maynard HERSHONIbegan thinking about image versussubstance while I had my <strong>Triumph</strong>Thruxton. A Hinckley Thruxton isa good motorcycle, well designed andconstructed. But it is not a fine handleror a faithful incarnation-in-action of a‘60s <strong>Triumph</strong> Thruxton, a special 650Bonneville built in small numbers forproduction racing.The reborn <strong>Triumph</strong> Thruxton is astyling exercise, a Bonneville Twin withconspicuous cafe-racer clues. Is it goodlooking?Yes. Is it an adequate performer?Yup; it’s not disappointing in normal use.Is it a track day soul-stirrer? It is not. Doesit encourage a sporting pace on a sportingroad? It does not.A Thruxton is a reg’lar ol’ motorcycle, achunky “standard,” an urban bike or sunnySundays bike disguised in Ace Cafe make-up.Ah, but it’s a Bonneville or a Thruxtonafter all, evocative names both, race venuenames. The new Twins carry those namesbut do not honor them. Those namesshould rest like laurels over the saddlesof genuine performance motorcycles, notswollen scooters.My own ZRX12 looks like an old Kawasakirace bike but it too is a big softie, not arace bike at all. I love the look ofit but I’m glad it’s not named aftera famous track or rider. I’m gladit doesn’t have “race” in its name,like the new Moto Guzzi CafeSport Racer. That Guzzi, like the Thruxtonspecial edition, has a red frame. Hey, it’sgotta be a “racer.”In similar fashion, the XR1200Sportster, the model with better brakesand suspension and maybe a few morehorsepower,is intended bythe nice folks atHarley-Davidsonto look like anold flat-trackeror TT-Scramblesbike. Reputedly ithandles and goesbetter than otherSportsters. Doyou suppose ithandles and goeswell? Probablynot, huh? Probably Harley could have madeit do those things, but there’s no need. It’llsell anyway.We assume the manufacturers believethat niceties like “race-bred handling”service parts performanceAdjustable Triple Clamp for Ducati 916 to 1198Race proven and endorsed by World Champion Doug Polen (gopolen.com)What’s in a Name?would be lost on bike buyers before orafter the purchase. Consider the severalnew and planned kits to make boringcruiser-style bikes into retro charmers.None of the bikes’ functions areupgraded, only their appearance.It must cost the manufacturer more tomake bikes handle and go and stop. If thebuyer doesn’t care or won’t pay for thosequalities, why not make a bike that doesthose things, uh, acceptably? Especially ifyou can sell all you can build.It seems to me that a manufacturer willsettle on a style of bike, a niche: Naked,urban, newbie-friendly, short-hop, say. Anda probable user, maybe a born-again or newThose names shouldrest like laurels overthe saddles of genuineperformance motorcycles,not swollen scooters.rider, then choose engine characteristics,chassis design and suspension componentsto suit that style and customer. Why wastequality brakes or suspenders on suchriders? Won’t help sell bikes. A racing stripeand number panels are cheaper and moreeffective in the showroom.Many non-retro <strong>Triumph</strong> models dohandle well, some world-class well.<strong>Triumph</strong> evidently feels that fine handlingis not a design goal for models like theBonneville or Thruxton, just as fuelrange is not a priority. They’re close-tohomebikes, bikes to be seen on, lifestylepurchases. Potential owners of <strong>Triumph</strong>’sretro twins must not demand fine handlingor extensive fuel range—or even mentionthose qualities in focus groups.Many of us, maybe most of us, buy a bikefor what it represents, what it evokes, notbecause it’s a fine riding tool. Perhaps we’drecognize and appreciate a fine riding tool,perhaps not. Maybe we never hurry oncurving roads, never scrape a footrest orfollow a racing line through a bend. We dohave an idea about what our bikes say aboutwho we are in the world.We care more, evidently, about what ourbikes say about us than how brilliantlythey work as motorcycles. Mostly, I’mtalking about how our bikes handle.Almost all of today’s bikes acceleratewell and most have powerful brakes. Youcan evaluate acceleration and braking,but handling is not so quantifiable, notso easy to describe in a brochure. Buelltried and it was a difficult, complex sell.How many people can explain masscentralization or even care?If premium suspension is the key to finemotorcycle handling, why don’t specialeditions feature fork and shock upgradesinstead of racing-look cosmetic changes?If suspension upgrades are good for thebrilliant Street Triple R and Daytona 675R,why shouldn’t they work for the 2010Thruxton SE, an entirely cosmetic specialedition? Shouldn’t bike buyers demand thereal thing, the way cruiser riders demandsteel fenders and side covers? Shouldn’t ourbikes feel reassuring at touring-plus pace?Is that too much to ask?I can hear you saying, Maynard, that’s howeverything is sold.Not always. Ducatis are genuine riders’bikes as are many KTMs, Aprilias and mostother <strong>Triumph</strong>s. I thought all BMW Twinswere riders’ bikes until I rode an R1200Ccruiser. It seems to me that most ‘60s bikeswith sporting pretensions backed up theirimages. British or European, they steeredpredictably and railed through corners,even the not-so-sporty ones. Okay, earlytwo- or four-stroke big Japanese bikes wereexceptions, but those guys figured it outeventually, didn’t they? They know how tomake ‘em handle, but they don’t always try.I feel sure that the bikes I bought when Iwas a new rider all handled wonderfullywell, setting a precedent for later ones.None of my early bikes were expensive.None were named after racetracks. Allwere lean, athletic in build. None squirmedon the suspension at a brisk pace in along bend. Not one was styled to hint atcapabilities it simply didn’t have. Noneskimped on mechanical integrity to payfor sales-floor sexiness. Their appeal was inwhat they could do, not how they looked.Even standards in those days, just plainbikes, handled good.Bargain forks and shocks, heavy wheels anda just-okay frame compromise a bike fromday one, no matter how much racetracksuccess the manufacturer had in decadespast. And no matter how the bike’s styled orwhat it’s called.Are today’s bike models so alike, companyversus company, that all that’s left to sellis image and pose-value? How should wefeel about our new bikes knowing thatmuch of the manufacturing cost went to“racy” cosmetics rather than race-worthycomponents?When someone walks by our sportylookingnew bike (red frame) and says, Hey,nice motorcycle!, what do we say?Adequate, dude. Adequate.March 2011 | 22 | CityBike.com
HERTFELDERAmotorcycle event with a 66-yearhistory will inevitably develop acast of characters of which anytelevision series would be proud. However,while television characters are figments ofsome writer’s imagination, the charactersseen at the annual Sandy Lane Endurotruly exist. Some of the more colorful havepassed away, but tales of their escapadesare still passed down by enduro riderswho heard them from their fathers andgrandfathers. Paul Brumfield is probablythe most popular character on the listbecause he was the Sandy Lane trail bossfor many years. In fact, Super Senior classriders at the 2010 ride started to sweatwhen they realized they were riding in thedirection of Brumfield’s favorite obstacle:Popes Branch Swamp.Actually, they were routed over just onecorner of the swamp and crossed it onwooden pallets tied together by a chain linkfence plus 10 feet of trail covered by RhodeIsland rocks hauled in at considerableexpense by Meteor club members,sponsors of the ‘Lane, who had riddenthe Rowdy Rovers Enduro and came togrief on exceptionally slippery rocks someweeks earlier. We were told the rocks werenumbered because Rhode Island is so smallthey wanted them returned.Personally I believe they certainly wantedthem returned.I’m not so sure they were numbered.An authentic Brumfield tale is the storyof the Pic-A-Lilly Inn goat. In the 1960sSandy Lane started and finished at thegrounds of the Pic-A-Lilly. It was a rusticspot complete with roving barnyardanimals wandering around. Brumfield oncetook a shine to a baby goat and often tookit for a spin in his woods sidecar. A woodssidecar can be identified by the large winchmounted on the deck, used to winch the rigout of places like Popes Branch Swamp.Funny thing, there was a definiteresemblance between goats and Brumfield.Goats are usually razor thin and Brumfield,who lived on cigarettes and beer, lookednear death most of his life.Years later when the Pic-A-Lil was nolonger the enduro start grounds it becamea pleasant roadhouse-style watering holepreferred by thirsty motorcycle riders.Patrons always knew when sidecar driverswere leaving.These riders would say their goodbyes,walk out toward the parking lot and returna minute later to ask the management tohelp them get the long-horned 110 poundBilly Goat out of their sidecar!Another memorable Sandy Lane characterwas the rider who always left the start line,and often finished the enduro, with a smallbreakfast cereal box glued to the back of hishelmet.The advantage of this is not really apparentbut one thing is certain: at any speed over30 miles an hour he could be certain thathis eyes were looking straight ahead.And who could forget the Montessa dealerfrom Sewell, New Jersey who mounteda flexible steel snorkel tube from hiscarburetor to a flapper valve mounted ontop of the motorcycle’s gas tank equippedwith cork floats to seal the intake if riddenAn Enduro WithCharactersin water over four feet deep. They say thatevery time the motorcycle hit a solid bumpthe flapper valve would get sucked shut,choke the engine to a stop, and wet thespark plug so badly a new one was requiredto get the engine started again. Before hegave up on his snorkel he took to wearingan ammunition belt with spark plugs in thebullet loops.Worn bandolier style, from the shoulder, helooked like a Mexican bandit with ignitionproblems.Bart Staggert, aka “The Inflatable Man”has been running a Sandy Lane checkcrewfor many years and is noted as thebest matchmaker since uplift bras. Hiscrews have produced so many successfulmarriages that dedicated bachelorsconsider them ‘hazardous duty ’ andcan only be enticed with the promiseof exceptional food and comfortablefolding chairs which, of course, are justbackground decorations and almost neverused during an enduro.Staggert competed in enduros for a fewyears then decided that the Battle of theTwins road-racing series promised trailswhere he would never get lost or be furtherthan 400 yards from the hotdog concessionstand. Staggert fielded a BMW twin tosome success. The machine was lettered“Shelly’s Kitchen,” probably by Shellyherself in fond memory of where the moneyoriginated to purchase the machine.A current Sandy Lane character has beenbarred from any trail work involving use ofa motorcycle because of his almost glacialrate of progress off road. Instead, thisstalwart has been appointed DesignatedMarch 2011 | 23 | CityBike.comDesigner (DD) and asked to first construct,then decorate, Sandy Lane start chutes,which he does with good taste and longerstaples to secure the usually translucentsigns donated by motorcycle dealerships.His painstaking work once led him to workwell past sunset.Daylight revealed a long snow fencestart chute lined with 24 translucentflags lettered on one side only but facingthe wrong way promoting AHAMAYmotorcycles.Sorry about that—next year I’ll bringmy flashlight. But I’m charging the newbatteries to the Meteor Club.For a copy of Ed’s latest book, 80.4 Finish Check,send $29.95 with suggested inscription to EdHertfelder, PO Box 17564, Tucson, AZ 85731ADVERTISINGit works!Contact CityBike to place aclassified or businessadvertisement and reachthousands of Bay Areamotorcycle enthusiasts.info@citybike.com415-282-2790HellaStrongArt Direction,Graphic Design& IllustrationI’m Alan Lapp, a 25-yearveteran designer & illustrator.If you have a need for virtually anykind of printed work, give me a call.I’m experienced in publication design,annual reports, catalogs, brochures,menus, packaging, direct mail, fashionadvertising, collateral materials, logoand identity work, stationery, oranything else you may need.Great work to follow.510-295-7707www.levelfive.com