />
Left to right: K. Molodovsky, Y Kirman, Y. Opatoshu, A. Zeitlin, M. Ravitch.<br />
Photo courtesy of The Harry Ransom Humanities Research <strong>Center</strong>.<br />
lish as “The Family Moskat” in<br />
1950, as well as a 1963 award<br />
from the <strong>Jewish</strong> Book Council<br />
<strong>for</strong> “The Slave,” which ran in<br />
the paper in 1961.<br />
After the work appeared<br />
in the Forward, Singer worked<br />
Dust jacket of the first edition of<br />
I.J. Singer’s The Brothers Ashkenazi,<br />
translated by Maurice Samuel and<br />
published by Knopf in 1936. Photo<br />
courtesy of The Harry Ransom<br />
Humanities Research <strong>Center</strong>.<br />
with a bevy of translators to<br />
shape his prose into English,<br />
and he termed these versions<br />
“second originals” because, as<br />
he admitted, the revisions necessary<br />
to capture the subtleties<br />
evoked in Yiddish could be<br />
extensive. To some in the Yiddish<br />
cultural community, the<br />
notion of evoking the world of<br />
Eastern European Jewry in a<br />
language other than Yiddish<br />
was a betrayal, but many others,<br />
fearful that Yiddish was indeed<br />
experiencing its twilight, concluded<br />
that translation was the<br />
only way to ensure a future <strong>for</strong><br />
these stories.<br />
To be sure, even in<br />
translation, Singer’s writing<br />
remained soaked in yiddishkeit.<br />
In the words of Sylvia Herskowitz,<br />
Executive Director of<br />
the Yeshiva University Museum,<br />
“Like the demons in Maurice<br />
Sendak’s Night Kitchen, the<br />
mysticism and folklore that I.B.<br />
Singer inhaled in the fervid air<br />
of the shtetl permeated the stories<br />
and characters he invented<br />
in postwar America.”<br />
Singer himself seems to<br />
have had rather nuanced views<br />
on the matter of language<br />
and culture. Though he actively<br />
participated in the translation<br />
of his work, he maintained<br />
that Yiddish “contains vitamins<br />
that other languages<br />
don’t have.” Crucially, throughout<br />
his long, successful career,<br />
Singer never abandoned the<br />
Yiddish language or <strong>Jewish</strong><br />
culture. The Forward was not<br />
only Singer’s entry pass to<br />
American culture; as the<br />
exh<strong>ib</strong>it at the <strong>Center</strong> shows, it<br />
was a continuous source of<br />
nourishment <strong>for</strong> him — and his<br />
readers as well.<br />
Alana Newhouse is Arts &<br />
Letters editor of the Forward.<br />
Celebrating<br />
the I.B. Singer Centennial<br />
YESHIVA UNIVERSITY MUSEUM<br />
Becoming An American Writer:<br />
The Life and Work of Isaac Bashevis<br />
Singer is a traveling exh<strong>ib</strong>ition, part<br />
of the Isaac Bashevis Singer Centennial<br />
directed by The L<strong>ib</strong>rary of<br />
America. On view at the <strong>Center</strong> <strong>for</strong><br />
<strong>Jewish</strong> History from November 16,<br />
2004 to January 16, 2005, the<br />
exh<strong>ib</strong>it explores the immigrant<br />
literary experience, and showcases<br />
Singer’s life through early photographs<br />
and book covers of some of<br />
his most celebrated works. Organized<br />
in conjunction with the L<strong>ib</strong>rary of<br />
America’s publication of a three-volume edition of<br />
Singer’s collected stories and a fully illustrated companion<br />
An Album, the exh<strong>ib</strong>it is made poss<strong>ib</strong>le by a generous<br />
grant from the National Endowment <strong>for</strong> the Humanities.<br />
Singer in Washington Square Park, Greenwich Village, 1966.<br />
Stefan Congrat-Butlar. Photo courtesy of The Harry Ransom Humanities<br />
Research <strong>Center</strong>.<br />
YIVO GALLERY<br />
Opening November 15, 2004, The<br />
Family Singer will explore the lives<br />
and talent of the Singer family,<br />
including the patriarch, Pinhas<br />
Menahem Singer, a noted rabbinic<br />
author; the brothers I.J. and I.B.<br />
Singer; as well as Singer’s sister,<br />
Esther. Photographs and personal<br />
documents will be on display.<br />
Book jacket of Deborah by Esther Kreitman,<br />
Photo courtesy YIVO Archives.<br />
ISAAC BASHEVIS SINGER IN FILM<br />
Presented by Yeshiva University Museum<br />
and YIVO<br />
• November 22, 7pm<br />
Isaac In America, 1986, dir. Amram Nowak<br />
Introduced by Allan L. Nadler, Drew University<br />
• December 13, 7 pm<br />
The Cafeteria, 1984, dir. Amram Nowak<br />
Introduced by Allan L. Nadler, Drew University<br />
• January 10, 7 pm<br />
Enemies: A Love Story, 1989, dir. Paul Mazursky<br />
Introduced by Jeremy Dauber, Columbia University<br />
Presented by YIVO<br />
35
6<br />
The <strong>Center</strong><br />
and the Scholars<br />
by Michael A. Meyer and<br />
Elisheva Carlebach<br />
A<br />
lthough the <strong>Center</strong> <strong>for</strong> <strong>Jewish</strong> History hosts numerous popular<br />
programs <strong>for</strong> <strong>Jewish</strong> and general audiences in New<br />
York, its fundamental purpose is to serve the national and international<br />
community of <strong>Jewish</strong> scholars, especially modern <strong>Jewish</strong><br />
historians. We historians had long felt the need <strong>for</strong> a single institution<br />
that brings together under one roof so many of the archival<br />
and literary resources we require <strong>for</strong> our work. We also welcomed<br />
the establishment of the <strong>Center</strong> because of its poss<strong>ib</strong>ilities <strong>for</strong><br />
conducting our research in an<br />
environment conducive to the<br />
scope of our scholarship. Here,<br />
veteran and, especially, younger<br />
scholars are able to interact with<br />
their counterparts studying American,<br />
German, East European or<br />
Sephardic <strong>Jewish</strong> history. The<br />
results are a mutual fructification<br />
and a synergy that inspire better<br />
scholarship and a deepening of<br />
American <strong>Jewish</strong> culture.<br />
To explore these poss<strong>ib</strong>ilities,<br />
and to establish a framework<br />
<strong>for</strong> furthering them, the Academic<br />
Advisory Council of the <strong>Center</strong> was<br />
established. Today it consists of<br />
fifteen members who serve on the<br />
faculty and staffs of leading academic<br />
and research institutions,<br />
among them Stan<strong>for</strong>d University,<br />
the University of Pennsylvania,<br />
the University of Michigan, New<br />
York University, the <strong>Jewish</strong> Theological<br />
Seminary, and the United<br />
States Holocaust Memorial Museum.<br />
We are a diverse group —<br />
seasoned scholars and younger historians,<br />
men and women from various sections of the country who<br />
work in one or another of the fields represented by the <strong>Center</strong>.<br />
The Council’s principal function is to provide an academic<br />
perspective: to advise, propose, and evaluate. Because we know<br />
the needs of <strong>Jewish</strong> scholars, we are in a position to suggest to<br />
the <strong>Center</strong> how to create the best environment <strong>for</strong> its Reading<br />
Room, make the most effective use of its resources, and create<br />
programs that will win the approval and support of the scholarly<br />
community. Together with the Association <strong>for</strong> <strong>Jewish</strong> Studies,<br />
whose national office has recently been established at the <strong>Center</strong>,<br />
we provide an essential link to the large and growing<br />
community of <strong>Jewish</strong> scholars.<br />
Toward that end, we have initiated programs that raise the<br />
<strong>Center</strong>’s profile among our colleagues and in the <strong>Jewish</strong> world.<br />
For example, shortly after the <strong>Center</strong> opened, the Council organized<br />
a major academic conference entitled “<strong>Center</strong>s of Modern<br />
MICHAEL LUPPINO<br />
The Lillian Goldman Reading Room<br />
<strong>Jewish</strong> Studies,” which drew both university professors and a<br />
general audience. It highlighted the vistas <strong>for</strong> integrated study<br />
of various aspects of the modern <strong>Jewish</strong> experience that the <strong>Center</strong><br />
laid open be<strong>for</strong>e us.<br />
The most remarkable success of the Council lies in its fellowship<br />
and seminar program. Each year a few outstanding<br />
graduate students are selected to receive fellowships that enable<br />
them to pursue their doctoral research at the <strong>Center</strong>. They utilize<br />
its rich resources, often in more than one of the <strong>Center</strong> partners’<br />
collections. Fellows’ respons<strong>ib</strong>ilities include the delivery of a<br />
research paper at seminars open to all members of the <strong>Center</strong><br />
community and conducted by a senior scholar. By attending the<br />
seminars and by presenting their own research to the critical eyes<br />
of others, the fellows develop a capacity <strong>for</strong> creative criticism and<br />
learn to make effective oral presentations. As they encounter<br />
each other in<strong>for</strong>mally during their stay at the <strong>Center</strong>, the<br />
fellows are able to discuss research<br />
techniques and gain a broader<br />
understanding of fields adjacent to<br />
their own. Thus the <strong>Center</strong> serves as<br />
an important venue <strong>for</strong> the training<br />
of future <strong>Jewish</strong> historians who<br />
will preserve and transmit a living<br />
heritage.<br />
At the regularly held meetings<br />
of the Council, and through<br />
our committees, the Council<br />
explores new opportunities <strong>for</strong><br />
enhancing the work of the <strong>Center</strong>.<br />
We are currently engaged in planning<br />
the <strong>Center</strong>’s commemoration<br />
of the 350th anniversary of <strong>Jewish</strong><br />
settlement in America. We are<br />
discussing a scholar-in-residence<br />
program, which would enable<br />
junior and senior historians to<br />
spend a semester or a year at the<br />
<strong>Center</strong> in order to consult with<br />
staff and advise the graduate<br />
fellows while pursuing their own<br />
research. We are exploring the<br />
use of video conferences, and an<br />
effective use of prizes to<br />
encourage research and publication.<br />
We are also seeking to learn from other, longer<br />
established institutions, such as Washington’s Holocaust Museum,<br />
about how we can become a bridge connecting archival<br />
treasures, scholars, and the public.<br />
The <strong>Center</strong>, with its rich and diverse collections of<br />
resources, is an unparalleled venture in the history of <strong>Jewish</strong><br />
scholarship. The Academic Council is devoted to trans<strong>for</strong>ming<br />
these resources from historical documents and museum artifacts<br />
into writings and presentations that will combine scholarship on<br />
the highest level with relevance to the creative development of<br />
American <strong>Jewish</strong> culture.<br />
Michael A. Meyer (Hebrew Union College) and Elisheva<br />
Carlebach (Queens College) are co-chairs of the <strong>Center</strong>’s Academic<br />
Advisory Council
Lawyers<br />
Without Rights<br />
Jews and the Rule of Law<br />
Under the Third Reich<br />
by Carol Kahn Strauss<br />
On April 7, 1933, shortly after assuming power, Adolf Hitler<br />
ordered all non-Aryan attorneys to be relieved of their civil service<br />
positions, including university professorships and administrative<br />
positions throughout the legal system. The effect was<br />
devastating: at the time of the proclamation, there were almost<br />
20,000 lawyers in Germany, and about half of them were <strong>Jewish</strong>.<br />
The numbers, and the accomplishments, are staggering. In<br />
Berlin alone, there were 3,400 lawyers, of whom approximately<br />
2,000 were <strong>Jewish</strong>. Jews who had been trained<br />
as jurists worked as teachers, judges, notaries,<br />
administrators, and trial advocates. They were<br />
experts in commercial law, contracts law, labor<br />
law, penal law, family law and civil procedure.<br />
They developed theories of sociology and the<br />
law, pioneered modern concepts of women’s<br />
rights, and expanded the definitions of<br />
free speech. All of these were subsequently<br />
denounced as “<strong>Jewish</strong> perversions” by the Nazis.<br />
How had Jews become so numerous in the<br />
German legal profession?<br />
One poss<strong>ib</strong>le reason is ideological: throughout <strong>Jewish</strong><br />
history, the rule of law was of central importance. Traditional<br />
Judaism is a religion of law, whose important precepts, codes and<br />
guidelines are found in the B<strong>ib</strong>le, the Talmud, and rabbinic decisions.<br />
In the traditional <strong>Jewish</strong> view, law is holy and a necessary<br />
part of religious life.<br />
A second reason was practical. Secular law — the legal systems<br />
of the nations in which Jews lived — also mattered to Jews,<br />
especially during the 19th century when, with the onset of<br />
emancipation, the state regulated almost all of their activities.<br />
Jews were enmeshed in legal systems whether they were religious<br />
or not.<br />
Convention of Lawyers in Duesseldorf, 1949, (Bild Berichte; Berben-Binder,<br />
Dusseldorf). Photo courtesy of Leo Baeck Institute.<br />
Finally, there is an economic reason, stemming from emancipation<br />
itself. By the 1850s, Jews throughout most of Central<br />
Europe were able to participate in the judicial professions, even as<br />
they were still barred from most academic pursuits. It was virtually<br />
imposs<strong>ib</strong>le <strong>for</strong> a Jew at that time to become a professor of<br />
literature — but he could be a doctor of laws. The result of all<br />
these causes was a legal profession that was disproportionately<br />
inhabited and maintained by Jews — a fact not lost on the Nazis.<br />
The effects of the 1933 ruling were seismic. German judges,<br />
like their British and American counterparts, receive the same<br />
education whether headed <strong>for</strong> private practice or government<br />
work. After graduation, however, German judges work their way<br />
up through the judicial system, much like any other civil<br />
servant, rather than being chosen after experience in the private<br />
sector. Consequently, one year after the law was passed, there<br />
were 10,000 immediate vacancies in the judicial system,<br />
and twice that number of openings throughout<br />
the legal profession, all waiting to be filled by<br />
Lawyers<br />
non-Jews.<br />
Perhaps surprisingly, most of the<br />
Without<br />
disbarred <strong>Jewish</strong> lawyers did not immediate-<br />
Rights ly leave Germany. They thought the shock<br />
Exh<strong>ib</strong>ition<br />
was temporary, and feared the difficulty of<br />
relearning the law in another country —<br />
December 5, 2004 –<br />
particularly America, whose legal system is<br />
February 28, 2005<br />
derived from English common law, in contrast<br />
to Germany’s foundations in Roman law. Language<br />
also presented a problem; Greek and Latin<br />
were more familiar to many German jurists than English.<br />
As a result, most <strong>Jewish</strong> lawyers stayed and worked in<br />
whatever capacity they could. As one Dr. Ludwig Bendix wrote<br />
to his clients, “I had to give up my activities as lawyer and<br />
notary, however, having practiced and studied German law my<br />
whole life, I feel so closely linked with German law that even if<br />
it were only <strong>for</strong> this innermost idealistic reason, I have to continue<br />
my activities within the new framework that remains<br />
under current legislation.”<br />
Dr. Bendix became a “legal advisor” or rechtsberater, often<br />
the last resort of many <strong>Jewish</strong> lawyers. Such activities led to a<br />
special statute to curtail even this attempt to survive: the “Law<br />
continued on page 12<br />
37
8<br />
MELANIE EINZIG<br />
SHIRA KOHN<br />
<strong>Center</strong> Newswire Events<br />
Celebrating 350<br />
Years of <strong>Jewish</strong> Life<br />
in America<br />
MELANIE EINZIG<br />
MELANIE EINZIG<br />
SHIRA KOHN<br />
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“This program really<br />
got me interested<br />
in Judaism and<br />
genealogy. It was a<br />
great way to spend<br />
three weeks.”<br />
Samberg<br />
Family<br />
History<br />
Program<br />
Governor George E. Pataki<br />
hosts a reception to<br />
celebrate the start of the<br />
350 Anniversary of <strong>Jewish</strong><br />
Settlers in North America<br />
with 200 friends and<br />
colleagues at the <strong>Center</strong><br />
on September 9, 2004.<br />
(A) Sidney Lapidus,<br />
C<br />
President of the American<br />
<strong>Jewish</strong> Historical Society;<br />
B State Assemblyman Ryan Scott Karben; Governor<br />
George E. Pataki; and <strong>Center</strong> Chairman Bruce Slovin;<br />
(B) Sidney Lapidus accepts the State’s Proclamation from Governor George E. Pataki; (C) Peter<br />
A. Geffen, Executive Director of the <strong>Center</strong> with Rabbi Joseph Potasnik, Executive Vice President<br />
of the New York Board of Rabbis.<br />
Nineteen teens from the New York<br />
metropolitan area worked side by<br />
side with scholars, curators, and<br />
professional genealogists to<br />
research their family’s history using<br />
the <strong>Center</strong>’s vast archival collection<br />
and l<strong>ib</strong>rary. (E) Participants view a<br />
cloth wimpel, used as a ritual object<br />
in German <strong>Jewish</strong> communities, in a<br />
workshop with Yeshiva University<br />
Museum curator Gabriel Goldstein;<br />
(F) Samberg students on their way<br />
to Ellis Island, July 15, 2004;<br />
(G) Dylan Suher wearing a<br />
traditional robe at the Bukharian<br />
<strong>Jewish</strong> Community <strong>Center</strong>,<br />
July 28, 2004.<br />
D<br />
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MELANIE EINZIG<br />
Senator Arlen Specter Visits<br />
Dignitaries and political officials often visit the <strong>Center</strong> to view the<br />
magnificent collections of the partner organizations. Chairman Bruce<br />
Slovin escorted Senator Specter and his wife, Joan on October 4, 2004.<br />
(D) Left to right: Bruce Slovin, U.S. Senator Arlen Specter (PA), Joan<br />
Specter, and Yeshiva University Museum Director Sylvia Herskowitz.<br />
October 4, 2004.<br />
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Jews<br />
& Justice<br />
The Jews & Justice series is an<br />
J exploration of contemporary and<br />
legal traditions of the <strong>Jewish</strong> people<br />
and their relevance to current thinking and practice. Preceding each<br />
panel discussion, The David Berg Foundation hosted a reception <strong>for</strong><br />
speakers and friends. Clockwise from above: (H) Suzanne Last Stone,<br />
Professor of Law at Benjamin Cardozo School of Law, Yeshiva University<br />
(left), co-curator of the Jews & Justice series, with Michele Tocci, a<br />
member of the <strong>Center</strong>’s Board of Overseers and President of The David<br />
Berg Foundation, underwriters of the program; (I) Left to right:<br />
Professors Elaine Pagels (Princeton University), Abdulaziz Sachedina<br />
(University of Virginia) and David Berger (Brooklyn College and the<br />
Graduate <strong>Center</strong> at the City University of New York), panelists <strong>for</strong><br />
“Tolerance: The Perspectives of Religious Traditions,” June 22, 2004;<br />
(J) Russell G. Pearce (left), Professor of Law, Fordham University Law<br />
School and co-curator of the Jews & Justice series with Peter A. Geffen,<br />
Executive Director of the <strong>Center</strong> and Edward Rothstein, New York Times<br />
reporter and moderator of the "The Passion" panel February 26, 2004<br />
I
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MATHILDE DAMELE<br />
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Luminous Manuscript<br />
and B<strong>ib</strong>lical Species<br />
Diaspora: Homelands<br />
in Exile at the<br />
United Nations<br />
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A reception <strong>for</strong> over 200 guests was<br />
held on April 1 <strong>for</strong> the opening of<br />
Luminous Manuscript, a large-scale<br />
work by Diane Samuels installed in<br />
the Paul S. and Sylvia Steinberg<br />
Great Hall at the <strong>Center</strong>. The<br />
reception also honored Michele Oka Doner, who created the <strong>Center</strong>'s first<br />
public art commission, B<strong>ib</strong>lical Species. Clockwise from far left: (K) Guests<br />
explore Luminous Manuscript, a mosaic tablet twenty-two feet high and<br />
twenty feet in width, made of engraved crystal clear Starphire glass, individually hand-mounted over<br />
Jerusalem stone tiles. (L) Please touch the art: Elizabeth Kingsley explores Luminous Manuscript.<br />
(M) A meditative moment shared by Board of Overseers Chairman Bruce Slovin (right) with colleague and<br />
benefactor, Joseph S. Steinberg; (N) B<strong>ib</strong>lical Species, terrazzo floor by artist Michele Oka Doner;<br />
(O) Detail from Luminous Manuscript;<br />
(P) Sculptor<br />
Michele Oka<br />
Doner;<br />
(Q) Michele Oka<br />
Doner (left),<br />
Bruce Slovin,<br />
Diane Samuels,<br />
Joseph S.<br />
and Diane H.<br />
Steinberg.<br />
Q<br />
See Development News <strong>for</strong> further in<strong>for</strong>mation on page 16.<br />
On June 21, the <strong>Center</strong> <strong>for</strong> <strong>Jewish</strong> History and the Department of In<strong>for</strong>mation<br />
at the United Nations hosted a reception <strong>for</strong> an exh<strong>ib</strong>ition of selected works<br />
of French photographer Frédéric Brenner. The photographs were on view<br />
in conjunction with the United Nations' historic seminar, “Confronting Anti-<br />
Semitism: Education <strong>for</strong> Tolerance and Understanding.” Below left: (R) Frédéric<br />
Brenner (left) and admirer. Clockwise from near right: (S) Chaikhana, Teahouse<br />
(Frédéric Brenner), 1990. Courtesy of Howard Greenberg Gallery, NYC;<br />
(T) Raymond Sommeryns (left), Director<br />
of Outreach Division of the Department of<br />
In<strong>for</strong>mation at the United Nations; and<br />
Frédéric Brenner; (U) Dr. Ruth Westheimer<br />
and Bruce Slovin; (V) Peter Geffen<br />
introducing Frédéric Brenner; (W) Guests<br />
browse through the catalogue Diaspora:<br />
Homelands in Exile, a collection of<br />
Brenner’s photographs of <strong>Jewish</strong> lives in<br />
R<br />
different parts of the world, taken over a<br />
25-year period.<br />
MATHILDE DAMELE<br />
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MATHILDE DAMELE<br />
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JOSHUA KESSLER<br />
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10<br />
LEO BAECK INSTITUTE<br />
ARCHIVIO CENTRALE DELLO STATO<br />
<strong>Center</strong> Newswire Recent Programs<br />
Exh<strong>ib</strong>itions<br />
A<br />
F<br />
Per<strong>for</strong>mance<br />
Clockwise from top: (H) Between Two Worlds: The<br />
Dybbuk, one of the most popular plays in <strong>Jewish</strong><br />
theater, was per<strong>for</strong>med in an award-winning adaptation<br />
<strong>for</strong> adult puppet theater, produced by Tears of Joy<br />
Theater and Mark Levenson, February 19-21, 2004<br />
(Yeshiva University Museum) (I & J) A staged reading<br />
of The Last Days of Mankind, written between 1915 and<br />
1922 by the great satirist Karl Kraus, the work explores<br />
various aspects to the nature of war and the media’s<br />
response. A work considered by many to be a<br />
precursor to contemporary thinking on global conflict.<br />
Left to right: Actors Robert Zuckerman and Emanuele<br />
Secci, April 28 (co-presented by the Leo Baeck<br />
Institute, the Centro Cultrale Primo Levi, KIT-Kairos<br />
Italy Theater, and the <strong>Jewish</strong> Heritage Project.)<br />
(K) The Jews of Iran, an evening of viewing the<br />
pictorial history, “Esther’s Children,” with a slide<br />
presentation by Houman Sashar and a concert<br />
per<strong>for</strong>mance by Tania Eshaghoff (pictured here).<br />
(American Sephardi Federation)<br />
G<br />
AMERICAN SEPHARDI FEDERATION<br />
AMERICAN JEWISH HISTORICAL SOCIETY<br />
PHOTO: HENRI SILBERMAN<br />
E<br />
ARCHIVIO<br />
CENTRALE<br />
DELLO STATO<br />
YIVO ARCHIVES<br />
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B<br />
YESHIVA UNIVERSITY MUSEUM<br />
Clockwise from far left:<br />
(A) Intriguing Women •<br />
Martha Kaestner on a<br />
bicycle. The pioneering<br />
achievements of<br />
<strong>Jewish</strong> women in<br />
modern times covered<br />
C a wide field from social<br />
welfare, to the arts, to<br />
medicine and physics. A tr<strong>ib</strong>ute to their creativity, brilliance, and<br />
ingenuity was shown through personal correspondence, books,<br />
unpublished manuscripts, and rare documents. (Leo Baeck Institute);<br />
(B) Pioneers, Superstars and Journeymen in Major League Baseball,<br />
1871-2004 • Through December 30, 2004. (American <strong>Jewish</strong><br />
Historical Society) (C) Archie Rand: Iconoclast • Day One, “Seven<br />
Days of Creation” (1966) was one of the<br />
works on display by Archie Rand, an artist<br />
whose body of work draws on sources<br />
ranging from pop art to B<strong>ib</strong>lical subjects.<br />
(Yeshiva University Museum) (D) Covers &<br />
Sheets: Early 20th Century Yiddish Sheet<br />
Music • These rare materials from the<br />
YIVO Collection represented popular<br />
Yiddish songs from the turn of the<br />
century, when <strong>Jewish</strong> migration to<br />
America reached its peak. (YIVO)<br />
(E) <strong>Jewish</strong> Costumes in the Ottman<br />
Empire – The Sephardim & The Turks;<br />
Living Together <strong>for</strong> 500 years •<br />
March 31 – May 15, 2004. (American<br />
Sephardi Federation) (F) The Other<br />
Modigliani – A Life of Peace and<br />
Democracy • An exh<strong>ib</strong>ition on loan from<br />
the Archivio Centrale dello Stato in Rome,<br />
The Other Modigliani examined the life<br />
and work of Guiseppe Emanuele (Mené)<br />
Modigliani, one of Italy's earliest socialists<br />
and union leaders, who was elected to Parliament. Shown here:<br />
Mené leaving the United States after a triumphant lecture tour,<br />
as he listens to members of Local 89, Ladies Garment Workers<br />
Union singing “Bread & Roses” from the pier. (Centro Culturale<br />
Primo Levi) (G) Mené and his wife Vera.<br />
K<br />
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MELANIE EINZIG<br />
Films<br />
R<br />
Expression and Exploration:<br />
Paths of <strong>Jewish</strong> Artists<br />
Monday Night Film Series<br />
(L) Pearl Lang in The Possessed, 1978;<br />
(M) Berlin’s <strong>Jewish</strong> Museum: A Personal Tour with<br />
Daniel L<strong>ib</strong>eskind, 2000;<br />
SIMONA ARU<br />
T<br />
MELANIE EINZIG<br />
S<br />
LEO BAECK INSTITUTE<br />
O<br />
Great Nights in<br />
the Great Hall<br />
Summer film and<br />
concert series attracts<br />
nearly 1,000 visitors<br />
L<br />
M<br />
Lectures<br />
YIVO ARCHIVES<br />
Symposium: Jerusalem of<br />
the North: Yiddish Montreal<br />
(N) Yiddish Montreal, Children from Yiddish-language<br />
Peretz schools, Montreal, Canada (1930s). (YIVO)<br />
Clockwise from top left: (O) Legendary<br />
drummer Chico Hamilton; (P) Humorist Flash<br />
Rosenberg; (Q) Special premiere of Rosenstrasse, film image courtesy of Samuel<br />
Goldwyn Films; (R) Bill Crow, bassist and jazz historian; (S) The Loft on 28th Street,<br />
a look at W. Eugene Smith’s archival photography, accompanied by a per<strong>for</strong>mance<br />
with jazz historian Bill Crow<br />
(T) Clarinetist Ken Peplowski<br />
per<strong>for</strong>med with John<br />
“Bucky” Pizzarelli.<br />
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12<br />
Lawyers Without<br />
Rights<br />
continued from page 7<br />
Against the Abuse of Legal<br />
Advice,” passed in late 1935.<br />
By Kristallnacht, November 9,<br />
1938, 173 so-called <strong>Jewish</strong><br />
“legal consultants” remained.<br />
By 1945, only four of them<br />
were still alive.<br />
Ironically, just as the<br />
purge of <strong>Jewish</strong> lawyers<br />
stripped the German legal<br />
profession of half of its practitioners,<br />
the legal complexities<br />
of Hitler’s reign were many. For<br />
example, Nazi racial policies<br />
were extraordinarily complex,<br />
as arbitrary and ridiculous as<br />
they were fierce. The Nuremberg<br />
Laws of 1935 officially<br />
designated a Jew as anyone<br />
who was “more than 50 percent”<br />
<strong>Jewish</strong> — a seemingly<br />
simple definition, but actually<br />
extremely complex. Medically,<br />
of course, Jews are not a race<br />
(a cultural concept which is<br />
not scientific in any case). And<br />
with converts into and out of<br />
Judaism, these “stiff-necked”<br />
people were exceedingly difficult<br />
to identify. Converts to<br />
Christianity remained Jews<br />
under the Nazis, while the socalled<br />
mischlinge who had one<br />
or more <strong>Jewish</strong> parents or<br />
grandparents, were subsequently<br />
categorized as half-Jews or<br />
quarter-Jews. The vague concept<br />
of “<strong>Jewish</strong> identity”<br />
included religion, heredity,<br />
nationality, and intent. Confusion<br />
ensued.<br />
The German courts<br />
upheld and interpreted the<br />
Nuremberg Laws in ways that<br />
were inevitably detrimental to<br />
Jews. For example, one case in<br />
March 1933 regarded a film production<br />
company, UFA, which<br />
had signed a contract with a<br />
<strong>Jewish</strong> director (Eric Charell)<br />
<strong>for</strong> film rights to his novel. Five<br />
days after paying Charell the<br />
first installment, UFA withdrew<br />
the contract, citing a clause<br />
that declared the agreement<br />
null and void in the case of the<br />
director’s “death, illness or a<br />
similar reason.” The Supreme<br />
Court agreed that, indeed, a<br />
“similar reason” had been provided,<br />
since the new racial<br />
policies altered Charell’s legal<br />
status to the extent that they<br />
prevented him from carrying<br />
out his duties.<br />
The Charell case was a<br />
clear articulation of the civil<br />
death of Jews, which took<br />
place long be<strong>for</strong>e their physical<br />
annihilation, and served as<br />
a precedent <strong>for</strong> a variety of<br />
decisions by lower courts.<br />
Illegal termination of leases,<br />
employment contracts, pension<br />
benefits and many other <strong>for</strong>ms<br />
of discrimination against Jews<br />
in civil suits all became rationalized<br />
under Nazi jurisprudence.<br />
No ef<strong>for</strong>t was spared to construe<br />
every law as restrictively as poss<strong>ib</strong>le,<br />
to the detriment of Jews.<br />
In reality, the German<br />
legal system had been undergoing<br />
a perversion of justice<br />
even be<strong>for</strong>e Hitler became<br />
Chancellor. There was a famous<br />
decision by Germany’s Supreme<br />
Court in 1925 that essentially<br />
ruled that the interests of the<br />
state stood above the law. By<br />
implication, this meant that<br />
even the most heinous crimes<br />
were not punishable if they<br />
were committed in the interest<br />
of the state, while, conversely,<br />
legal actions were punishable<br />
if they ran counter to those<br />
interests. Thomas Mann commented<br />
that such legal<br />
doctrines “ought to be left to<br />
fascist dictators,” and indeed<br />
they were.<br />
What is shocking is how<br />
long Hitler’s special judges<br />
remained in power, long after<br />
the Third Reich was finished. In<br />
1959, the so-called Committee<br />
<strong>for</strong> German Unity presented a<br />
report to Chancellor Adenauer<br />
filled with documentary evidence<br />
showing that more than<br />
800 of Hitler’s special court<br />
judges and military judges still<br />
occupied positions of responsi-<br />
bility in the West German judicial<br />
system, even though it had<br />
been proven that they<br />
committed terr<strong>ib</strong>le crimes<br />
under the Nazis. In 1958, the<br />
West German Federal Prosecutor<br />
admitted that the “mass of<br />
today’s judges and public prosecutors<br />
were already active …<br />
between 1933 and 1945 … The<br />
rule of law perished but they<br />
survived.”<br />
The German <strong>Jewish</strong><br />
lawyers were not so lucky, of<br />
course. Of those who survived<br />
the Holocaust, fewer than 10<br />
percent actually resumed the<br />
practice of law. A high percentage<br />
took their own lives.<br />
Not too long ago, the Bar<br />
Association of the Federal<br />
Republic of Germany recognized<br />
the terr<strong>ib</strong>le injustice<br />
done to their <strong>Jewish</strong> colleagues<br />
and mounted an<br />
exh<strong>ib</strong>it entitled Lawyers without<br />
Rights that opened in the<br />
German Bundestag. The exh<strong>ib</strong>it,<br />
which will open at the Leo<br />
Baeck Institute on December<br />
5, 2004, very simply states the<br />
names and accomplishments of<br />
many <strong>Jewish</strong> lawyers, together<br />
with their fates after 1933.<br />
The biographical portraits give<br />
viewers deep insight into the<br />
historical, social, and political<br />
consequences of the expulsion<br />
of this vital and v<strong>ib</strong>rant professional<br />
class. As the material<br />
from the exh<strong>ib</strong>it and the Leo<br />
Baeck Institute archives clearly<br />
shows, all of them lost their<br />
profession, most of them lost<br />
their country, and a large<br />
number lost their lives. That<br />
we remember them today is<br />
due in large part to the farsighted<br />
founders of the<br />
Institute — including Rabbi Leo<br />
Baeck, Martin Buber, Robert<br />
Weltsch, and Hannah Arendt<br />
— who understood the importance<br />
of a cultural repository<br />
to catalogue authentic material<br />
that would become part of<br />
the permanent record. Many<br />
of the papers, unpublished<br />
books, memoirs, legal correspondence<br />
of these once<br />
honorable jurists are preserved<br />
at the Leo Baeck Institute.<br />
Viewed in the light of<br />
what we now know, a phrase<br />
engraved in the Holocaust<br />
Memorial of the Appellate<br />
Court in New York City is particularly<br />
apt: “Indifference to<br />
Justice,” it says, “is the Gate<br />
to Hell.”<br />
Carol Kahn Strauss is the<br />
Executive Director of<br />
the Leo Baeck Institute.<br />
Convention of Lawyers in Duesseldorf, 1949, (Bild Berichte; Berben-Binder,<br />
Dusseldorf). Photo courtesy of Leo Baeck Institute.
Photo: Still from the film “The Rock and the Star”<br />
(Katia Mesel, 2004), showing a group of Brazilian<br />
<strong>Jewish</strong> women embroidering designs based on paintings<br />
by Franz Post, Echout, Rembrandt and others. Part<br />
of the exh<strong>ib</strong>it Pernambuco, Brazil; Gateway to New York.<br />
Brazil:<br />
The Hidden<br />
“<strong>Jewish</strong>” State<br />
by Monique Balbuena<br />
The coupling of the terms “Jew” and “Latino”<br />
often elicits surprise, especially in the US,<br />
where Jews are often identified as Ashkenazi,<br />
Yiddish-speaking, and Eastern European. However,<br />
<strong>Jewish</strong> communities in Latin America<br />
<strong>for</strong>med an essential part of their countries’ cultural<br />
fabric, and, as evidenced by the <strong>Center</strong> <strong>for</strong><br />
<strong>Jewish</strong> History’s current exh<strong>ib</strong>ition on Recife,<br />
Brazil and early settlement in New York (see<br />
sidebar), have had an enormous influence on<br />
American Jewry as well.<br />
As we rediscover the stories of <strong>Jewish</strong><br />
Latin American communities, we often mirror<br />
the process of contemporary <strong>Jewish</strong> Latino<br />
authors and writers themselves. In the words of<br />
Professor Edward H. Friedman, “a common<br />
motif of Latin American narrative is the rewriting<br />
of history, that is, the emendatory encoding<br />
of the <strong>Jewish</strong> subject into history.”<br />
Brazil, colonized by the Portugese, is a<br />
unique case in point. In the 16th century, the<br />
Portuguese were heavily identified as “gente da<br />
nação” (“people of the nation”), a euphemism<br />
<strong>for</strong> Jews. Erasmo, <strong>for</strong> example, wrote in 1530<br />
that the Portuguese were “a race of Jews.” In<br />
1674, Gaspar de Freitas Abreu complained that,<br />
“Only us, the Portuguese, among all the<br />
nations, are stigmatized as Jews or Marranos,<br />
and it’s a shame.” Portuguese diplomat Dom<br />
Luís da Cunha wrote in 1736 that “‘Portuguese’<br />
was synonymous with ‘Jew’ in <strong>for</strong>eign countries.”<br />
Indeed, although in 1496 Jews were<br />
<strong>for</strong>cefully baptized with holy water at the docks<br />
in Lisbon, the number of mixed marriages<br />
between Old Christians and New Christians —<br />
the baptized Jews — was so high by the 16th<br />
century that, scholar C.R. Boxer estimates,<br />
between one third and one half of the population<br />
in Portugal had some <strong>Jewish</strong> blood.<br />
The Portuguese were leaders of 16th century<br />
maritime expeditions, and in their pre-capitalist,<br />
expansionist and mercantilist endeavors.<br />
The colonial beginnings of Brazil are marked by<br />
the presence of New Christians and Crypto-Jews,<br />
who had a constant presence in the new territory<br />
as merchants, sugar plantation owners, slaveowners<br />
and traders, educators, writers and even<br />
priests. In his essay on the Sephardic experience<br />
in colonial Latin America, titled “These of the<br />
Hebrew Nation” (included in Martin A. Cohen<br />
and Abraham J. Peck’s anthology, Sephardim in<br />
the Americas), Allan Metz writes that “the <strong>Jewish</strong><br />
history of colonial Latin America … is essentially<br />
that of … New Christians who were<br />
judaizers. ... Well represented in commercial,<br />
professional, and political activities, the New<br />
Christian presence greatly enhanced Latin<br />
America’s development.” Brazilian Ambassador<br />
Rubens Ricupero assesses the interweaving of<br />
<strong>Jewish</strong> and Brazilian histories: “The origin of<br />
the country and the fate of the Sephardic Jews<br />
in the 15th and 16th centuries are inseparable<br />
threads of the same fabric.”<br />
This intimate association between<br />
Sephardic Jews and the beginnings of what<br />
would become the country of Brazil has had<br />
important effects on Brazilian customs, sayings<br />
and folk traditions. Not only were Crypto-Jews<br />
among the first writers of the colony, thereby<br />
leaving their mark in national literature, but<br />
the Brazilian <strong>Jewish</strong> environment also bore its<br />
imprint on <strong>Jewish</strong> literature. Recife, the capital<br />
of Pernambuco, where openly <strong>Jewish</strong> life flourished<br />
again under Dutch rule, has the oldest<br />
synagogue and mikveh of the Americas. The<br />
first Hebrew poem in the Americas was written<br />
there by Isaac Aboab da Fonseca, and there too<br />
were printed the first American <strong>Jewish</strong> books,<br />
in 1636. Recife also saw the initial Latin American<br />
contr<strong>ib</strong>ution to Responsa literature, and<br />
from there departed the twenty three Jews who<br />
continued on page 18<br />
Pernambuco,<br />
Brazil: The Gateway<br />
to New York<br />
350 years ago, twentythree<br />
Sephardic Jews<br />
from Recife, Brazil were<br />
<strong>for</strong>ced to flee their<br />
adopted homeland and<br />
found themselves on the<br />
shores of New York, then<br />
named New Amsterdam.<br />
Despite opposition<br />
from Governor Peter<br />
Stuyvesant, this small<br />
<strong>Jewish</strong> community was<br />
finally allowed entry into<br />
the city and took root in<br />
an American society far<br />
away from the reach of<br />
the Inquisition.<br />
Two partner institutions<br />
of the <strong>Center</strong> <strong>for</strong> <strong>Jewish</strong><br />
History, the Yeshiva<br />
University Museum and<br />
the American Sephardi<br />
Federation, are cosponsoring<br />
a special<br />
exh<strong>ib</strong>ition, Pernambuco,<br />
Brazil: Gateway to New<br />
York, on view through<br />
December 31, 2004. The<br />
exh<strong>ib</strong>ition depicts the<br />
historical and cultural life<br />
of Portuguese Jews from<br />
their first settlement in<br />
the early 1500s in Recife,<br />
Brazil until the historic<br />
exodus in 1654 of<br />
twenty-three members of<br />
the community who landed<br />
at New Amsterdam.<br />
Organized by Dr. Tania<br />
Kaufman, Director of the<br />
<strong>Jewish</strong> Historical Archive<br />
of Pernambuco in Recife,<br />
the exh<strong>ib</strong>ition illustrates<br />
the day-to-day lives of<br />
Sephardic Jews in Recife.<br />
For more in<strong>for</strong>mation,<br />
visit the <strong>Center</strong> <strong>for</strong><br />
<strong>Jewish</strong> History online<br />
at www.cjh.org.<br />
13
14<br />
he history of the<br />
T Hadassah Medical<br />
Organization is the subject of an<br />
upcoming exh<strong>ib</strong>it developed under the auspices of the American<br />
<strong>Jewish</strong> Historical Society. The exh<strong>ib</strong>it tells the stories of some of<br />
the men and women who built the Hadassah Medical Organization<br />
and how, in turn, the infrastructure of the medical system<br />
of the modern State of Israel was <strong>for</strong>med. Public health clinics,<br />
well baby care, school lunches, playgrounds, immigrant medical<br />
services, hospitals — all were developed by Hadassah, and when<br />
the local or state government was able to finance and administer<br />
them, they were gradually transferred and Hadassah moved<br />
on to its next challenge.<br />
Hadassah first became involved with healthcare in Palestine<br />
in 1913, when founder Henrietta Szold secured a donation<br />
from Nathan and Lina Straus to cover the cost of sending two<br />
public health nurses to Jerusalem <strong>for</strong> a year. The nurses visited<br />
families and schools and set up a basic public health clinic with<br />
a focus on mothers and children. By the end of World War I,<br />
Hadassah was ready to lead a complete medical unit of about 44<br />
health professionals in Palestine. The doctors, nurses, dentists<br />
and sanitarians spread throughout the <strong>Jewish</strong> settlements there,<br />
setting up hospitals, clinics, and public health stations.<br />
In the 1920s and 1930s Hadassah was financing a nursing<br />
school, clinics and health stations, playgrounds, school lunches<br />
and well baby care, and hospitals. By 1939 it had financed and<br />
®<br />
The Early Days of the<br />
Hadassah Medical<br />
Organization<br />
by Susan Woodland<br />
Left: The camp at which Florence Nathanson worked as a Hadassah<br />
nurse in 1950. Right: Nurses and patients in front of the<br />
government hospital <strong>for</strong> adults constructed by the <strong>Jewish</strong><br />
Agency. Photos by Florence Kaplan Nathanson, courtesy of<br />
Hadassah, the Women’s Zionist Organization of America.<br />
opened a medical center<br />
on Mount Scopus,<br />
adjacent to the campus<br />
of the Hebrew<br />
University. As quickly<br />
as Hadassah set up<br />
medical institutions,<br />
these institutions were<br />
as quickly transferred to<br />
the municipalities in<br />
which they stood.<br />
Upon Israeli statehood<br />
in 1948, tremendous<br />
new medical needs<br />
strained the resources of<br />
the new government. Some<br />
leaders proposed that Hadassah<br />
concentrate on the care of this<br />
flood of immigrants — poor, ill,<br />
and uneducated. But Hadassah,<br />
focused on raising money<br />
and planning <strong>for</strong> a new medical<br />
center at Ein Karem,<br />
declined to take on the major<br />
respons<strong>ib</strong>ility <strong>for</strong> this overwhelming<br />
task, preferring a<br />
limited role in supplying medical<br />
care in a few key transit<br />
camps.<br />
One of these was at Rosh<br />
Ha‘Ayin, where the <strong>Jewish</strong><br />
Agency built a transit camp <strong>for</strong><br />
Yemenite immigrants. There,<br />
Hadassah set up a children’s<br />
hospital and staffed it <strong>for</strong> two<br />
years, until the government<br />
health service was prepared to<br />
take over. The children suffered<br />
from malnutrition, acute<br />
intestinal infection and malaria,<br />
among other illnesses.<br />
Desperate <strong>for</strong> additional nursing<br />
staff beyond that which<br />
was being trained in Hadassah’s<br />
nursing school in<br />
Jerusalem, Hadassah placed<br />
ads in <strong>Jewish</strong> newspapers in<br />
the United States, looking <strong>for</strong><br />
American nurses willing to<br />
spend at least six months<br />
working in the immigrant<br />
camp at Rosh Ha‘Ayin.<br />
Florence Kaplan (later<br />
Nathanson) saw one of these<br />
ads when a friend pointed it<br />
out on a hospital bulletin<br />
board. A Brooklyn native who<br />
had attended nursing school at<br />
the <strong>Jewish</strong> Hospital of Brooklyn<br />
(now known as the<br />
Interfaith Medical <strong>Center</strong>),<br />
Nathanson became one of the<br />
six American nurses hired and<br />
sent by Hadassah in 1950 to<br />
work <strong>for</strong> nine months at the<br />
camp. (Mrs. Nathanson has generously<br />
lent her photograph<br />
album, which documents her<br />
experiences in Israel in 1950,<br />
as part of the Hadassah Medical<br />
Organization exh<strong>ib</strong>it.) “I<br />
didn’t know about Hadassah at<br />
all,” she recounts. “But I liked<br />
the idea of doing work in the<br />
new <strong>Jewish</strong> homeland. I was<br />
not from a Zionist family, but<br />
the work sounded appealing,<br />
and real.”<br />
For the Health of Israel — Hadassah’s Medical Work 1912–1967, opens January 18, 2005.<br />
Presented by Hadassah, the Women’s Zionist Organization of America Inc. in conjunction with the<br />
American <strong>Jewish</strong> Historical Society. The exh<strong>ib</strong>ition has been underwritten with a generous grant<br />
from the Smart Family Foundation.
FRED CHARLES<br />
One Woman’s Story<br />
We traveled by boat, on the S.S. LaGuardia,<br />
an old decrepit ship left over from World<br />
War II, <strong>for</strong> a long time. I think it was two<br />
weeks, but it seemed much, much longer…<br />
We arrived during a snowstorm in<br />
Jerusalem. We had to stay there <strong>for</strong> a week because of the flooding.<br />
Water was pumped in from Tel Aviv and use was restricted.<br />
When the roads were navigable, we traveled to Rosh Ha‘Ayin,<br />
which was a flooded, muddy mess. Our white nurses’ shoes were<br />
useless in this mud. The Israeli nurses who we were replacing at<br />
Rosh Ha‘Ayin laughed at our uni<strong>for</strong>ms which were so impractical<br />
in the mud and dirt and mess of the camp; they were wearing<br />
boots and slacks.<br />
A government hospital was caring <strong>for</strong> the Yemenite adults,<br />
but it had been determined that special care was needed <strong>for</strong> the<br />
children. We were given the respons<strong>ib</strong>ility to care <strong>for</strong> the children.<br />
The parents lodged in tents which were very small and<br />
narrow, with uncertain hygiene; the children were removed from<br />
their parents’ tents to lodge with the nurses in Quonset huts.<br />
Communication was difficult. The parents spoke Arabic,<br />
the Israeli nurses spoke Hebrew, and we spoke English. . . . We<br />
studied Hebrew conversation and technical Hebrew. One of the<br />
American nurses, Bea Perlmutter, learned Hebrew very quickly,<br />
and became our head nurse. She was respons<strong>ib</strong>le <strong>for</strong> writing up<br />
the nurses’ notes.<br />
The children were in bad shape. Some were blinded by trachoma;<br />
some suffered from tuberculosis; almost all had<br />
dysentery. One little girl, Bracha, had tubercular meningitis.<br />
There was often shooting around the periphery of the<br />
camp, which seemed to be in the middle of nowhere. In 1950<br />
Mrs. Nathanson stayed on <strong>for</strong> nine months (her account of her<br />
experiences is excerpted above), but ultimately returned to<br />
Israel years later, and found it greatly changed. What<br />
impressed her the most? “Rosh Ha‘Ayin had become a real<br />
town with paved streets.”<br />
Rosh Ha‘Ayin was just temporary housing on very barren<br />
land. There were snakes and rats. Once winter was over, the<br />
flooding stopped and it became very dry and hot. The Hamsin<br />
– the dry winds – would blow the top layer of sand, which<br />
got into everything including the babies’ noses and mouths.<br />
We used wet sheets and cheesecloth to cover the beds. We<br />
were warned not to drink too much water which could cause<br />
water intoxication.<br />
Soap and water were rationed. It was difficult even <strong>for</strong><br />
the nurses to maintain acceptable hygiene standards. The food<br />
was plain but nutritious. We had sour cream, cheese and eggs<br />
<strong>for</strong> breakfast. There was one cook. The only meat we had all<br />
week was the Friday night chicken.<br />
The Israeli nurses returned to the cities where they were<br />
needed once we were settled. Doctors came on rounds but did not<br />
live at Rosh Ha‘Ayin. We divided up the shifts among the 6 nurses,<br />
to cover the respons<strong>ib</strong>ilities 24 hours a day, 7 days a week. We<br />
worked day shifts one week, and night shifts the next.<br />
On infrequent days off we went to Jerusalem, Tel Aviv and<br />
Beersheva where we saw the new hospital Hadassah was supporting<br />
there. I came down with malaria and went to Hadassah<br />
Hospital in Jerusalem. I was there during the Independence<br />
Day parade.<br />
Eddie Cantor had helped raise money to finance sending<br />
these Yemenite refugees to Israel by plane. They were skeptical<br />
about leaving by plane, as they were coming from a very primitive<br />
lifestyle. But there is a line in the Talmud that says, “They<br />
would be delivered on the wings of eagles”, and taking the Talmud<br />
at face value, these true believers flew from the middle<br />
ages into the 20th century.<br />
The Lillian Goldman Reading Room<br />
O<br />
Photo at left: Florence Kaplan Nathanson,<br />
courtesy of Ms. Nathanson<br />
Susan Woodland is the Hadassah archivist. The Hadassah<br />
Archives, on deposit with AJHS since the opening of the <strong>Center</strong><br />
<strong>for</strong> <strong>Jewish</strong> History in 2000, document the history of the medical<br />
work sponsored by the American women who have led<br />
Hadassah since its inception in New York in 1912.<br />
ver 4,000 visits are made to the exquisite and accommodating Reading Room<br />
annually — scholars, academics, writers, as well as the general public make<br />
use of the extraordinary resources available, representing nearly fifty countries in<br />
parts of the world as far reaching as South Africa, Singapore, Estonia, Argentina and<br />
Israel. Hours: Monday–Thursday, 9:30 am–5:15 pm. Friday, by appointment only.<br />
For in<strong>for</strong>mation on the <strong>Center</strong>’s Graduate Seminars <strong>for</strong> academic audiences, you can<br />
contact Diane Spielmann, Director at dspielmann@cjh.org.<br />
15
16<br />
Development News<br />
The <strong>Center</strong> <strong>for</strong> <strong>Jewish</strong> History thanks the many individuals, foundations, and government agencies whose generosity<br />
is essential to the growth of its dynamic programs. (A list of donors of $10,000 or more appears on pages 18–19.)<br />
Here are some of the new programs, grants, and developments at the <strong>Center</strong> and its five partners that are taking<br />
place due to the generosity of institutional and individual supporters.<br />
New Members Join Board of Overseers<br />
The Board of Overseers, established in December 2002, is charged<br />
with advising and assisting the Board of Directors in the development<br />
and fulfillment of the <strong>Center</strong>’s mission. It now comprises<br />
twenty-seven distinguished individuals with expertise in business,<br />
finance, law, medicine, philanthropy and scholarship.<br />
The <strong>Center</strong> is proud to welcome three new members to its<br />
Board of Overseers each of whom brings unique qualities and<br />
experience that will further the mission of the institution.<br />
William A. Ackman who is a Managing Member of the General<br />
Partner of Pershing Square, L.P., received his undergraduate<br />
degree from Harvard College, and an MBA from the Harvard Business<br />
School. He was previously Chairman of The Jerusalem<br />
Foundation, and is involved with the Human Rights Watch and<br />
the Initiative <strong>for</strong> a Competitive Inner City, among many other<br />
philanthropic endeavors.<br />
A trustee of the 92nd Street Y since 1968, Joan Jacobson<br />
served as Chairman and President of the Board at which time she<br />
played a key role in restoring the Y’s classical music programs, in<br />
addition to developing new initiatives. A writer of fiction, Mrs.<br />
Jacobson is on the Board of Governors of the Poetry Society of<br />
America and the Board of the Hudson Review, a literary journal.<br />
She is a graduate of Smith College.<br />
Ira Jolles serves as Senior Counsel in the Energy, Utility<br />
and Infrastructure Group at Thelen Reid & Priest, LLP. He is a<br />
director of the Regional Plan Association, LRB, Ltd. (publisher of<br />
the London Review of Books), The Rashi Association, and the<br />
Cahnman Foundation. Mr. Jolles received his J.D. from Harvard<br />
Law School and A.B. from Columbia College.<br />
We look <strong>for</strong>ward to the lasting and significant contr<strong>ib</strong>utions<br />
from our three newest members.<br />
JOSHUA KESSLER<br />
Luminous Manuscript<br />
A detail of Luminous Manuscript, by Diane<br />
Samuels (above left); Joseph S. Steinberg,<br />
Benefactor and Arnold Lehman, Director of<br />
The Brooklyn Museum (above right)<br />
On April 1, the <strong>Center</strong> dedicated Luminous Manuscript, an outstanding<br />
work of large-scale art, commissioned and generously<br />
underwritten by Joseph S. Steinberg, a member of the <strong>Center</strong>’s<br />
Board of Overseers, and his wife, Diane. On permanent display in<br />
the <strong>Center</strong> <strong>for</strong> <strong>Jewish</strong> History’s Paul S. and Sylvia Steinberg Great<br />
Hall, Luminous Manuscript is the creation of conceptual artist<br />
Diane Samuels and serves as an artistic gateway to the breadth<br />
and depth of the partners’ extensive archival collections and its<br />
unique cultural programs. Containing 80,500 pieces of glass,<br />
112,640 alphabetical characters from 57 writing systems, and<br />
170 documents taken from the partners’ archives, Luminous<br />
Manuscript serves as a magnificent representation of the multifaceted<br />
aspects of the <strong>Center</strong> and will stimulate thought and<br />
reflection <strong>for</strong> years to come. Visitors to the <strong>Center</strong> are encouraged<br />
to touch the sculpture, take advantage of the in<strong>for</strong>mative,<br />
interactive kiosks, and pick up a copy of the catalogue, which<br />
was underwritten by John W. Jordan in honor of Mr. Steinberg.<br />
Far left: Manhattan Borough President C. Virgina<br />
Fields; Left to right: <strong>Center</strong> Chairman Bruce Slovin<br />
with Council Speaker Gif<strong>for</strong>d Miller and Council<br />
Members Eva Moskowitz, David Weprin, and Christine<br />
Quinn. The <strong>Center</strong> held a breakfast <strong>for</strong> members of the<br />
City Council on October 20, 2004;<br />
The <strong>Center</strong> Expands<br />
In June 2004, the New York City Council approved an additional $1 million grant (support from the New York City Council now totals<br />
$3.5 million), to be applied to the expansion of six new archival floors <strong>for</strong> the <strong>Center</strong>. This is the latest milestone in the building<br />
campaign, with a goal of $6 million, begun in the fall of 2003 under the leadership of <strong>Center</strong> Chairman Bruce Slovin. Additionally,<br />
through the determined ef<strong>for</strong>ts of the <strong>Center</strong>’s long-time friend and supporter, Manhattan Borough President C. Virginia Fields, the<br />
<strong>Center</strong> was also awarded a grant of $600,000 (support from the Borough President totals $1 million). Bruce Slovin and the <strong>Center</strong>’s<br />
Board of Overseers deeply appreciate the ef<strong>for</strong>ts of Borough President Fields, as well as the continued support and enthusiasm of<br />
New York City Council Speaker Gif<strong>for</strong>d Miller and New York City Council Members Eva Moskowitz, Christine Quinn, and David Weprin.<br />
SIMONA ARU
Cahnman Preservation Laboratory<br />
The <strong>Center</strong> recently received a generous grant of $250,000 from The Cahnman Foundation to support the Preservation Laboratory, which<br />
has been renamed to reflect the generous gift of this magnanimous donor. Serving as the central hub <strong>for</strong> safeguarding the irreplaceable<br />
documents and artifacts of <strong>Jewish</strong> history, the Werner J. and Gisella Levi Cahnman Preservation Lab assures the longevity of<br />
memoirs, communal documents, photographs, objects, and films which would otherwise be in peril from the damaging effects of time.<br />
Clockwise from above:<br />
Rare excerpts from El Lyssitsky’s<br />
illustrated Chad Gadiah.<br />
Warsaw 1923. (YIVO Archives)<br />
Posters restored by the Cahnman<br />
Preservation Laboratory, YIVO<br />
archives. Left: The opening of Rabbi<br />
Dr. Silber, a drama in three acts by<br />
Shalom Asch, presented on<br />
August 4, 1931 in the Dramatic<br />
Theater. City unknown. Below:<br />
Appeal to <strong>Jewish</strong> Women: With the<br />
upcoming local elections in Pinsk,<br />
we urge the women to vote on the<br />
list of <strong>Jewish</strong> women. Date unknown.<br />
(The appeal is repeated on the<br />
poster many times.)<br />
Above: Stage Design by Hugo Steiner-Prag (1880 -1945) <strong>for</strong> Leppin’s The<br />
Grandson of the Golem. (Leo Baeck Institute)<br />
17
18<br />
Brazil…<br />
continued from page 13<br />
would found the first <strong>Jewish</strong><br />
community in the American<br />
colonies, in New Amsterdam.<br />
The imbricated histories<br />
and identities of Jews, Portugese,<br />
and Brazilians still resonate<br />
today in the work of<br />
contemporary writers and<br />
artists. Moacyr Scliar, <strong>for</strong><br />
example, is a Brazilian Ashkenazi<br />
writer who in 2003 was<br />
elected to the Brazilian Academy<br />
of Letters. His novel, The<br />
Strange Nation of Rafael<br />
Mendes, recounts Brazilian history<br />
through the lives of successive<br />
generations of Jews<br />
and Crypto-Jews, leading up to<br />
a contemporary Brazilian man,<br />
ignorant of his <strong>Jewish</strong> ancestry.<br />
The Mendes’ genealogical<br />
line traces the itinerary of a<br />
<strong>Jewish</strong> family and, ultimately,<br />
its role in the colonization of<br />
Brazil, its political independence<br />
from Portugal, and its<br />
trans<strong>for</strong>mation into a nationstate.<br />
Scliar’s fictional, mythologized<br />
narrative of origins is<br />
not dissimilar from the project<br />
of those historians and scholars<br />
of history involved with the<br />
cultural archeology of Latin<br />
American Jewry: an inscription<br />
of the <strong>Jewish</strong> subject into<br />
the tale of the national tr<strong>ib</strong>e.<br />
Monique Balbuena is the<br />
Assistant Professor of Literature<br />
at the Clark Honors<br />
College at the University of<br />
Oregon and was a 2003–04<br />
Starr Fellow at Harvard<br />
University.<br />
Sharing Our Commitment<br />
The <strong>Center</strong> <strong>for</strong> <strong>Jewish</strong> History announces with gratitude and<br />
deep appreciation the following donors of $10,000 or more<br />
whose gifts will help further its mission to preserve the <strong>Jewish</strong><br />
past, protect the present, and secure the future. This roster represents<br />
individuals, foundations, corporations, and government<br />
agencies that have generously contr<strong>ib</strong>ution to our ef<strong>for</strong>ts.<br />
FOUNDERS<br />
S. DANIEL ABRAHAM, DR. EDWARD L.<br />
STEINBERG—HEALTHY FOODS OF<br />
AMERICA, LLC<br />
ANONYMOUS<br />
ANTIQUA FOUNDATION<br />
EMILY AND LEN BLAVATNIK<br />
ESTATE OF SOPHIE BOOKHALTER, M.D.<br />
BOROUGH OF MANHATTAN—<br />
C. VIRGINIA FIELDS,<br />
MANHATTAN BOROUGH PRESIDENT<br />
LEO AND JULIA FORCHHEIMER FOUNDATION<br />
LILLIAN GOLDMAN CHARITABLE TRUST<br />
KATHERINE AND CLIFFORD H. GOLDSMITH<br />
THE JESSELSON FAMILY<br />
THE KRESGE FOUNDATION<br />
RONALD S. LAUDER<br />
BARBARA AND IRA A. LIPMAN AND SONS<br />
NEW YORK CITY COUNCIL—<br />
GIFFORD MILLER, SPEAKER<br />
NEW YORK CITY DEPARTMENT OF<br />
CULTURAL AFFAIRS<br />
NEW YORK STATE—<br />
GOVERNOR GEORGE E. PATAKI<br />
NEW YORK STATE—<br />
ASSEMBLY SPEAKER SHELDON SILVER<br />
NEW YORK STATE EDUCATION DEPARTMENT,<br />
LIBRARY AID PROGRAM<br />
RONALD O. PERELMAN<br />
BETTY AND WALTER L. POPPER<br />
RELIANCE GROUP HOLDINGS, INC.<br />
INGEBORG AND IRA LEON RENNERT—<br />
THE KEREN RUTH FOUNDATION<br />
ANN AND MARCUS ROSENBERG<br />
THE SLOVIN FAMILY<br />
THE SMART FAMILY FOUNDATION<br />
JOSEPH S. AND DIANE H. STEINBERG<br />
THE WINNICK FAMILY FOUNDATION<br />
SPONSORS<br />
STANLEY I. BATKIN<br />
JOAN AND JOSEPH F. CULLMAN 3RD DIANE AND MARK GOLDMAN<br />
HORACE W. GOLDSMITH FOUNDATION<br />
THE GOTTESMAN FUND<br />
GRUSS-LIPPER FOUNDATION<br />
THE SAMBERG FAMILY FOUNDATION<br />
THE SKIRBALL FOUNDATION<br />
TISCH FOUNDATION<br />
THEODORE AND RENEE WEILER FOUNDATION<br />
PATRONS<br />
WILLIAM AND KAREN ACKMAN<br />
ANONYMOUS<br />
JUDY AND RONALD BARON<br />
JAYNE AND HARVEY BEKER<br />
ROBERT M. BEREN FOUNDATION<br />
THE DAVID BERG FOUNDATION<br />
BIALKIN FAMILY FOUNDATION—<br />
ANN AND KENNETH J. BIALKIN<br />
GEORGE AND MARION BLUMENTHAL<br />
ABRAHAM AND RACHEL BORNSTEIN<br />
LILI AND JON BOSSE<br />
LOTTE AND LUDWIG BRAVMANN<br />
THE ELI AND EDYTHE L. BROAD FOUNDATION<br />
THE CAHNMAN FOUNDATION<br />
CONFERENCE ON JEWISH MATERIAL CLAIMS<br />
AGAINST GERMANY—RABBI ISRAEL<br />
MILLER FUND FOR SHOAH RESEARCH,<br />
DOCUMENTATION AND EDUCATION<br />
THE CONSTANTINER FAMILY<br />
MR. AND MRS. J. MORTON DAVIS<br />
DONALDSON, LUFKIN & JENRETTE<br />
MICHAEL AND KIRK DOUGLAS<br />
THE DAVID GEFFEN FOUNDATION<br />
GEORGICA ADVISORS LLC<br />
WILLIAM B. GINSBERG<br />
NATHAN AND LOUISE GOLDSMITH FOUNDATION<br />
JACK B. GRUBMAN<br />
FANYA GOTTESFELD HELLER<br />
SUSAN AND ROGER HERTOG<br />
INSTITUTE OF MUSEUM AND LIBRARY SERVICES<br />
JOAN L. JACOBSON<br />
MR. AND MRS. PAUL KAGAN<br />
LEAH AND MICHAEL KARFUNKEL<br />
SIMA AND NATHAN KATZ AND FAMILY<br />
BARCLAY KNAPP<br />
MR. AND MRS. HENRY R. KRAVIS<br />
CONSTANCE AND HARVEY KRUEGER<br />
SIDNEY AND RUTH LAPIDUS<br />
MR. AND MRS. THOMAS H. LEE<br />
LEON LEVY<br />
GEORGE L. LINDEMANN<br />
THE MARCUS FOUNDATION<br />
MARK FAMILY FOUNDATION<br />
CRAIG AND SUSAN MCCAW FOUNDATION<br />
LEO AND BETTY MELAMED<br />
EDWARD AND SANDRA MEYER FOUNDATION<br />
DEL AND BEATRICE P. MINTZ FAMILY<br />
CHARITABLE FOUNDATION<br />
RUTH AND THEODORE N. MIRVIS<br />
NEW YORK STATE—<br />
SENATOR ROY M. GOODMAN<br />
NUSACH VILNE, INC.<br />
SUSAN AND ALAN PATRICOF<br />
ANNE AND MARTY PERETZ<br />
CAROL F. AND JOSEPH H. REICH<br />
JUDITH AND BURTON P. RESNICK<br />
THE MARC RICH FOUNDATION<br />
RIGHTEOUS PERSONS FOUNDATION—<br />
STEVEN SPIELBERG<br />
STEPHEN ROSENBERG—GREYSTONE & CO.<br />
LOUISE AND GABRIEL ROSENFELD,<br />
HARRIET AND STEVEN PASSERMAN<br />
DR. AND MRS. LINDSAY A. ROSENWALD<br />
THE MORRIS AND ALMA SCHAPIRO FUND<br />
S. H. AND HELEN R. SCHEUER FAMILY<br />
FOUNDATION<br />
FREDERIC M. SEEGAL<br />
THE SELZ FOUNDATION<br />
THE SHELDON H. SOLOW FOUNDATION<br />
DAVID AND CINDY STONE—<br />
FREEDMAN & STONE LAW FIRM<br />
ROBYNN N. AND ROBERT M. SUSSMAN<br />
HELENE AND MORRIS TALANSKY<br />
WACHTELL, LIPTON, ROSEN & KATZ<br />
DR. SAMUEL D. WAKSAL<br />
FRANCES AND LAURENCE A. WEINSTEIN<br />
GENEVIEVE AND JUSTIN WYNER<br />
BARBARA AND ROY J. ZUCKERBERG<br />
BUILDERS<br />
JOSEPH ALEXANDER FOUNDATION<br />
DWAYNE O. ANDREAS—<br />
ARCHER DANIELS MIDLAND FOUNDATION<br />
ANONYMOUS<br />
BEATE AND JOSEPH D. BECKER<br />
ANTHONY S. BELINKOFF<br />
HALINA AND SAMSON BITENSKY<br />
ANA AND IVAN BOESKY<br />
CITIBANK<br />
ROSALIND DEVON<br />
VALERIE AND CHARLES DIKER<br />
ERNST & YOUNG LLP<br />
MR. AND MRS. BARRY FEIRSTEIN<br />
RICHARD AND RHODA GOLDMAN FUND<br />
ARNOLD AND ARLENE GOLDSTEIN<br />
JOHN W. JORDAN<br />
THE SIDNEY KIMMEL FOUNDATION<br />
GERALD AND MONA LEVINE<br />
THE LIMAN FOUNDATION<br />
MERRILL LYNCH & CO., INC.<br />
LOIS AND RICHARD MILLER<br />
ARLEEN AND ROBERT S. RIFKIND<br />
MRS. FREDERICK P. ROSE<br />
MAY AND SAMUEL RUDIN FAMILY<br />
FOUNDATION, INC.<br />
SAVE AMERICA’S TREASURES<br />
I. B. SPITZ<br />
SHARON AND FRED STEIN<br />
JUDY AND MICHAEL STEINHARDT<br />
JANE AND STUART WEITZMAN<br />
DAPHNA AND RICHARD ZIMAN<br />
GUARDIANS<br />
MR. AND MRS. SAMUEL AARONS<br />
MR. AND MRS. MERV ADELSON<br />
ARTHUR S. AINSBERG<br />
MARJORIE AND NORMAN E. ALEXANDER<br />
ANONYMOUS<br />
MARCIA AND EUGENE APPLEBAUM<br />
BANK OF AMERICA<br />
SANFORD L. BATKIN<br />
BEAR, STEARNS & CO., INC.<br />
VIVIAN AND NORMAN BELMONTE<br />
JACK AND MARILYN BELZ
THE BENDHEIM FOUNDATION<br />
TRACEY AND BRUCE BERKOWITZ<br />
MEYER BERMAN FOUNDATION<br />
BEYER BLINDER BELLE<br />
THE BLOOMFIELD FAMILY<br />
BOGATIN FAMILY FOUNDATION<br />
RALPH H. BOOTH II<br />
BOVIS LEND LEASE LMB, INC.<br />
CARNEGIE CORPORATION OF NEW YORK<br />
DASSA AND BRILL—MARLENE BRILL<br />
ETHEL BRODSKY<br />
CALIFORNIA FEDERAL BANK<br />
PATRICIA AND JAMES CAYNE<br />
CENTER SHEET METAL, INC.—VICTOR GANY<br />
CHASE MANHATTAN CORPORATION<br />
CAREN AND ARTURO CONSTANTINER<br />
CREDIT SUISSE FIRST BOSTON<br />
THE NATHAN CUMMINGS FOUNDATION<br />
ELLA CWIK-LIDSKY<br />
IDE AND DAVID DANGOOR<br />
ESTHER AND ROBERT DAVIDOFF<br />
ANTHONY DEFELICE—WILLIS<br />
THE PHILIP DEVON FAMILY FOUNDATION<br />
BERNICE AND DONALD DRAPKIN<br />
E. M. WARBURG, PINCUS & CO., LLC<br />
HENRY, KAMRAN AND FREDERICK ELGHANAYAN<br />
MARTIN I. ELIAS<br />
GAIL AND ALFRED ENGELBERG<br />
CLAIRE AND JOSEPH H. FLOM<br />
FOREST ELECTRIC CORPORATION<br />
DAVID GERBER AND CAROLYN KORSMEYER<br />
ROBERT T. AND LINDA W. GOAD<br />
GOLDMAN, SACHS & CO.<br />
REBECCA AND LAURENCE GRAFSTEIN<br />
EUGENE AND EMILY GRANT<br />
FAMILY FOUNDATION<br />
CLIFF GREENBERG<br />
LORELEI AND BENJAMIN HAMMERMAN<br />
JAMES HARMON<br />
ELLEN AND DAVID S. HIRSCH<br />
<strong>Center</strong> <strong>for</strong> <strong>Jewish</strong> History<br />
CENTER HOURS*<br />
Monday–Thursday 9am–5:30pm<br />
Friday 9am–2pm<br />
Sunday 11am–5pm<br />
*For evening programs contact: 917-606-8200<br />
PARTNERS<br />
American <strong>Jewish</strong> Historical Society<br />
(AJHS)<br />
www.ajhs.org 212-294-6160<br />
American Sephardi Federation (ASF)<br />
www.asfonline.org 212-294-8350<br />
Leo Baeck Institute (LBI)<br />
www.lbi.org 212-744-6400<br />
Yeshiva University Museum (YUM)<br />
www.yumuseum.org 212-294-8330<br />
YIVO Institute <strong>for</strong> <strong>Jewish</strong> Research<br />
(YIVO)<br />
www.yivoinstitute.org 212-246-6080<br />
ADA AND JIM HORWICH<br />
HSBC BANK USA<br />
PAUL T. JONES II<br />
GERSHON KEKST<br />
KLEINHANDLER CORPORATION<br />
KNIGHT TRADING GROUP, INC.<br />
JANET AND JOHN KORNREICH<br />
KPMG LLP<br />
HILARY BALLON AND ORIN KRAMER<br />
LAQUILA CONSTRUCTION<br />
THE FAMILY OF LOLLY AND JULIAN LAVITT<br />
LEHMAN BROTHERS<br />
EILEEN AND PETER M. LEHRER<br />
DENNIS LEIBOWITZ<br />
ABBY AND MITCH LEIGH FOUNDATION<br />
LIBERTY MARBLE, INC.<br />
KENNETH AND EVELYN LIPPER FOUNDATION<br />
CAROL AND EARLE I. MACK<br />
MACKENZIE PARTNERS, INC.<br />
BERNARD L. AND RUTH MADOFF FOUNDATION<br />
SALLY AND ABE MAGID<br />
JOSEPH MALEH<br />
LAUREL AND JOEL MARCUS<br />
MR. AND MRS. PETER W. MAY<br />
THE MAYROCK FOUNDATION<br />
DRS. ERNEST AND ERIKA MICHAEL<br />
(all facilities closed Saturdays)<br />
ABBY AND HOWARD MILSTEIN<br />
MORGAN STANLEY & CO.<br />
AGAHAJAN NASSIMI AND FAMILY<br />
NATIONAL ENDOWMENT FOR THE HUMANITIES<br />
THE FAMILY OF EUGENE AND MURIEL<br />
AND MAYER D. NELSON<br />
THE NEW YORK TIMES COMPANY<br />
BERNARD AND TOBY NUSSBAUM<br />
PAUL, WEISS, RIFKIND,<br />
WHARTON & GARRISON<br />
DORIS L. AND MARTIN D. PAYSON<br />
ARTHUR AND MARILYN PENN<br />
CHARITABLE TRUST<br />
MR. AND MRS. NORMAN H. PESSIN<br />
PHILIP MORRIS COMPANIES INC.<br />
DAVID AND CINDY PINTER<br />
ROSA AND DAVID POLEN<br />
NANCY AND MARTIN POLEVOY<br />
YVONNE AND LESLIE POLLACK<br />
FAMILY FOUNDATION<br />
GERI AND LESTER POLLACK<br />
FANNY PORTNOY<br />
PUMPKIN TRUST—CAROL F. REICH<br />
BESSY L. PUPKO<br />
R & J CONSTRUCTION CORPORATION<br />
ANNA AND MARTIN J. RABINOWITZ<br />
JAMES AND SUSAN RATNER<br />
PHILANTHROPIC FUND<br />
ANITA AND YALE ROE<br />
THE FAMILY OF EDWARD AND<br />
DORIS ROSENTHAL<br />
JACK AND ELIZABETH ROSENTHAL<br />
SHAREN NANCY ROZEN<br />
LILLIAN GOLDMAN READING ROOM<br />
Monday–Thursday 9:30am–5:15pm<br />
Friday By appointment only<br />
CONSTANTINER DATE PALM CAFÉ<br />
Monday–Thursday 9am–4:30pm<br />
Sunday 11am–4:30pm<br />
FANYA GOTTESFELD HELLER<br />
BOOKSTORE<br />
Monday–Thursday 11am–6pm<br />
Sunday 11am–5pm<br />
(Also open on select evenings; call in advance.)<br />
GENERAL TELEPHONE NUMBERS<br />
Box Office 917-606-8200<br />
Reading Room 917-606-8217<br />
Genealogy Institute 212-294-8324<br />
General In<strong>for</strong>mation 212-294-8301<br />
Group Tours 917-606-8226<br />
THE HARVEY AND PHYLLIS SANDLER<br />
FOUNDATION<br />
CAROL AND LAWRENCE SAPER<br />
ALLYNE AND FRED SCHWARTZ<br />
IRENE AND BERNARD SCHWARTZ<br />
JOSEPH E. SEAGRAM & SONS, INC.<br />
ALFRED AND HANINA SHASHA<br />
ELLEN AND ROBERT SHASHA<br />
SIMPSON THACHER & BARTLETT<br />
SKADDEN, ARPS, SLATE, MEAGHER<br />
& FLOM LLC<br />
ALAN B. SLIFKA FOUNDATION<br />
SONY CORPORATION OF AMERICA<br />
JERRY I. SPEYER/KATHERINE G. FARLEY<br />
THE SAM SPIEGEL FOUNDATION<br />
MEI AND RONALD STANTON<br />
ANITA AND STUART SUBOTNICK<br />
LYNN AND SY SYMS<br />
LYNNE AND MICKEY TARNOPOL<br />
THOMAS WEISEL PARTNERS<br />
ALICE M. AND THOMAS J. TISCH<br />
TRIARC COMPANIES—NELSON PELTZ<br />
AND PETER MAY<br />
SIMA AND RUBIN WAGNER<br />
WEIL, GOTSHAL & MANGES<br />
PETER A. WEINBERG<br />
ERNST AND PUTTI WIMPFHEIMER—<br />
ERNA STIEBEL MEMORIAL FUND<br />
DALE AND RAFAEL ZAKLAD<br />
HOPE AND SIMON ZIFF<br />
THE ZISES FAMILY<br />
LIST COMPLETE AS OF AUGUST 24, 2004<br />
AFFILIATES<br />
American Society <strong>for</strong> <strong>Jewish</strong> Music<br />
212-294-8328<br />
Association <strong>for</strong> <strong>Jewish</strong> Studies<br />
917-606-8249<br />
Austrian Heritage 212-294-8409<br />
Centro Culturale Primo Levi<br />
917-606-8202<br />
Gomez Mill House 212-294-8329<br />
<strong>Jewish</strong> Genealogical Society of New York<br />
212-294-8326<br />
Yemenite <strong>Jewish</strong> Federation of America<br />
212-294-8327<br />
COVER: Top to bottom: I.B. Singer. On back of photograph: “Isaac in 1935;” Cover of Oyfn Hayrev-Front Keyn Nayes (1930), Singer’s Yiddish translation of<br />
Erich Maria Remarque’s All Quiet on the Western Front (1929); Nobel Lecture (Farrar, Straus, and Giroux, 1978); Dust jacket of the 1950 Knopf edition of The<br />
Family Moskat; I.B. Singer with book. Bernard Gottgryd. Photos courtesy of The Harry Ransom Humanities Research <strong>Center</strong>, The University of Texas at Austin.<br />
19
Upcoming Highlights<br />
Visit www.cjh.org <strong>for</strong> complete schedule. Events begin at 7pm unless<br />
otherwise noted.<br />
FILM/EXPRESSION & EXPLORATION<br />
The Paradoxes of Survival November 29<br />
Three Films of Judy Chicago:<br />
The Dinner Party, The Holocaust Project, Resolutions: A Switch in Time<br />
Discussion with Judy Chicago and Gail Levin December 6<br />
Man Ray, Prophet of the Avant-Garde, dir. Mel Stuart December 20<br />
LECTURES & DISCUSSIONS<br />
From Vietnam to Washington: An Orthodox Surgeon’s Odyssey<br />
(AJHS and YUM) 6pm, November 30<br />
1654: A Pivotal Year <strong>for</strong> American Jewry<br />
(YUM and ASF) December 7<br />
Journey Through the Minefields: From Vietnam to<br />
Washington, an Orthodox Surgeon’s Odyssey<br />
(AJHS and YUM) 6pm, November 30<br />
The International Court of Justice and Israel’s Fence:<br />
Just Politics or Justice?<br />
Part of the Jews & Justice series (AJHS) December 9<br />
The Face of Eastern European Jewry 4pm, December 14<br />
(YIVO and LBI)<br />
CONCERTS<br />
<strong>Jewish</strong> Humor from Oy to Vey: A Chanukah Concert<br />
(The American Society <strong>for</strong> <strong>Jewish</strong> Music) 3pm, December 12<br />
Chanukah Gelt: Storytelling and Concert 2pm, December 26<br />
Videoconferencing of events available at low-cost.<br />
Contact rchodorov@cjh.org <strong>for</strong> in<strong>for</strong>mation.<br />
<strong>Center</strong> <strong>for</strong> <strong>Jewish</strong> History<br />
15 West 16th Street<br />
New York, NY 10011<br />
CENTER FOR JEWISH HISTORY<br />
www.cjh.org<br />
The Constantiner<br />
Date Palm Café<br />
Light fare, offered at moderate prices<br />
in an intimate, quiet setting<br />
All products and food are glatt kosher and<br />
produced under the supervision of Foremost<br />
Caterers. For group reservations and to inquire about catering services,<br />
kindly call 917-606-8210. Hours: Monday–Thursday, 9am–4:30pm<br />
and Sunday, 11am–4:30pm<br />
GRAND RE-OPENING!<br />
Fanya Gottesfeld Heller Bookstore<br />
New items <strong>for</strong> sale<br />
Visit the <strong>Center</strong>’s newly renovated bookstore with rich offerings<br />
of scholarly and contemporary books, jewelry and objects on<br />
<strong>Jewish</strong> history, culture, and language. Telephone: 917-606-8220.<br />
Hours: Monday–Thursday, 11am–6pm; Sunday, 11am–5 pm. Open<br />
select evenings, please call in advance.<br />
Become a Friend of the <strong>Center</strong><br />
Support the <strong>Center</strong> <strong>for</strong> <strong>Jewish</strong> History with a gift of $36 or more,<br />
and you will become a Friend of the <strong>Center</strong> and be elig<strong>ib</strong>le <strong>for</strong> the<br />
following benefits:<br />
• Take advantage of a 10% discount at the Fanya Gottesfeld<br />
Heller bookstore.<br />
• Enjoy a 10% discount in the Constantiner Date Palm Café.<br />
• Receive a 15% discount on the price of your ticket <strong>for</strong><br />
<strong>Center</strong> sponsored events, films, concerts, and lectures.<br />
For further in<strong>for</strong>mation call the Development Office, 917-606-8281,<br />
or e-mail schizzik@cjh.org. Please show your support and become a<br />
Friend of the <strong>Center</strong>.<br />
Nonprofit Org.<br />
US Postage<br />
PAID<br />
New York, NY<br />
Permit #04568