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A Case Study of Highlife Music - Analytical Approaches to World Music

A Case Study of Highlife Music - Analytical Approaches to World Music

A Case Study of Highlife Music - Analytical Approaches to World Music

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format was popularized in the West African sub-region. The social, musical, ideological,economic and technological backdrop against which <strong>Highlife</strong> music developed in the1950s have undergone several changes over time. These have significantly re-defined<strong>Highlife</strong> in new social, musical, economic and ideological terms. <strong>Highlife</strong> has thus, gonethrough a process <strong>of</strong> deconstruction. This stresses the need for a social reconstruction <strong>of</strong>the term ‘<strong>Highlife</strong> music’ in the light <strong>of</strong> current global socio-musical realities.2. Core and Periphery Model or Diffusion TheoryCorePeripherylevel 1Peripherylevel 2Peripherylevel 3Peripherylevel 4 etcThe core and periphery analytical model is an intersection <strong>of</strong> essentialism andsocial constructionism and represents in a way, diffusion theory. This model posits thatdespite the social construction and social immersion <strong>of</strong> the African popular music genre,there are some fixed traits which define it in specific musical terms. When a musicalgenre has been created through socio-his<strong>to</strong>rical and socio-musical processes, the socialand musical elements <strong>of</strong> its creation imputes in<strong>to</strong> it a core essence which is recognizableand identifiable. From this core essence emerges peripheral levels <strong>of</strong> artistic re-creation19

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