September 2010 - Star Frontiersman
September 2010 - Star Frontiersman
September 2010 - Star Frontiersman
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<strong>September</strong> <strong>2010</strong><br />
<strong>Star</strong> <strong>Frontiersman</strong><br />
By Thomas Verreault/jedion357<br />
The purpose of this article is to demonstrate how to<br />
detail some background fluff for the Frontier setting<br />
and suggest ways to use it in your games. Creating<br />
bits and pieces of background fluff can be fun and it<br />
helps set the flavor of the game setting.<br />
Background fluff is basically anything that you create<br />
that is not absolutely necessary for a campaign or<br />
adventure but supports the atmosphere or theme of<br />
your campaign or adventure. It can include significant<br />
game information. Anything can be fluff; a computer<br />
file, a prophetic inscription, torn pages from an atlas,<br />
or a song lyric. Though I wouldn’t consider half the<br />
background material I create to be absolutely<br />
necessary, I find that all to often it inspires me with<br />
ideas for adventure, particularly when I start asking<br />
myself questions about it.<br />
In the Volturnus campaign the writers created song<br />
lyrics that were sung by the mad pirate in the caverns.<br />
It was patterned after historic sea shanties probably<br />
because it was intended to support the theme of<br />
piracy. In the “Dramune Run” module the writers<br />
created computer print outs of information available for<br />
the PCs from the ship’s computer. In the first Robocop<br />
movie there were all these fake futuristic commercials<br />
that served the purpose of establishing the futuristic<br />
setting.<br />
As a player in a play by post game I needed a bit of<br />
poetry for my character to recite during combat (kind<br />
of like the sniper in “Saving Private Ryan” who was<br />
always quoting “The Book of Psalms”). In particular it<br />
had to be yazirian poetry. Now I have written poetry<br />
before but didn’t really have a solid idea of what to<br />
write that wouldn’t sound really lame so I combed<br />
some poetry books. After spending hours looking at<br />
poetry to “yazirian-ize” I got bored and looked up a<br />
personal favorite from high school, “Charge of the Light<br />
Brigade.” Twenty minutes latter I had “Charge of Clan<br />
Renegade” and it became a center piece of an<br />
incredibly fun post. So what, that I ripped off Alfred<br />
Lord Tennyson, I didn’t feel up to writing the poem<br />
myself and the modified poem reads like something<br />
written by a yazirian.<br />
Being the fruit of a favorite game post and a modified<br />
version of a favorite poem, “Charge of Clan Renegade”<br />
was just too good to leave alone. I kept coming back<br />
to it and asking myself questions about it which led to<br />
new material. Eventually it all came full circle when I<br />
used it in a post for a game I referee. Below is an<br />
excerpt from my game where I used a few lines from<br />
the poem to introduce a bit of plot twist. Note, that in<br />
just writing that post I created the idea that there are<br />
rich posers in the Frontier that get electronic copies of<br />
40<br />
books printed to fill a library for show, which is in itself,<br />
another bit of fluff.<br />
Tanar followed the house keeper into the library with its<br />
impressive collection of hard copy volumes. He knew that<br />
the owner of this particular library was no poser who had<br />
electronic copies printed to fill shelves and put on airs of<br />
looking rich and intelligent. Dr. Albrecht Zinasta’s<br />
collection was authentic, old, and the fruit of many years<br />
of collecting. Even more importantly he had read every<br />
book and probably could recall them all. It was also the<br />
reason for the gift under his arm, a pre-Yazerian <strong>Star</strong><br />
Exodus edition the epic yazirian poem, "Charge of Clan<br />
Renegade." He didn't know how the ifshnit trader had<br />
come by it but he couldn't resist purchasing it knowing<br />
that his mentor would cherish it, relishing the exercise in<br />
puzzling out the archaic tongue it was written in.<br />
"Sir Tanar Daagron!" Tanar winced at the new title and Dr.<br />
Zinasta smiled and winked, still obviously proud of his<br />
young protégé. They chatted and Dr. Zinasta robustly<br />
quoted a line form the poem pronouncing it far better than<br />
Tanar could have then translated the ancient Yazirian<br />
dialect it into Pan-Gal on the fly.<br />
"Boldly they flew and well<br />
Into the Jaws of Death<br />
Into the Mouth of Hell"<br />
"Pardon my use of the human term, “hell” as it is a close<br />
fit to the yazirian word and it rhymes better."<br />
Tanar smile, "No I think the human term carries the<br />
sentiment as well as, if not better, than the original." To<br />
himself he said, 'Yeah this was a good gift.'<br />
"Well, well, I too have a gift for you."<br />
With a wink and a smile he waved him over to his desk<br />
and activated the computer terminal. With a touch, the<br />
holo display activated and Tanar recognized scans of the<br />
sathar destroyer that had curiously buzzed through the<br />
system at sub void speeds during the recent GOC<br />
operations. It was a standard energy sensor scan and at a<br />
glance it looked to be from the stealth platforms in the<br />
outer system.<br />
"Do you see anything unusual?"<br />
Tanar leaned into the display and played with refining the<br />
data. After a few minutes he leaned back and said, "This.<br />
This reading isn't right or rather it’s unexpected but I'm<br />
not sure what it means...unless...unless....oh Hell!"<br />
Dr Zinasta frowned, "Hell in deed.” After a pregnant<br />
pause he continued, “…behold a pale horse and the name<br />
of him that sat on it was Death and Hell followed with<br />
him..."