COLTS Bari-Euph Warmups.mus

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6 COLTS BARITONE/EUPHONIUM Music Packet SUPPLEMENTThe purpose behind this fingering chart is to give you an idea of the normal fingerings and some alternate fingers thatcan work once you have reached a certain note in the upper register. Once you have reached a certain place in theupper register, the valves can assist in "Slotting" a note better, but really do not assist in getting the notes to respond.The top number is the normal fingering for the note in question. The fingerings that are below are suggested fingeringsthat can help you "slot" the notes with more ease than the "Normal" fingering.Baritone/EuphoniumAltissimo Register Fingering Chart.˙?"F""F-sharp"# ˙"G"˙b˙"A-flat"˙"A""B-flat"b˙12501-32-31-2-311-2311-2-32-321-331-2012-31-2-3?˙"B""C"˙b˙"D-flat""D"n˙"E-flat"b˙n˙"E"1281-221-2-3101-322-31-2-301-231-31 21-2-32-3"F"˙b˙"G-flat""G"˙"A-flat"b˙"A"˙b˙"B-flat"?13101-312-31-2-311-231-311-32-321-32-3012-3
COLTS BARITONE/EUPHONIUM Music Packet SUPPLEMENT7Upper Register Exercises continued.The following exercises are extensions of the Upper Register Exercises Already in this packet. The ideas to remember with theseexercises is to maintain a supple set to the lips, a relaxed apeture. The airflow should also remain as relaxed as possible in all registers.The air movement should remain fast and still remember to crescendo through the upper register. The moment you feel any tension in thechest or throat, stop. The feeling we are trying to Establish is one of a relaxed air column that is free from tension.Take a full breath and try blowing a steady stream off of the instrument. Work to make this feeling relaxed and effrortless. Once youhave felt the proper feeling, now add the mouthpiece only. work for this feeling on the mouthpiece. Without producing a sound on themouthpiece, work for a big full breath and try to blow a steady stream of air into the horn with as much freedom as possible. Once youhave achieved this goal, add the mouthpiece to the horn and repeat the process now with the mouthpiece on the horn, but with the lipswrapped around the rim of the mouthpiece. Once you have achieved this feeling, now place the lips inside the mouthpiece as you would toform an embouchure. Repeat the process in the airstream. blow free and easy. Once the feeling has been accomplished, Begin to play theinstrument. Achieve the goal of a steady stream of air and an ease to the sound with very little tension.Double Octave Scales?bœœ œ bœ134œ œ œ bœœ œ bœœ œ œ bU˙ ,bœœ œ œ bœœ?œ bœœ œUœ bœœ œ b˙138Ascending Melodic Exercise? b˙142b˙œ œ œ œ bœb˙˙ ˙.Œ?˙b˙œ bœœ œ bœœ œ bœœ œ b˙.Œ146Ascending Partial Major Scale? bœœ œ bœœbœœ œ b˙Ó150Single Octave Glissando? bœ153bœGlissando~~~~Glissando~~~~˙Double Octave Glissandob˙b˙Glissando~~~~~~~Glissando~~~~~~~b˙Ó
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COLTS Bari-Euph Warmups.mus

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