40 Phoenix Risingrnovernen-Cnews"Stop Shock"DemonstratorsArrestedOn Tuesday, March 15, nineteenpeople were arrested for blocking theentrances to the administration building<strong>of</strong> Berkeley's Herrick Hospital in aprotest against theelectroshock treatmentresumptionat Herrick.<strong>of</strong>Anadditional 150 demonstrators formed apicket line and acted as legal observorswhile the civil disobedience action was inprogress. Electroshock in Berkeley hadbeen banned by Measure T, a ballot initiativepassed by Berkeley voters lastNovember. Several psychiatric associationssubsequently filed suit against theordinance. In January a Superior Courtjudge issued an injunction permitting thecontinued use <strong>of</strong> electroshock until thelegality <strong>of</strong> the ordinance can be determinedat a future hearing. Massivemedia coverage <strong>of</strong> the March 15 demonstrationalerted many Berkeley voterswho were not aware that electroshockhad been resumed. The ballot initiativecampaign and the civil disobedienceprotest were organized by the Coalitionto Stop Electoshock.The ten w,omen and nine men whowere arrested at the demonstration wereheld in jail for about 7 hours and thenreleased on their own recognizance.Several women were strip-searched whilein jail. The blockaders were arraignedthe following day in Berkeley MunicipalCourt before Judge Julie Conger. Sincethe Berkeley Court is not wheelchairaccessible, and one <strong>of</strong> the arrestees,CeCe Weeks, was in a wheelchair andrefused to be carried into the courtroom,the group demanded that they allbe arraigned in the downstairs hallwayalong with Weeks. Blockader BarbaraQuigley announced the group's decisionto Conger, who responded by transferringthe arraignment to the accessiblecity council chambers in a nearbybuilding. Berkeley mayor Gus Newportand school board member BarbaraLubin, both supporters <strong>of</strong> Measure T,attended the arraignment. The chargesagainst most <strong>of</strong> the blockaders were reducedfrom a misdemeanor to an infractionwith a sentence <strong>of</strong> "timeserved" (the previous day in jail), in exchangefor pleas <strong>of</strong> "no contest."Several arrestees chose to be sentencedfor the original misdemeanor charge andalso received a sentence <strong>of</strong> "timeserved." Two ~lockaders, Trudy Rogersand Maureen Bei, pled "not guilty" to themisdemeanor, and requested a jury trial.The date <strong>of</strong> their trial is not yetscheduled and they are looking forattorneys willing to represent them at nocost.Following the sentencing, JudgeConger permitted the demonstrators tomake brief statements <strong>of</strong> their reasonsfor getting arrested. One said her motherhad died <strong>of</strong> a cerebral hemorrhagefollowing shock treatment, one said thata close relative had committed suicidefollowing shock, one said that someonehe grew up with is currently receivingshock at Herrick, one said that she hadbeen damaged by shock treatmentherself. Several stated that the shockdoctors were the real criminals.According to the Department <strong>of</strong>Mental Health, two-thirds <strong>of</strong> all peoplereceiving shock in California are womenand two-thirds are over 45 years <strong>of</strong> age.The rate now being charged for eachshock treatment, a nurse who formerlyworked at Herrick Hospital (who wasone <strong>of</strong> those arrested at the March 15action) stated that inmates are notinformed <strong>of</strong> the likelihood <strong>of</strong> permanentbrain damage and memory loss.According to hospital reports, a smallpercentage <strong>of</strong> those receiving shock havenot consented to it because a judge hasruled that they were incapable <strong>of</strong> givingconsent.One <strong>of</strong> the blockaders, Trudy Rogers,who described herself as a formermental patient, explained that she plednot guilty because "I did nothing wrong.Electroshock is not a treatment. It isbarbaric, like rape. There are people inHerrick who don't have a voice. We aretheir voice."For more information about electroshock,the Measure T campaign, and theinternational anti-psychiatry movement,send $1 US to Madness Network News,2054 University Ave., room 405,Berkeley, CA 94704, with a request forthe Spring issue.Therapy AbuseSeveral groups in the United Stateshave started up what promises to be anetwork <strong>of</strong> protection, advocacy andsupport for people abused in private usually nonmedical - therapy. InJanuary, 1982 four people founded theAssociation <strong>of</strong> Psychologically AbusedPatients in Fort Worth, Texas: theresponse they received to leafletting at aweek-end single's fair and a small ad inPsychology Today was overwhelming.Inquiries from coast-to-coast led to anetwork <strong>of</strong> self-help groups <strong>of</strong> abusedtherapy consumers. Sexual abuse intherapy and drug abuse by therapistsare issues most <strong>of</strong>ten confronted,although others - overcharging, falseadvertising, misdiagnosis, abandonment,sadism, dependency I cult - are<strong>of</strong> equal concern.Also in January, 1982, an advertisementthat William Cliadakis placed inThe Village Voice in N.Y.C. elicited asimilar response: phone calls from asfar away as San Francisco resulted inthe setting up <strong>of</strong> a core group <strong>of</strong> concernedtherapy consumers who haveundertaken - among otherresponsibilities - to investigate variousmental health committees, to look intopast records and procedures <strong>of</strong> thevarious redress systems, to formulateresearch questions, to set up peersupportgroups, to plan joint projectswith other self-help organizations andto try to raise funds for ongoing work.The N.Y.C. group publishes a newsletter,available for $lO.OO/yr. (U.S.)from NCPPA, 60 W. 57th St., N.Y.
N.Y., U.S.A. 10019, (212) 663-1595. Astatement in the initial newsletter indicatesthe group's commitments andsome avenues they intend to pursue:"There isJittle doubt in our viewthat no other pr<strong>of</strong>ession-to-clientrelationship has the potential foremotional damage to the client thattherapy does. Yet there is almost norecourse for the victim <strong>of</strong> psychotherapyabuse. At present the consumeris allowed only a token rolein redress and standards systems. Itis because <strong>of</strong> this imbalance <strong>of</strong> powerand the extent <strong>of</strong> harm done that weare dedicated to protecting, helping,and educating the therapy consumerand reforming the pr<strong>of</strong>ession.... Self-policing has proved afailure, and it is a mark <strong>of</strong> shame onthe psychology pr<strong>of</strong>ession. In ahelping pr<strong>of</strong>ession where openness,honesty and ethics are suchimportant words in conducting business,the lack <strong>of</strong> these qualities in thepr<strong>of</strong>ession's self-criticism stands out.The unusual position <strong>of</strong> trust andvulnerability in which the psychotherapyclient is placed requires anexceptionally strong system <strong>of</strong> accountabilityand protection. 'Snitch'laws, as prescribed in the state <strong>of</strong>Florida, would be helpful. Anotheruseful step would be immunity inthird-person complaints- introducedin California with respect toPhoenix Rising 41child abuse cases (therapists themselvesstress the parallel <strong>of</strong> theparent-to-child relation in therapy).Also needed is a change in the absurdlyweak rules on pr<strong>of</strong>essionalmisconduct so that abuse would becomea felony. Perhaps most important,however, is a means for increasedmeaningful participation byinformed, responsible consumers."The groups together hosted the Firstnational Conference on PsychotherapyAbuse and Consumer Protection inNew York on November 15, 1982.Sylvia Diamond <strong>of</strong> the Texas-basedgroup (APAP) was instrumental infounding the national network, TheNational Federation <strong>of</strong> Therapy Abuse.SchizophrenicOperaThe almost full house attendance forthe Schizophrenic Opera let our smallgroup celebrate a bold attempt atentering the cultural world. Thanks toA Space and John Crawford at theJoseph Workman Auditorium inparticular, we were able to handle avery difficult production. The time wehad to actually produce the entireOpera was less than six weeks, so thatthe workload was enormous. Withoutthe assistance <strong>of</strong> Jame.s McLeod andCosta Ferreo from the <strong>Toronto</strong> ArtCommunity we could have not madeeverything work on time. Theproduction crew <strong>of</strong> Slivio Cerusi andWild Bill plus the help <strong>of</strong> Penny Gillierand Kathy Czuma all made the Opera asuccess. The major contributions <strong>of</strong>Artists Lily Eng and Susan McKay werealso major factors in achieving our ambitiousproject. The cast in the productionwere all basically newcomers(except for Ron Gillespie and WarrenMoore) so we had to have a team effortby all concerned; people like MartinGreenspan, Sid Williams, Dan Antenand Anna Gruda were invaluable. Thewitty pronouncements <strong>of</strong> TonyFerguson from the start helped ourhumour tremendously - with Tony'sgreat humour we were always laughingat our inexperience, and playing like wewere on top <strong>of</strong> the world.The script evolved from over 1000pages <strong>of</strong> my writings from 1978 to1983: satire, diaries, notes, poems andessays had to be rigourously edited.Tony Ferguson, Warren Moore andmyself spent long hours trying tounderstand my mind - and to cut outthe obscurities in the work whichwouldn't make sense to a wideraudience.We decided the best tactic would beto emphasize the hu,mour and colour inthe writings ratht;I'than the entraneousphilosophical writings that are far toodifficult to put into an Opera. Once thewritings were edited down we produceda fairly rough text <strong>of</strong> sayings that<strong>of</strong>fered different meanings to all levels<strong>of</strong> social contact. Some <strong>of</strong> the text, forexample, refers to "voices" and'othertext real street material picked· up livinghand-to-mouth after serious illness. Thescript became rather bizarre, but ourintention was not to be explicit. Rather,we intended to keep a safe distancefrom easy interpretation. We did notwant people to think "Schizophrenia"was a simple act anyone could understand.So we thus purposely kept ourdistance and instead we made p'eoplethink a bit. We hope in so doing weopened a few eyes to the special'curvesand road switches a "schizo" mind cantake very swiftly indeed.Once the script was pulled togetherwe invented acts that were familiar tous all: especially volleyball andcigarettes which we all had in common.We also chose acts with a lot <strong>of</strong> ourown humour and thus tried to stayclose to what we knew so that we couldunderstand our actions better. As wearranged a Performance, tried tokeep our natural skills strong and preconditions'theatre' .at a minimum: meaningWith the great help <strong>of</strong> Joane Deane indance and movement we carefullyworked on simple selections that we allcould follow. So we once again workedmore on natural experience rather thanpre-formed ideas about movement.The entire production was rehearsedduring the final day and everyone madea great effort to put the Opera intoreasonable shape for the evening.Despite many last minute problems, wefinally went on stage as scheduled, andall <strong>of</strong> us came through with wonderfulease. Special assistance came fromVideocast <strong>of</strong> <strong>Toronto</strong> who providedexpert communication help. Of coursethe audience's encouragement made theentire event a really positive act that wewill all remember. Lastly we did ourbest on all levels and, we hope, put ona Production Performance that willsome day show other Ex-Psych patientswhat can be done with determination.We must thank Dr. O'Farrell fromLondon, Ted Weir from <strong>Toronto</strong> andall the supporters who came to see theOpha. Graphic Alliance and DonSibley did the posters and all <strong>of</strong> theTRY organization took part in makingour's a Pr<strong>of</strong>essional Production.As TRY is awaiting CharitableStatus, we are still living on welfare.But our hopes are high and we areplanning a new production for eitherthe Fall or early Winter. If anyone sawthe Opera and would like to·help ournext production - please call us at 5313498 during the Summer months.Ron GillespielDirector, TRY,<strong>Toronto</strong>P.S. Funding came from C.M.H.A.,A Space, Ted Weir, Dr. O'Farrell,(Cultural Initiative, New York) andfriends <strong>of</strong> TRY as well as from ticketsales.P.P.S. The piece by Bridgette Eng wasworked in during the last few minutesbefore going on stage: her performancewas truly outstanding for her first timeon stage.Cast: Bridgette Eng, Lily Eng, AnnaGruda, Kathy Czuma, Susan McKay,Joane Deane, Warren Moore, TonyFerguson, Martin Greenspan, DanAnten, Ron Gillespie, Sid Williams.Crew: Sivio Cerusi, Wild Bill, DonSibley, Penny Gillier, James McLeod,Costa Ferreo, Videocast.Music provided by Gordon W., RonGi1lespie.Special thanks to NOW magazine, JuneLa Rochelle, Don Sibley, C.B.C., JohnCrawford, Barbara Fulghum,andSertia Bopana.