Arts & EntertainmentOn hisknees“Shrek” actor bringsaudience to their feetby Alison Wooalison@matthewsminthillweekly.comIn anticipation of “Shrek” – the muchbeloved Hollywood movie turned Broadwaymusical – coming to the QueenCity next week, I’ve been watching thewhole series of movies. None was assweet as the first one that introducedus to Shrek himself, Donkey, PrincessFiona and of course the dastardly yetlovable Lord Farquaad.Bringing the movie to life and to thestage takes extraordinary imaginationand the creative abilities of a Tonyawardwinning team and actors who gothe extra mile. None take that challengeas seriously as actor David Vaughn. Tobring Lord Farquaad to life means the6-foot-1 actor has to walk, sing anddance on his knees for the entire performance.<strong>Matthews</strong>-<strong>Mint</strong> <strong>Hill</strong> <strong>Weekly</strong> hadthe chance to talk with Vaughn duringscheduled performances about thechallenges and brilliance of bringingthe audience of young and old to theirfeet eight times a week.Aid(continued from page 18)relieffrom stress, tensionand muscle painEvery 11th massage is free!*Myofascial release is a deep stretching of the muscles and has shown to be effectivein relieving the pain associated with fibromyalgiaDavid Martin, NC LMBT License #6482Weekday, Weekend & Evening Appts.Located in <strong>Matthews</strong>, just minutes from the ArboretumPhone: (828) 545-5577 ~ Email: dmartin69_1@hotmail.com$10 off your first massagePage 20 • June 10-16, 2011 • <strong>Matthews</strong>-<strong>Mint</strong> <strong>Hill</strong> <strong>Weekly</strong>How did you get your start in acting?“I did a lot of little classes here andthere but it wasn’t until high school,when my friends were in the tech side,when I joined with them and fell in lovewith it then. When I turned 15, my parentstook me to see ‘The Who’s Tommy.’It was the first theater show where therewasn’t classical Broadway music. It wasa rock ballad. So for the first time I gotreally excited and it was so cool.”What was your first experience withthe “Shrek” movies?“I had seen the movie but didn’t reallyremember much of it, but when I gotthe job I watched it again. During theBroadway run, one of our understudiesleft but I had a chance to go on so Iended up getting the role full time.”What’s been the process of bringingthe movie to life on the stage?“I think it’s the perfect show. It’s brightand colorful. Much like the movie,there are so many jokes that are for theadults and are firmly tongue-in-cheek,which of course is why the movie is sopopular. This is a great show becausemany of these kids who come to see theshow are going to not see a cheesy kids’show but one that has a score createdby people who are Tony and Pulitzeraward nominees. Their first foray intheater is from higher caliber theater,not just a movie on stage.“The reason why movie musicals areso popular right now is because producersare losing the Broadway audiences.They needed to get people inwho wouldn’t see a show. So to have amusical set to the music of Abba or the80s is an easier pitch than a show suchas ‘Avenue Q,’ which no one has seenbefore.”How does your take on Lord Farquaaddiffer from John Lithgow’smovie version?“The movie plays him very dark, verystory book evil. We take a more brattyinterpretation and project a child-likenastier version. I like to say he’s a littleReferralsprovidedupon requestPhoto courtesy of Blumenthal Performing Arts Center“Shrek – The Musical” visits the Queen City June 14 to 19 at the Blumenthal Performing ArtsCenter.less naturally evil and more bratty andspoiled. How often does an actor get toplay the villain that also plays the comicrelief? It’s very rare.”The physical demands of playingthis role literally on your knees seemunbearable. How do you do it?“It’s obviously very difficult and I gotto see Christopher Sieber, who originatedthe role on Broadway do it when Iwas his understudy. From him I learnedhow to do it healthily. I also get physicaltherapy twice a week.“Throughout the show, I’m riggedwith series of kneepads so that whenI do a dance break with the cast,I’m really doing the same choreography.It took me four weeks inrehearsal to get through the pain andhard stuff but now it’s totally secondnature.”Felicia van Bork, Project Art Aid sponsoreda workshop for cancer survivors who wereable to contribute canvases to the mosaic.“Working with survivors was really exciting,seeing them translate their deep pas-Massageprice includes gratuityby DavidExperienced in Swedish, deep tissue and myofascial release* techniquesEnjoy the benefits of professional massage in a clean, safe environmentCustomized massage to meet your needssion for life into art was amazing,” van Borksaid.As for Project Art Aid, Ben and Rosaliehave grand plans for the nonprofit, andhave already started brainstorming on whattheir next outreach will be.“We already have (our next project inmind)” Rosalie said, adding that the organizationhopes to take their plans national.“As long as we can keep true to our mission… that is really what we are all about,”said . qWant to go?The Project Art Aid Goes Pink Art Exhibitionwill be held Friday, June 17 from 6Family Dentistry• No hidden fees or monthly premiums• Only pay for services you need• Adults and Children receive excellent careYOU can AFFORDDavid Yu, DDS, PLLC (704) 847-7730What’s been the most surprisingpart of doing the national tour?“I think the response we get themost is ‘I did not want to see this showbecause I thought it would be just themovie on stage. But we had one of thegreatest times ever.’ The show is somuch more. It is true to the originalbook and you meet Shrek and Fionawhen they were 7.“From the stage, the energy of theaudiences enjoying this show is amazing.There are mature couples and teenagersand kids and everyone is laughingat different things. The truth is thatwe have some of the best writers andcomposers and it’s a Broadway musical.Everyone will have a blast.” q“Shrek – The Musical” will be at the BlumenthalPerforming Arts Center from June14 to 19. Tickets and more information areavailable at www.blumenthalarts.org.to 8 p.m. at The Atrium at 2 Wachovia inUptown Charlotte. Bidding for all artworkwill begin at $50. Tickets to the event are$15 and can be purchased online at www.projectartaid.com. Photos of all artworkavailable for purchase at the exhibition canbe seen before the show on Project Art Aid’sWeb site, www.projectartaid.com.• No limitations on benefits• No hassles with an insurance company.2101 Sardis Rd. N - Suite105 - Charlotte, NC 28227K. Michael Rhyne, DDSwww.matthewsminthillweekly.com
‘X-Men: First Class’(From left) Caleb Landry Jones, Michael Fassbender, Jennifer Lawrence,Rose Byrne, Nicholas Hoult, James McAvoy and Lucas Tillby Tim Rossmovies@matthewsminthillweekly.comAs Hollywood digs deeper for fresh ideas andmoviegoers tire of filmmakers trotting out lessthan-stellarsequels, the prequel has become anew way to reintroduce old products to audiences.Many prequels have done little to sparknew interest in a franchise, but several recentsuccessful origin tales do come to mind.The Batman Franchise has been retold infantastic fashion with “Batman Begins,” and“The Dark Knight,” the 2009 version of “StarTrek” is a fine origin tale and now “X-Men:First Class” can be added to that list.Like its title, this X-Men genesis flick is afirst class effort to answer many of the questionsfans have about their favorite mutantsand how their loyalties came into being.How did Magneto become a complex villainadvocatefor mutants? How did Xavier end upin a wheelchair? Why did Xavier and Magnetobecome adversaries and how did their associateschoose sides?Large questions like this and many smallercuriosities are answered in nifty fashion in“X-Men: First Class,” which also does what allthe films in the X-Men franchise do best – it‘Midnightin Paris’by Tim Rossmovies@matthewsminthillweekly.comFans of Woody Allen know he’s a mantrapped in time. The prolific 75-year-oldwriter/director/actor looks much like he did30 years ago – the same big glasses, corduroypants and tweed jacket. In fact, they may literallybe the same clothes.Allen even writes his screenplays on atypewriter he’s had for almost 60 years. Yes,a typewriter! So it’s no surprise his latest filmis about a man who longs for the nostalgia ofthe past.“Midnight in Paris” stars Owen Wilson asGil Pender, a successful Hollywood screenwriterwho’d rather be a novelist. He and hisfiancé, Inez (Rachel McAdams), are vacationingin Paris to plan their upcoming wedding.explores the pain and humiliation of discrimination.Director Matthew Vaughn and screenwritersAshley Miller and Zack Stentz know a goodfoundation when they see one, so they don’tmess with the formula all the X-Men films haveshared. They mix incredible special effects andhuge action scenes with careful examinationof how all the major characters deal with lifeas mutants.What’s the use of a superpower if you’llnever have love? Or children? Or a normal life?These are fascinating questions and Vaughnsucceeds in striking a balance between answeringthem and providing the audience plenty ofpopcorn blockbuster action.Charles Xavier (James McAvoy) is a brilliantgrade: HHHHout of 4MPAA Rating: PG-13 for intense sequences ofaction and violence, some sexual contentincluding brief partial nudity and languageCast: James McAvoy, Michael Fassbender,Jennifer LawrenceGenre: Action/Sci-FiStudio: 20th Century FoxWhile Inez and her parents obsess over thelavish ceremony, Gil becomes enamored withthe romance of Paris.While Inez wants to take taxis and soak upthe tourist destinations, Gil wants to walk inthe Paris rain and soak up the sights wherefamous writers congregated, falling in love withthe Paris of old, specifically of the 1920s.One night, Gil gets lost and decides to rest ina cobblestone corner. When the clock strikesmidnight, an old car pulls up with partygoersand Gil hops in thinking he’s going to hang outwith some Parisians at a costume party.It’s at this point that “Midnight in Paris”takes on a surrealistic quality reminiscent ofAllen’s “The Purple Rose of Cairo” and lesslike most of his other work.Gil is magically transported to Paris in the1920s. Over the next few nights, he meetsthe same car at the same corner at midnightand is immersed in a world of his desire whilehobnobbing with Ernest Hemingway (CoreyStoll), F. Scott Fitzgerald (Tom Hiddleston),Salvadore Dalí (Adrien Brody) and others fromthe golden era of art, literature and culture.A minor issue with “Midnight in Paris” isyoung mind who recognizes he’s different andthat there are others like him. He sets out tofind as many mutants as he can to help themunderstand who they are and how they canlive in harmony with non-mutants.One of his first discoveries is Raven (JenniferLawrence), who can become the bluetintedMystique at will. Raven and Xaviertravel the world in search of mutants and soonbecome aware of the powerful Erik Lehnsherr(Michael Fassbender). Erik is differentbecause his incredible power of manipulatingobjects with magnetism is fueled by anger.Xavier knows all the mutants feel anger,shame or loneliness and works to help themcontrol their powers and their view of themselvesas monsters. He teams with a CIAresearcher (Oliver Platt) who’s been studyingmutants and together they streamline thesearch process. Their quest yields a batch ofyoung mutants and Xavier’s budding enterpriseof pupils begins to grow.In the meantime, tensions build betweenXavier and Erik over how mutants shouldassimilate, but their friendship remains. Howthat friendship devolves and sides get chosenis a fun and fascinating journey.And all of this is set against a backdrop ofa growing Cold War, the Bay of Pigs, nucleardawn and the notion of the destructive effectsof labeling others without understanding.And Kevin Bacon’s in the mix as the firstmutant villain, Sebastian Shaw. Bacon revelsin the role and plays it with the verve andheightened realism of a James Bond villain. Infact, he has high tech gadgets, a secret submarineand a tall, blonde sidekick (JanuaryJones), just like many villains from the Bondfilms. Even the credits evoke comparisons tothe Bond franchise. That choice seems deliberateon the part of Vaughn and it works.The acting is solid top to bottom and JenniferLawrence, who is currently filming “HungerGames” in our area, is a 20-year-old superstarin the making.“X-Men: First Class” is a thought-provokingsummer blockbuster that takes itself seriouslywhile also having fun with the popcorn moviegenre. Enjoy the ride. qWilson’s attempt to channel Woody Allen theactor. Wilson is a good choice for Gil becauseof his own self-deprecating style of comedy– which lends itself perfectly to Allen’s writing– but at times takes it a step further andcomes across as an imitation of Allen’s halting,hesitation-filled one-liner style. Still, there areworse comics to emulate.With elements of science fiction, time traveland psychological drama all rolled up into aWoody Allen comedy with his usual cycle ofone-liners and neurosis-fueled humor, “Midnightin Paris” unfolds like a long, leisurelywalk on the Champs Elysees that won’t disappointlong-time Allen fans and it might justfind some new ones. qgrade: HHH out of 4MPAA Rating: PG-13 for some sexualreferences and smokingCast: Owen Wilson, Rachel McAdams,Kathy BatesGenre: ComedyStudio: MediaProOpeningFriday, June 10Judy Moody and the notBuMMer SuMMer (PG)MidniGht in PariS (PG-13)SuPer 8 (PG-13)bOx Officeweekendtotal1. X-Men: First Class (Pg-13)$55.1m $55.1m2. the hangover Part ii (r)$31.4m $185.8m3. kUng FU Panda 2 (Pg)$23.9m $100m4. Pirates oF the CariBBean:on stranger tides (Pg-13)$18m $190m5. BridesMaids (r)$12m $107.2m6. thor (Pg-13)$4.3m$169.1m7. Fast Five (Pg-13)$3.2m $202m8. Midnight in Paris (Pg-13)$2.8m$6.8m9. soMething Borrowed (Pg-13)$.8m$36.7m10. JUMPing the BrooM (Pg-13)$.8m $36mOn videO June 14Battle: los angeles (Pg-13)Big MoMMas:like Father, like son (Pg-13)a Cold day in hell (Pg-13)the Con artist (r)the ConCert (Pg-13)Fall down dead (r)hall Pass (r)JaCkass 3.5:the Unrated Movie (r)kill the irishMan (r)legend oF the Fist:the retUrn oF Chen Zhen (r)MooZ-lUM (Pg-13)red riding hood (Pg-13)Tv On dvdAlAskA stAte troopers: seAson 2the GlAdes: the Complete First seAsonhouse oF pAyne: Volume 8the little rAsCAls: Volume 2www.matthewsminthillweekly.com<strong>Matthews</strong>-<strong>Mint</strong> <strong>Hill</strong> <strong>Weekly</strong> • June 10-16, 2011 • Page 21