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Ebenezer Junior - Musicline

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12 <strong>Ebenezer</strong> <strong>Junior</strong> – ScriptCOSTUMEThis is a traditional Dickens’ story and should be costumed in that period throughout, withthe exception of the Ghost of Christmas Present (Spirit), Ghost of Christmas Future(Spectre) and the Devils and Angels. The Ghost of Christmas Present, being a rapper, canbe dressed in whatever is fashionable at the time and preferably ‘Over the Top’. ChristmasFuture can be as futuristic as you can imagine. The Devils and Angels could be traditionalor be a little mischievous, playing on the characters of ‘Little Devils’ and ‘Little Angels’.Lighting and SoundThis all depends on what resources you have available to you – every group is different,but the following suggestions presume you have a reasonable amount of lighting at yourdisposal. If you haven’t, then clearly you can adapt accordingly to create the atmosphere.The lighting for Track 1 wants to be bright with lots of steel blue tints to enhance the colourof the snow and compliment the vitality of this opening number. The lighting rapidlychanges on Scrooge’s entrance to a darker more sinister feel, utilising cold colours.This remains for the rest of the scene, only contrasted on Track 2 when the CharityCollectors start their number. Scrooge’s Bedroom (Scene Three) is cold and dark as he istoo mean to either illuminate or heat it. Some gently flickering light to imitate his candlestickwould be good. The scene remains dark and sinister throughout except where indicated forMarley’s apparition appearing and the use of white light and reddish light as appropriate,when the angels and the devils appear.Scene Three, the Schoolyard, is meant to be a mysterious, dream like place. This wouldbe enhanced by the use of a smoke-machine or dry-ice machine for atmosphere. Lighting,set on the stage floor, beaming through the smoke towards the audience would greatlyenhance this effect.Scene Four – Fezziwig’s Warehouse should be brightly lit, despite being a warehouse. It isa contrast to the previous scenes, revealing the nephew’s appreciation of how Christmasshould be celebrated. ‘Disco’ lighting using effects etc. to create a party or ‘club’atmosphere is what is ideally needed to lift the show to a new height at this point. Incontrast, when young Scrooge and Belle enter they should if possible be spot lit, with theremaining set barely visible as the scene leads into Track 20.After the blackout the lighting should come up again on Scrooge before switching to bright,colourful, strong colours for the entrance of Christmas Present and his Rap (Song Eight).Strong bright lighting, switched in time to the beat of the music, would be appropriate here.Bob Cratchit’s home (Scene Five) just needs average lighting, not too bright, but focussedon the key acting areas as does Scene Six (The Parlour).© <strong>Musicline</strong> Publications Ltd.

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