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once flourished - The Indypendent

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CULTUREChronicling NYC’s Open Public SpacesOpen to the Public?Directed by Paper Tiger TelevisionDistributed by Paper TigerTelevision, 2011<strong>The</strong> legal reasoning thatallows members of theOccupy Wall Streetmovement to lay claim to LibertyPark (or Liberty Plaza Park, as Iwould prefer to call it) is confusingenough to leave all but the moststudied lawyers scratching theirheads. In a deal with the citydating back to 1968, the park’sbuilders agreed to make theprivately owned and managedplaza open to the public 24 hoursa day, in exchange for a zoningPark in service to crass and emptycommercialism at the expense ofpublic access to the land.)<strong>The</strong> breadth of Open to thePublic? is impressive, and the filmgoes so far as to delve into thepredominating psychogeographytheory of the Prohibition Era thatdrove the design of some of NewYork City’s great parks. While thefilm makes note of Jane Jacobsand Robert Moses, Paper Tigeralso spends time examining theless known urbanist WilliamH. Whyte, the author of City:Rediscovering the Center, whodrew inspiration from Jacobs, buthad a clear paternalistic streakin his desire to rid parks of socalled“undesirables.” By Whyte’sadmittedly lacking oversight thatthe NYPD is subjected to. BIDshave also redesigned public spacesto limit the use of infrastructureby the homeless, for example,altering benches to prevent peoplefrom being able to lie down onthem. <strong>The</strong> French novelist andjournalist Anatole France <strong>once</strong>cynically noted, “<strong>The</strong> law, in itsmajestic equality, forbids all mento sleep under bridges — the richas well as the poor.” But it doesn’ttake a tremendous logical leap tounderstand that bench redesignsand vagrancy laws affect thoseleast able to defend their right topublic space.Having fended off a de factoeviction <strong>once</strong> already, the OWS31 years of celebrating musicof peace and resistance!16 NOVEMBER 2 – NOVEMBER 22, 2011 THE INDYPENDENTNov. 5: <strong>The</strong> Mermaids; Chris BrownNov. 12: Cecilia St. King; David MassengillNov. 19: Sharon Katz & Wendy Q uickof <strong>The</strong> Peace Train; TriboroDec. 3: Charlie KingDec. 10: Utah Phillips Tribute C<strong>once</strong>rtSaturdays at 8 p.m.Community Church of New York Unitarian-Universalist40 E. 35th St. (Madison/Park)New York, NY 10016doors open 7:30; wheelchair accessible212-787-3903www.peoplesvoicecafe.orgSuggested Donation: $15 to $18 or TDF; $10 PVC membersMore if you choose; less if you can’t; no one turned away(doors open at 7:30)UP IN THE AIR: While the High Line aerial park (pictured above) remains in public hands, public spaces in urban settingsare increasingly facing threats of privatization.variance that allowed them toconstruct a building higher thanwas normally allowed. In an ironictwist, the protesters have had a fareasier time occupying a privatelyowned public space than theywould have if they had tried toset up camp in a city-owned parkthat would be subject to the whimsof Mayor Michael Bloomberg’sadministration.Had the OWS movementhappened a few months earlier,it would have made a great casestudy for the activists, organizersand academics interviewed in theshort documentary film Open tothe Public? produced by the PaperTiger Television media collective.<strong>The</strong> continuing encroachment ofprivate interests on public spaces isthoroughly examined in the piece,which illuminates the tangled webof parties, desires and practicesthat define public space and ourexpectations about access to it. (I,for one, burn with quiet rage at thesight of the massive Fashion Weektents erected in Bryant Squareestimation, this demographicconsisted of muggers and othercriminals, but also included thepoor and drug-addicted. But therecurring story of public space isthat of the tension between thepeople exercising their free will indeciding how public spaces willbe used, and the state, which hasoften resorted to violent force topolice the use of parks and othercommon areas.A relatively recent developmentwithin this relationship is the riseof the management of public spaceby private business associations,manifested in New York City asBusiness Improvement Districts,or BIDs. Driven foremost bythe business interests of theirmembers, BIDs’ desire for publicspaces has often proven to beat odds with those of the largerpublic. Especially frightening arethe powers granted to privatesecurity employees hired byBIDs, which at times exceed eventhose of the New York PoliceDepartment, with none of theparticipants will likely bechallenged again by police, whowill either act with or without theblessing of park owner BrookfieldProperties. But there is tremendoushope in the resilience the occupiershave shown, and as the groupevolves, defines and redefinesitself, so too will its relationship toLiberty Plaza Park. As Ethan Kentof the Project for Public Spacessays in the film, “Public spacesshould never be static, shouldnever be finished. <strong>The</strong>y should beplatforms on which communitiescontinually recreate themselvesand define themselves.”—Rahul ChadhaOpen to the Public? is availableto purchase, rent or watchonline at blog.papertiger.org.To schedule a screening of thefilm, contact Paper Tiger TV atinfo@papertiger.org.LILY BERNHEIMER

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