SeasonsHomer and Hesiod generally recognize three seasons,spring,summer,and winter. In the Homeric Hymn to Demeter,Demeter tells herdaughter Persephone she must “go to the depths of the earth,/ to dwellthere a third part of the seasons every year,/ but two of them with meand the other immortals” (398–400). In the Odyssey,however,Homerdistinguishes “summer” from the latter part of it (e.g.,12.76). Alcmanwas the first to list the four seasons,but the passage where he does so(quoted by Athenaeus) reflects the older tripartite division: “and hecreated three seasons,summer and winter and autumn the third,andthe fourth the spring,when things grow but there is not enough to eat.”Four became the norm,though three remained common. Shelley,agood classicist,can write in Epipsychidion of “the seasons three,” thoughit is a little surprising that he names them as spring,autumn,andwinter (364–66). Ovid names the four seasons and applies them,likeThomson many centuries later,to the ages of human life (Met.15.199–213). Though the Athenian or Attic year began with summer,asthe Alcman passage suggests,the Roman year (originally) began withspring in March,a sequence that lends itself better to the phases ofhuman life. In England the year officially began in March until 1753:“the month in which the world bigan,/ That highte March,whan Godfirst maked man” (Chaucer, Nun’s Priest’s Tale 3187–88).The Greek word for season, hora,borrowed by Latin and passedthrough French into English as “hour,” was personified in various ways.In Homer the Horai guard the gates of the sky (e.g., Iliad 5.749–51); inHesiod they are the daughters of Zeus and Themis (Theogony 901); inboth Hesiod and the Homeric Hymns they are associated with the threeGraces,though they are not themselves enumerated. Hora in both Greekand Latin had a broader range of meaning than “season”: it could alsomean a year,a day,or a time of day (“hour”). In Attic cult two Horai werenamed Thallo and Karpo,not summer and winter but spring (“Ibloom”) and autumn or late summer (“I bear fruit”). Ovid mentions theHorae but distinguishes them from the four seasons (Met. 2.26).In Hellenistic times the description of the seasons or times (ekphrasischronon) became a set theme in poetry and rhetoric. In ancient paintingsand in literature at least as old as Ovid we find Spring holding flowers,usually as a young woman and often identified as Flora or Venus;Summer with a sickle and ears or sheaf of grain,often taken as Ceres;Autumn with grapes and vine leaves,taken as Bacchus; and Winter shiveringand thickly clothed,often an old man,sometimes Boreas orVulcan. The most frequently personified season is Spring; Ovid explainsthat the Greek maiden Chloris,raped and married by Zephyrus (thewest wind),is the same as Roman Flora (Fasti 5.197ff.). In theMetamorphoses Ovid offers four brief personifications (2.27–30),Lucretius describes them at slightly greater length at 5.737–47,whileHorace portrays their march through the year as a reminder that deathawaits us (Odes 4.7).Among many poetic descriptions of the seasons in English one of thebest known is Spenser’s,who gives a stanza each to “lusty Spring,alldight in leaves of flowres,”“jolly Sommer, being dight / In a thin silken183
Seedcassock coloured greene,”“Autumne all in yellow clad,” and “Wintercloathed all in frize” (FQ 7.7.28–31),and then twelve more to the months,starting with March (32–43),one to day and night,one to the Hours,andone to Life and Death (44–46). Thomson’s The Seasons is perhaps the culminationof this descriptive genre in English. The four seasons were anequally popular theme in painting,sculpture,and music (e.g.,Vivaldi’sThe Seasons).In English the terms for summer and winter have remained constant,but those for spring and autumn have varied a good deal. Beginningwith Old English (and setting aside spelling differences),for spring wefind “lencten” (or “lenten”),“new time,”“prime time,”“first summer,”“springing time,”“spring of the year,”“springtime,” and “springtide”;for autumn or fall we find “harvest” and “fall of the leaf.”See April, Autumn, Spring, Summer, Winter.Seed“Seed” (Hebrew zera) is the standard biblical term for “offspring” or“progeny.”“Unto thy seed will I give this land,” the Lord promisesAbraham (Gen. 12.7; cf. 13.15,15.18,etc.).The phrases “seed of Abraham”or “Abraham and his seed” occur four times in the Old Testament andnine times in the New.“Fear not: for I am with thee: I will bring thy seedfrom the east,and gather thee from the west” (Isa. 43.5). On the “seed ofAbraham” formula,Paul makes the hair-splitting comment,“Now toAbraham and his seed [Greek sperma] were the promises made. He saithnot,And to seeds,as of many; but as of one,And to thy seed,which isChrist” (Gal. 3.16).The Authorized Version rightly does not substitute“offspring” or “children” for the many instances of “seed,” for sometimesthe seed is literally semen (from Latin semen,“seed”),as when Onanspills his seed on the ground: “And Onan knew that the seed should notbe his [it would be his brother’s,whose widow Onan was expected tomarry]; and it came to pass,when he went in unto his brother’s wife,thathe spilled it on the ground,lest that he should give seed to his brother”(Gen. 38.9).The concreteness of “seed” is never far from its othermeaning,as indeed God’s promise of “land” for Abraham’s seed suggests;we may also have here the reason for the rite of circumcision,theidentifying mark of Abraham’s seed on the organ that produces it.In classical literature “seed” could also mean “offspring” but it moreoften had the slightly different sense of “race” or “lineage.” Oedipussays he would like to see his seed (ancestry) (Sophocles, Oedipus Tyrannus1077); the chorus asks him what seed he comes from on his father’s side(Oedipus at Colonus 214). Agamemnon’s father Atreus is “he who sowedyou” (Ajax 1293). Cicero uses the phrase Romani generis et seminis,“of therace and seed of the Romans” (Philippics 4.13). Lucretius and Virgil bothuse “seed” for the “brood” of a lion (3.741–42, Georgics 2.151–52). Rejectedby women he desired,Villon decides “I must plant in other fields” (TheLegacy 31).Spenser is fond of such phrases as“sonnes of mortall seed,”i.e., ordinarymortal men (FQ 1.7.8),and“thy race and royall sead”(3.2.33).The term continuesinto recent times,mainly in religious contexts,as in R. Browning’sline,“Adam’s sin made peccable his seed”(Ring and Book 8.1425).184
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ADictionary of Literary SymbolsThis
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For Lucy
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AbbreviationsBibleAV Authorized Ver
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IntroductionThe idea for this dicti
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Introductioninclude interesting var
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Introductionreadily available moder
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Aeolian harpo’er them sweeps / Pl
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Amaranthto Pliny (Natural History 1
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Apesocial league” (Excursion 4.43
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Aprilclimb trees to eat fruit “li
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Aspserved them [the Apostles] as bo
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Azuredescribes autumn’s moment of
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BatBatBayBeastUntil they are examin
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Bee(Pieria,on the slope of Mt. Olym
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Beechbecause poets are like bees. B
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Birdphenomena. More often it is met
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Bird of JoveEagle, Goose, Hawk, Lar
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Bloodbrótos (“gore”) and brot
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Bluefirmament” - that it takes a
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Boreasidea of the tabula rasa (used
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Breathinstance, is disgusted with a
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Butterflyidea is that the soul unde
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CedarCyclopes live in them,for inst
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Choleron the game are Lewis Carroll
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Clodand life; a clod happily sacrif
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Cockatrice4233). Macbeth’s Porter
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Cupimitative: Greek kokkux or koukk
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Danceand gone before many other sig
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DawnTwenty-two times,mainly in the
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Deathpale (e.g.,Horace 1.4.13-14).
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Deerwhereto he was converted might
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Dogdew of slumber” (JC 2.1.230),a
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Dog starHades. In medieval allegori
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Dovethe bird of Venus the dove occa
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Dreamor “I thought” but rather
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Eaglebirds (Iliad 8.247,24.315),by
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East and westOdysseus says Ithaca l
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Emmetelm (ulmo . . .marito)” she
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FireFireFire is so important to hum
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Floodstrength” (13.330); “Thus
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FlowerAnd of course anything not et
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Folding starThe fly could also mean
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Foxand drink from them” (1.927-28
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FruitSolomon,and they make two of t
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Garden“[thou] shalt possess / A P
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Gold“Goat,” now the generic ter
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Greenreference. Though it is cognat
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HalcyonHHalcyonHarborHarp, lyre, an
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Harp,lyre,and lutetext by the sixth
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HoneyWas by a mousing owl hawk’d
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HoursRestrain his Fury,than provoke
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HuntingCalydonian boar hunt,which t
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Ironthe air and draws a moral: “S
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Jackdawthe gods above” (1.1.29-30
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LandIn more recent literature labyr
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Leadreminds us that laurel is “un
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Leafthe ground,but the live timber
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Left and rightIt was a commonplace
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Leviathan(Ovid, Met. 3.669); in his
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Lilacthunder”and“lord of lightn
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LionIn Middle English poetry “lin
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Lividwild nature; Lucretius has the
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Mannamandragora,/ Nor all the drows
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Merlinwhose love is not requited an
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Mirror“Wine,” says Jonson, “i
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Moldby birds; the bough looks like
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Moonwhich is curved an orblike cano
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MountainIndeed a characteristic mot
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- Page 177 and 178: RavenThe raven,like the wolf,belong
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- Page 205 and 206: Silver1.6.3,5; see 1.2.25). Tennyso
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Willowwhite”; it also meant meant
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WindThis interconnection of meaning
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WinterEmerson imagines a higher win
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Wolf(Crayonné au Théâtre,“Note
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WormTennyson’s calls God “The g
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Wormwoodbraines?” (Fletcher, Wome
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YokeEzekiel,I shall break there the
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Authors citedLanguageName Dates or
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Authors citedLanguageName Dates or
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Authors citedLanguageName Dates or
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Authors citedLanguageName Dates or
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Authors citedLanguageName Dates or
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BibliographyGeneralBiedermann,Hans.
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BibliographyColorsAndré,J. Étude
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BibliographyPreston,Keith.“Aspect