A MEDIA Salles - Magyar Filmunió
A MEDIA Salles - Magyar Filmunió
A MEDIA Salles - Magyar Filmunió
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PRESS – international press reactions<br />
Blanka Elekes Szentágotai:<br />
Hungarians target foreign producers<br />
during Film Week<br />
Screendaily (2004 January)<br />
Twenty-three new Hungarian features will be<br />
presented at the annual Hungarian Film Week<br />
to local audiences and the approximately 120<br />
foreign guests invited to the country’s most<br />
important film event.… A large number of foreign<br />
producers have also been invited. Thanks<br />
to the Film Law, Hungary is hoping to lure some<br />
major foreign productions that might otherwise<br />
consider shooting in surrounding countries<br />
such as Romania, the Czech Republic or<br />
Bulgaria.<br />
Eddie Cockrell: Kontroll<br />
Variety (2004 February)<br />
U. S.-born helmer Nimród Antal is well-traveled<br />
in genre conventions and keeps a firm hand on<br />
the throttle throughout the smartly-paced saga<br />
taking place in the familial yet eccentric world<br />
of ticket inspectors and their hostile populace,<br />
a world where a hooded killer is running loose.<br />
Crowd-pleasing, darkly comic joyride — top<br />
<strong>Magyar</strong> earner of 2003 — is on track for a worldwide<br />
trip via well-timed stops at fests, arthouses,<br />
and ancillary.<br />
Nick Holdsworth: Coalition touts<br />
Hungarian film<br />
The Hollywood Reporter (2004 February)<br />
Organizers of a coalition of Hungarian filmmakers<br />
spanning three generations and led by iconoclastic<br />
director Béla Tarr said Monday that<br />
they have joined forces to find ways to overcome<br />
barriers to independent production here.<br />
Eddie Cockrell: Dealer<br />
Variety (2004 February)<br />
Sophomore effort from Budapest-born Benedek<br />
Fliegauf, whose eye-catching 2003 debut,<br />
„Forest”, won prominent fest prizes, is sure to<br />
polarize auds. Some will hail pic’s technical<br />
proficiency and sheer length as a meditation on<br />
the destructive power of drugs, while others may<br />
summon scripter Alan Sharp’s quip that the<br />
experience is like watching paint dry. It’s a pic<br />
fests and distribs will clamor for — and distribs<br />
then hold their breath over, as auds either reach<br />
nirvana or experience one bummer of a trip.<br />
Florence La Bruyere: The seventh<br />
art is young again<br />
Radio France Internationale (2004 February)<br />
Young Hungarian filmmakers give us one sur -<br />
prise after the other. They are thirty years old,<br />
extremely talented and their first films are<br />
invariably a success… The filmmakers of tomorrow<br />
are aware of the fact that their films will<br />
not be viable if they can only get through to<br />
Hungarian audiences. Has a „new wave” been<br />
born? Yes, in the sense that young filmmakers<br />
have a common past and they often play a small<br />
part in their friends’ films… Hollywood productions’d<br />
better watch out…<br />
Nick Holdsworth about „Kontroll”<br />
The Hollywood Reporter (2004 February)<br />
American-born Antal won the Simó Sándor Prize<br />
for best first film for „Kontroll”, his unusual and<br />
innovative story of metro ticket inspectors. The<br />
film also picked up the Gene Moskowitz Prize<br />
given annually by foreign critics visiting the festival.<br />
„Kontroll”, which tells the Orpheus-like<br />
story of a character stuck in the underworld, was<br />
the most successful domestic film released in<br />
Hungary last year, notching up more than<br />
150,000 admissions and more than $500,000 in<br />
boxoffice receipts through the year’s end after<br />
its late-November release.<br />
Eddie Cockrell: After the Day Before<br />
Variety (2004 February)<br />
This is uncompromising, risk-taking contemporary<br />
Euro arthouse filmmaking at its best …<br />
This unsettling item, which Janisch says is about<br />
„the psychology of sin”, summons feelings and<br />
images from work as diverse as Bram Stoker’s<br />
„Dracula”, the canon of experimental icon Maya<br />
Deren and Stanley Kubrick’s „The Shining”.<br />
Jean Roy: Spring on the Danube<br />
L’Humanité (2004 February)<br />
The 2004 crop of Hungarian films is the best<br />
that we have tasted in the past few years. … Yes,<br />
it seems Hungarian film is undergoing some<br />
serious renovation this year. The directors are<br />
young; they have often made their first films<br />
with different means and ambitions. The will<br />
by no means make do with just telling a story.<br />
They are reflecting upon the most „cinematic”<br />
language possible to use.<br />
Nick Holdsworth:<br />
Hungary film law fuels hopes<br />
The Hollywood Reporter (2004 February)<br />
Hungary’s new film law, which offers producers,<br />
investors and filmmakers a host of attractive<br />
tax incentives to shoot on location here,<br />
could double the annual value of foreign co-productions<br />
to more than $80 million, supporters<br />
of the new measures said Monday.<br />
Derek Elley: Tamara<br />
Variety (2004 February)<br />
With his sophomore feature, „Tamara”, 31-year-old<br />
Szabolcs Hajdu confirms himself as a stylish<br />
young writer-director …. Mime-inflected, bizarre<br />
modern fairytale about four people sorting out<br />
their emotional makeup in an isolated farmhouse<br />
is often as frustrating as it is mesmerizing ….<br />
Festivals are the natural first platform for this<br />
strikingly lensed but troublesome head-scratcher.<br />
Blanka Elekes Szentágotai: Awards and festival<br />
invitations galore for Attila Janisch film<br />
Screendaily (2004 February)<br />
The new feature by Attila Janisch was the big<br />
winner at last night’s awards’ ceremony that<br />
closed the 35th edition of the Hungarian Film<br />
Week. … The film was also much appreciated by<br />
the attending foreign guests and is expected to<br />
receive several festival invitations…<br />
Joel Chapron: Hungary:<br />
a law to lure investments<br />
Le film francais (2004 March)<br />
After over 10 years of waiting a new film law will<br />
come into force in the spring. However, the long<br />
expected reforms have already started to take effect.<br />
Bobbie Whiteman, John Nadler:<br />
Hungary rebates a lure to foreign filmmakers<br />
Variety (2004 February)<br />
The law, passed by Hungary’s parliament last<br />
month, includes documentaries and animation<br />
and may extend to TV projects.<br />
The country will be even more of a bargain for<br />
filmmakers beginning May 1, when it joins the<br />
European Union and becomes eligible for EU<br />
grants and subsidies.<br />
Joel Chapron: Hungarian cinema<br />
is waking up<br />
Cahiers du cinema (2004 March)<br />
The 35th Hungarian Film Week held in Budapest<br />
between 27th January and 3rd February had a much<br />
more optimistic atmosphere than the years before<br />
due to the Film Law that was passed by Parliament<br />
on 22nd December 2003. Its main objective is to<br />
lure Hungarian and foreign investments to<br />
H u n g a r y .<br />
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