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Fact Sheet / Sleepwalking Land Page 1 of 4 Sleepwalking Land ...

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<strong>Fact</strong> <strong>Sheet</strong> / <strong>Sleepwalking</strong> <strong>Land</strong><strong>Page</strong> 2 <strong>of</strong> 4ABOUT THE DIRECTOR: TERESA PRATATeresa Prata was born in Portugal and spent her childhood in Mozambique. She studied biologyat the University <strong>of</strong> Coimbra and holds a degree in Screenwriting and Directing from the GermanFilm and Television School. She began her career working at an art gallery and has made severalexperimental videos and installations. <strong>Sleepwalking</strong> <strong>Land</strong> is her fist feature film.DIRECTOR’S STATEMENT“<strong>Sleepwalking</strong> <strong>Land</strong> is a film based on two different stories by Mia Couto, a Mozambican poetand writer. Two parallel stories, the Muidinga e Tuahir's journey and the Kinzu's search, bothdescribe the same universe, the search <strong>of</strong> a dream where the peace is personified by the sea.“The stories seem at the beginning separated but slowly mingle together, becoming part <strong>of</strong> eachother. The bridge between these two stories is a diary. This diary is MAGIC, it moves at the samerhythm than the music inside its readers. Every time they stop reading it, they find themselves ina different landscape. And like this, helped by the magic <strong>of</strong> the diary, they travel troughMozambique and arrive to the sea. A journey through feelings, shown in these differentlandscapes that slowly each one will discover, not immediately but slowly as they enter theAfrican rhythm, because each person has a piece <strong>of</strong> magic roots deep inside, and one never knowshow long the magic will take to wake up.“As Mia Couto says, <strong>Sleepwalking</strong> <strong>Land</strong> is a story about a land that falls asleep to the sound <strong>of</strong>the gun shoots, a story inside the story in which the narrative appears as to redemption <strong>of</strong> thesuffering from the war. Is it possible surviving a civil war without going insane? Everyone movesin state <strong>of</strong> delirium and WHAT THEY SEE is NOT WHAT THE SPECTATOR SEES. They seea surreal reality because they want it beautiful. What we see is what they refuse see. If the wordSupra-Realism existed, it would be the one I would choose to use. A story <strong>of</strong> fairytales describedin a realistic way, because a war is always hard and postpones everyone dreams. After this, youtell me are the characters dreaming or is the world going crazy and <strong>Sleepwalking</strong>?”ABOUT THE FILM: SLEEPWALKING LANDREVIEWS“Filmmaker Teresa Prata creates an affecting portrait <strong>of</strong> life during wartime. Ms. Prata, a skilledstoryteller with a clear, unsentimental eye, neatly balances large-scale horror with a small-scalepoint <strong>of</strong> view charged with simple, direct feeling.” –Nathan Lee, The New York Times“The unquantifiable toll <strong>of</strong> Mozambique's long civil war suffuses <strong>Sleepwalking</strong> <strong>Land</strong>, anemotionally affecting tale-within-a-tale helmed and scripted by Brazilian-born Teresa Prata.Originating with the wanderings <strong>of</strong> a young boy and an older man before spinning into a story145 Ninth Street Suite 105 gfi-info@globalfilm.orgSan Francisco CA 94103www.globalfilm.org

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