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International Updates - Winston Churchill

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Book ReviewsBY PETER J. MclVER, RICHARD M. LANGWORTH,H. ASHLEY REDBURN AND JOHN DAVID MARSHALLMARTIN GILBERT: SPOT-ON AGAIN•'<strong>Churchill</strong>/The Wilderness Years" by Martin Gilbert, Houghton-Mifflin 1982, $14.95 from <strong>Churchill</strong> Book Club (see page 17).We had a great deal of doubt about this one. Advance wordfrom England was that WILDERNESS YEARS was another spinofffrom the official biography, culled out to digestible 278-pageform for the masses. We are pleased to tell you that it is anythingbut that. It is a scholarly work in the best Gilbert tradition, accompaniedby numerous photographs not found in the officialbiography, well indexed, and able to provide what the o.b. doesnot: a rapid education on any important political event surroundingWSC's sojourn from the citadels of power. Its main purpose,of course, is to complement the WILDERNESS series on MasterpieceTheatre in early 1983. But we recommend it for the shelfof graduate <strong>Churchill</strong>ophiles because it provides excellent summaryof this crucial decade, new photographs and quick-referenceat a low price. And we love the dust jacket.Richard M. l.angwarthTWIN TRIUMPHS BY THE LADY SOAMES"Clementine <strong>Churchill</strong>" by Mary Soaines, Houghton-Mifflin1979, $14.50 postpaid from <strong>Churchill</strong>iana Co., 4629 SunsetDrive, Sacramento, CA 95S22."Family Alburn/A Personal Selection From Four Generationsof<strong>Churchill</strong>s" by Mary Soatnes, $19.50 from C.B.C. (see p. 1 7.)This reviewer should begin by admitting to serious prejudice,which influenced his judgment: he thinks Lady Soames is, toborrow a piece of Georgia vernacular, a peach. But the most criticalreviewer would be hardpressed to complain about CLEMEN-TINE CHURCHILL, a tour de force in a class by itself; or abouther sequel, FAMILY ALBUM, just released by the same publishers.Both books are in their way "standard works," mandatoryfor any <strong>Churchill</strong> bookshelf, and so far ahead of similar works asto be incomparable.CLEMENTINE CHURCHILL is of course the second "Clemmie"biography, but Fishman's MY DARLING CLEMENTINEwas justifiably criticized as a potboiler. Perhaps this has to dowith the fact that CSC was still alive when Fishman wrote itandCSC was a very private person. Her daughter Mary undertooka really authoritative biography on the understanding that itwould not be published in Lady <strong>Churchill</strong>'s lifetime.All that aside, it is a tremendous, inspiring story, a love storyfirst and foremost, for the wonderful relationship between Sir<strong>Winston</strong> and Clementine must be labeled thus; yet is is also a professional,well researched, competent history, with Clemmie'sfaults not expunged from the record, though they were overwhelminglyexceeded by her virtues.Lady <strong>Churchill</strong> was, of course, first and foremost, the perfectmate and foil for her complex genius-husband: "Clementine hadno hobbies, such as gardening —that great solace and refuge forcountless Englishwomen. For her it was more a matter of administration-notan absorbing or satisfying occupation; and her ownactive involvement stopped after deadheading roses and irises.Nor did tapestry, knitting or embroidery . . . appeal to her . . . shehad lost the habit of driving lalong with its) blissful measure ofindependence . . . Throughout her married life, Clementine's firstpriority had been to run her home. Her standards of perfectionnever altered, nor her attention to minute detail."The great strain of being Mrs. <strong>Churchill</strong>, the recurrent grapplingwith what WSC called the Black Dog-depression-followingthe Dardanelles, Plug Street, the loss of office in 1929, thebittersweet Thirties, the 1945 election, the 1955 retirement, areall measured here, and one gets the impression that each took itstoll on Clementine. But the real lady is here loo: the determinedloyalist, the closet radical, the saviour of social occasions otherwiselikely to be <strong>Winston</strong>-monologues, with that all-pervadinginterest in those around her. No one can know without readingthis book the true greatness of Lady <strong>Churchill</strong>, nor appreciatethe crucial role she played in delivering, unsullied by events, anebullient <strong>Winston</strong>, time after time, crisis after crisis, to inspire andennoble the world.Lady Soames has now rewarded us again with another epicwork of high value to <strong>Churchill</strong>ophiles. FAMILY ALBUM isunquestionably one of the three best photo-documentaries in averitable sea of the things. (The other two are Randolph <strong>Churchill</strong>'s1955 effort, CHURCHILL/HIS LIFE IN PHOTOGRAPHS,and Martin Gilbert's more recent CHURCHILL/A PHOTO-GRAPHIC PORTRAIT). One expects this to be so. A familymember is possibly the only person left who could add newphotographic history to the <strong>Churchill</strong> saga. Most photos in thepublic domain have been used so many times that to publishthem again seems somehow careless. Lady Soames, with fewexceptions (and these are needed for continuity), has no truckwith old chestnuts. There are over 400 photographs in this beautifullydesigned book, and the acknowledgements indicate that noordinary picture library could have produced them. The largestentries in the credits are Lady Soames herself, the BaronessSpencer <strong>Churchill</strong> Collection, and the Historical NewspaperCollection of ICS member John Frost.Together they provide a heartwarming and personal glimpseof the <strong>Churchill</strong>s from Jennie and Randolph to Sir <strong>Winston</strong>'sgrandchildren. There is an infant snap of WSC which I think predatesany published previously (WSC, perhaps anticipating Karsh,is not smiling); there are marvelous photos of young Jack and hisbrother and their wives and children; of Sunny Marlborough andhis Duchess Consuelo, of Clementine from babyhood up; of thehomes the <strong>Churchill</strong>s lived in or frequented;of notes between CSCand WSC, adorned with the now legendary pug dogs and pussy kats;of the <strong>Churchill</strong> children, and their children's children; of friends,colleagues and enemies, at work and at play. Lady Soames invokesonce again in photographic memory of those wonderful yet terrifyingyears, from the placid age of Victoria and Edward VII tothe slaughter of Armageddon, the fervent hopes that followedVersailles, the sombre warnings, the new plunge into disaster, thebrave, new, but ever so worrisome world that dawned in 1945,the prospects for which harry us still. All are connected by long14

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