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September 2010 - Star Frontiersman

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<strong>September</strong> <strong>2010</strong><br />

<strong>Star</strong> <strong>Frontiersman</strong><br />

By Thomas Verreault/jedion357<br />

The purpose of this article is to demonstrate how to<br />

detail some background fluff for the Frontier setting<br />

and suggest ways to use it in your games. Creating<br />

bits and pieces of background fluff can be fun and it<br />

helps set the flavor of the game setting.<br />

Background fluff is basically anything that you create<br />

that is not absolutely necessary for a campaign or<br />

adventure but supports the atmosphere or theme of<br />

your campaign or adventure. It can include significant<br />

game information. Anything can be fluff; a computer<br />

file, a prophetic inscription, torn pages from an atlas,<br />

or a song lyric. Though I wouldn’t consider half the<br />

background material I create to be absolutely<br />

necessary, I find that all to often it inspires me with<br />

ideas for adventure, particularly when I start asking<br />

myself questions about it.<br />

In the Volturnus campaign the writers created song<br />

lyrics that were sung by the mad pirate in the caverns.<br />

It was patterned after historic sea shanties probably<br />

because it was intended to support the theme of<br />

piracy. In the “Dramune Run” module the writers<br />

created computer print outs of information available for<br />

the PCs from the ship’s computer. In the first Robocop<br />

movie there were all these fake futuristic commercials<br />

that served the purpose of establishing the futuristic<br />

setting.<br />

As a player in a play by post game I needed a bit of<br />

poetry for my character to recite during combat (kind<br />

of like the sniper in “Saving Private Ryan” who was<br />

always quoting “The Book of Psalms”). In particular it<br />

had to be yazirian poetry. Now I have written poetry<br />

before but didn’t really have a solid idea of what to<br />

write that wouldn’t sound really lame so I combed<br />

some poetry books. After spending hours looking at<br />

poetry to “yazirian-ize” I got bored and looked up a<br />

personal favorite from high school, “Charge of the Light<br />

Brigade.” Twenty minutes latter I had “Charge of Clan<br />

Renegade” and it became a center piece of an<br />

incredibly fun post. So what, that I ripped off Alfred<br />

Lord Tennyson, I didn’t feel up to writing the poem<br />

myself and the modified poem reads like something<br />

written by a yazirian.<br />

Being the fruit of a favorite game post and a modified<br />

version of a favorite poem, “Charge of Clan Renegade”<br />

was just too good to leave alone. I kept coming back<br />

to it and asking myself questions about it which led to<br />

new material. Eventually it all came full circle when I<br />

used it in a post for a game I referee. Below is an<br />

excerpt from my game where I used a few lines from<br />

the poem to introduce a bit of plot twist. Note, that in<br />

just writing that post I created the idea that there are<br />

rich posers in the Frontier that get electronic copies of<br />

40<br />

books printed to fill a library for show, which is in itself,<br />

another bit of fluff.<br />

Tanar followed the house keeper into the library with its<br />

impressive collection of hard copy volumes. He knew that<br />

the owner of this particular library was no poser who had<br />

electronic copies printed to fill shelves and put on airs of<br />

looking rich and intelligent. Dr. Albrecht Zinasta’s<br />

collection was authentic, old, and the fruit of many years<br />

of collecting. Even more importantly he had read every<br />

book and probably could recall them all. It was also the<br />

reason for the gift under his arm, a pre-Yazerian <strong>Star</strong><br />

Exodus edition the epic yazirian poem, "Charge of Clan<br />

Renegade." He didn't know how the ifshnit trader had<br />

come by it but he couldn't resist purchasing it knowing<br />

that his mentor would cherish it, relishing the exercise in<br />

puzzling out the archaic tongue it was written in.<br />

"Sir Tanar Daagron!" Tanar winced at the new title and Dr.<br />

Zinasta smiled and winked, still obviously proud of his<br />

young protégé. They chatted and Dr. Zinasta robustly<br />

quoted a line form the poem pronouncing it far better than<br />

Tanar could have then translated the ancient Yazirian<br />

dialect it into Pan-Gal on the fly.<br />

"Boldly they flew and well<br />

Into the Jaws of Death<br />

Into the Mouth of Hell"<br />

"Pardon my use of the human term, “hell” as it is a close<br />

fit to the yazirian word and it rhymes better."<br />

Tanar smile, "No I think the human term carries the<br />

sentiment as well as, if not better, than the original." To<br />

himself he said, 'Yeah this was a good gift.'<br />

"Well, well, I too have a gift for you."<br />

With a wink and a smile he waved him over to his desk<br />

and activated the computer terminal. With a touch, the<br />

holo display activated and Tanar recognized scans of the<br />

sathar destroyer that had curiously buzzed through the<br />

system at sub void speeds during the recent GOC<br />

operations. It was a standard energy sensor scan and at a<br />

glance it looked to be from the stealth platforms in the<br />

outer system.<br />

"Do you see anything unusual?"<br />

Tanar leaned into the display and played with refining the<br />

data. After a few minutes he leaned back and said, "This.<br />

This reading isn't right or rather it’s unexpected but I'm<br />

not sure what it means...unless...unless....oh Hell!"<br />

Dr Zinasta frowned, "Hell in deed.” After a pregnant<br />

pause he continued, “…behold a pale horse and the name<br />

of him that sat on it was Death and Hell followed with<br />

him..."

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