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A MEDIA Salles - Magyar Filmunió

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PRESS – international press reactions<br />

Blanka Elekes Szentágotai:<br />

Hungarians target foreign producers<br />

during Film Week<br />

Screendaily (2004 January)<br />

Twenty-three new Hungarian features will be<br />

presented at the annual Hungarian Film Week<br />

to local audiences and the approximately 120<br />

foreign guests invited to the country’s most<br />

important film event.… A large number of foreign<br />

producers have also been invited. Thanks<br />

to the Film Law, Hungary is hoping to lure some<br />

major foreign productions that might otherwise<br />

consider shooting in surrounding countries<br />

such as Romania, the Czech Republic or<br />

Bulgaria.<br />

Eddie Cockrell: Kontroll<br />

Variety (2004 February)<br />

U. S.-born helmer Nimród Antal is well-traveled<br />

in genre conventions and keeps a firm hand on<br />

the throttle throughout the smartly-paced saga<br />

taking place in the familial yet eccentric world<br />

of ticket inspectors and their hostile populace,<br />

a world where a hooded killer is running loose.<br />

Crowd-pleasing, darkly comic joyride — top<br />

<strong>Magyar</strong> earner of 2003 — is on track for a worldwide<br />

trip via well-timed stops at fests, arthouses,<br />

and ancillary.<br />

Nick Holdsworth: Coalition touts<br />

Hungarian film<br />

The Hollywood Reporter (2004 February)<br />

Organizers of a coalition of Hungarian filmmakers<br />

spanning three generations and led by iconoclastic<br />

director Béla Tarr said Monday that<br />

they have joined forces to find ways to overcome<br />

barriers to independent production here.<br />

Eddie Cockrell: Dealer<br />

Variety (2004 February)<br />

Sophomore effort from Budapest-born Benedek<br />

Fliegauf, whose eye-catching 2003 debut,<br />

„Forest”, won prominent fest prizes, is sure to<br />

polarize auds. Some will hail pic’s technical<br />

proficiency and sheer length as a meditation on<br />

the destructive power of drugs, while others may<br />

summon scripter Alan Sharp’s quip that the<br />

experience is like watching paint dry. It’s a pic<br />

fests and distribs will clamor for — and distribs<br />

then hold their breath over, as auds either reach<br />

nirvana or experience one bummer of a trip.<br />

Florence La Bruyere: The seventh<br />

art is young again<br />

Radio France Internationale (2004 February)<br />

Young Hungarian filmmakers give us one sur -<br />

prise after the other. They are thirty years old,<br />

extremely talented and their first films are<br />

invariably a success… The filmmakers of tomorrow<br />

are aware of the fact that their films will<br />

not be viable if they can only get through to<br />

Hungarian audiences. Has a „new wave” been<br />

born? Yes, in the sense that young filmmakers<br />

have a common past and they often play a small<br />

part in their friends’ films… Hollywood productions’d<br />

better watch out…<br />

Nick Holdsworth about „Kontroll”<br />

The Hollywood Reporter (2004 February)<br />

American-born Antal won the Simó Sándor Prize<br />

for best first film for „Kontroll”, his unusual and<br />

innovative story of metro ticket inspectors. The<br />

film also picked up the Gene Moskowitz Prize<br />

given annually by foreign critics visiting the festival.<br />

„Kontroll”, which tells the Orpheus-like<br />

story of a character stuck in the underworld, was<br />

the most successful domestic film released in<br />

Hungary last year, notching up more than<br />

150,000 admissions and more than $500,000 in<br />

boxoffice receipts through the year’s end after<br />

its late-November release.<br />

Eddie Cockrell: After the Day Before<br />

Variety (2004 February)<br />

This is uncompromising, risk-taking contemporary<br />

Euro arthouse filmmaking at its best …<br />

This unsettling item, which Janisch says is about<br />

„the psychology of sin”, summons feelings and<br />

images from work as diverse as Bram Stoker’s<br />

„Dracula”, the canon of experimental icon Maya<br />

Deren and Stanley Kubrick’s „The Shining”.<br />

Jean Roy: Spring on the Danube<br />

L’Humanité (2004 February)<br />

The 2004 crop of Hungarian films is the best<br />

that we have tasted in the past few years. … Yes,<br />

it seems Hungarian film is undergoing some<br />

serious renovation this year. The directors are<br />

young; they have often made their first films<br />

with different means and ambitions. The will<br />

by no means make do with just telling a story.<br />

They are reflecting upon the most „cinematic”<br />

language possible to use.<br />

Nick Holdsworth:<br />

Hungary film law fuels hopes<br />

The Hollywood Reporter (2004 February)<br />

Hungary’s new film law, which offers producers,<br />

investors and filmmakers a host of attractive<br />

tax incentives to shoot on location here,<br />

could double the annual value of foreign co-productions<br />

to more than $80 million, supporters<br />

of the new measures said Monday.<br />

Derek Elley: Tamara<br />

Variety (2004 February)<br />

With his sophomore feature, „Tamara”, 31-year-old<br />

Szabolcs Hajdu confirms himself as a stylish<br />

young writer-director …. Mime-inflected, bizarre<br />

modern fairytale about four people sorting out<br />

their emotional makeup in an isolated farmhouse<br />

is often as frustrating as it is mesmerizing ….<br />

Festivals are the natural first platform for this<br />

strikingly lensed but troublesome head-scratcher.<br />

Blanka Elekes Szentágotai: Awards and festival<br />

invitations galore for Attila Janisch film<br />

Screendaily (2004 February)<br />

The new feature by Attila Janisch was the big<br />

winner at last night’s awards’ ceremony that<br />

closed the 35th edition of the Hungarian Film<br />

Week. … The film was also much appreciated by<br />

the attending foreign guests and is expected to<br />

receive several festival invitations…<br />

Joel Chapron: Hungary:<br />

a law to lure investments<br />

Le film francais (2004 March)<br />

After over 10 years of waiting a new film law will<br />

come into force in the spring. However, the long<br />

expected reforms have already started to take effect.<br />

Bobbie Whiteman, John Nadler:<br />

Hungary rebates a lure to foreign filmmakers<br />

Variety (2004 February)<br />

The law, passed by Hungary’s parliament last<br />

month, includes documentaries and animation<br />

and may extend to TV projects.<br />

The country will be even more of a bargain for<br />

filmmakers beginning May 1, when it joins the<br />

European Union and becomes eligible for EU<br />

grants and subsidies.<br />

Joel Chapron: Hungarian cinema<br />

is waking up<br />

Cahiers du cinema (2004 March)<br />

The 35th Hungarian Film Week held in Budapest<br />

between 27th January and 3rd February had a much<br />

more optimistic atmosphere than the years before<br />

due to the Film Law that was passed by Parliament<br />

on 22nd December 2003. Its main objective is to<br />

lure Hungarian and foreign investments to<br />

H u n g a r y .<br />

5

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