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Reasoned and Unreasoned ImagesThe Photography of Bertillon, Galton, and MareyThe Photography of CrisisThe Photo Essays of Weimar GermanyJosh EllenbogenDaniel H. Magilow“Reasoned and Unreasoned Images is a fascinatingdiscussion of photography in the second half ofthe nineteenth century, concentrating on the workof Bertillon, Galton, and Marey. Josh Ellenbogenraises interesting questions concerning thenature of evidence that are still being discussed incurrent work on the philosophy of science and, inparticular, the philosophy of experiment. In short,this is a first-rate piece of scholarship, with theadditional bonus that it is a good read.”—Allan D. Franklin,University of Colorado Boulder“Josh Ellenbogen offers a truly unique treatmentof the nature of scientific uses of photography atthe turn of the nineteenth century, one that willcertainly be debated but whose value will lie in thespecificity of its analysis and the originality of itsargument. This will be an influential book, dealingwith many contemporary issues in our understandingof photographic evidence and revealingtheir historical background. It has already influencedmy own thinking.”—Tom Gunning,University of Chicago280 pages | 48 illustrations | 7 x 10 | 5/2012isbn 978-0-271-05259-5 | cloth: $74.95 shREASONEDANDUNREASONEDIMAGESThePhotographyof Bertillon,Galton,and Mareyjoshellenbogen“l’imagela plusressemblantepossible”daniel h. magilowTHE PHOTOGRAPHYthe photo essays ofOF CRISIS weimar germany“The Photography of Crisis is the first full account ofthe photo essay as a ubiquitous presence in Weimarculture and a driving force behind the visual turn inGerman modernism. Daniel Magilow’s examinationof new text-image relations in the illustrated pressand the photobook not only complicates traditionalaccounts of avant-garde photography and modernphotojournalism but also allows us to situate thefamous photographers August Sander and AlbertRenger-Patzsch within the emerging logics of visuality,physiognomy, and shock that would continueto haunt photography throughout the twentiethcentury. This book is required reading for all photohistorians and scholars of modern visual culture.” —Sabine Hake, University of Texas at AustinThe fifteen years in Germany between the end ofWorld War I and the National Socialists’ rise to powerin 1933 stand out as one of the twentieth century’smost tumultuous periods. These years of politicaland economic upheaval famously spawned significantand lasting changes in the arts. However, onenoteworthy product of Weimar Germany’s boomingcultural life has escaped significant critical attention:the photo essay. The Photography of Crisis examinesnarrative photography and creates a snapshot ofwhere Germany was after World War I and what itwould become with the rise of National Socialism.200 pages | 45 illustrations | 7 x 10 | 2012isbn 978-0-271-05422-3 | cloth: $64.95 sh—Bertillon“AS IS THE GARDENER, SOIS THE GARDEN.” —Thomas Fuller20 | penn state press www.psupress.org | 21