Narrative Cycles on the Hagia Triada Sarcophagus - Wendy Walgate

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Fig. 5. Drawing of a Minoan wall painting fromTell el Dab’a, Egypt.L. Morgan, 1995. “Frontal Face and the Symbolismof Death in Aegean Glyptic.” In Corpus der minoischenund mykenischen Siegel Beiheft 5: 143.Fig. 6. Gold ring, Vapheio. CMS I No. 219; 33L. Morgan, 1995. “Frontal Face and the Symbolismof Death in Aegean Glyptic.” In Corpus der minoischenund mykenischen Siegel Beiheft 5: 146.Fig. 7. Larnax from Kavrochori, frontL.V. Watrous, 1991. “The Origin and Iconography ofthe Late Minoan Painted Larnax.” Journal of the AmericanSchool of classical Studies at Athens 60: Plate 89.Fig. 8. Bathtub from Milatos.L.V. Watrous, 1991. “The Origin and Iconography ofthe Late Minoan Painted Larnax.” Journal of the AmericanSchool of classical Studies at Athens 60: Plate 85.33
Fig. 9. Minoan larnax from Knossos, east end.L. Morgan,1987. “A Minoan Larnax from Knossos.”In The Annual of the British School at Athens 82: 185.Fig. 10. Sandwork in sarcophagus, British Museum,London, 1994.A. Goldsworthy, 2000. Time, New York: HarryN. Abrams., 196.Fig. 11. Shrine topped with horns of consecration fromwhich blood is dripping. Fresco from Xeste 3, Akrotiri.Slightly reconstructed drawing.N. Marinatos, 1986. Minoan Sacrificial Ritual: CultPractice and Symbolism. Göteborg: Paul Aströms, 28.Fig. 12. Pithoid jar with fish from Old Palace, Phaistos.S.A. Immerwahr, 1990. Aegean Painting in the Bronze AgeUniversity Park: Pennsylvania State U.P., Pl. I.34
Page 4 and 5: pieces and parts of a female figuri
Page 6 and 7: H. Figure (female) at altar making
Page 8 and 9: On the left of the north side (C),
Page 11: viewer (Fig 5). A seal from the Ira
Page 15 and 16: deceased in the afterworld. Marinat
Page 17: similar to the Minoan artist’s ap
Page 20 and 21: continuity of structure which it, a
Page 22 and 23: ack through the centre of the sarco
Page 24 and 25: death in nature could have lead him
Page 26 and 27: Chart 1. Literal Reading of Directi
Page 28 and 29: Chart 3.DirectionalProgression inRo
Page 30 and 31: Chart 5.Chromatic Progressionon Hag
Page 32 and 33: Chart 7. Continuum of Narra
Page 36 and 37: Fig. 13. Hole-mouthed jar with appl
Page 38 and 39: SOUTH END - HAGIA TRIADA SARCOPHAGU
Page 40 and 41: WEST END - HAGIA TRIADA SARCOPHAGUS
Page 42: __________.,1989. “The Tree as a

Narrative Cycles on the Hagia Triada Sarcophagus - Wendy Walgate

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