27.11.2012 Views

Tumarkin's Homage to the Pietà Rondanini Avigdor WG Posèq

Tumarkin's Homage to the Pietà Rondanini Avigdor WG Posèq

Tumarkin's Homage to the Pietà Rondanini Avigdor WG Posèq

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Mo<strong>the</strong>r-Loss in Childhood”, American Imago, 23: 287-315.<br />

Freud/Strachey, 1953: J. Strachey, ed., S. Freud, “The Moses of Michelangelo”, S.E.<br />

(Standard Edition of <strong>the</strong> Complete Psychological Works of Sigmund Freud), 13,<br />

London.<br />

Handler-Spitz, 1985: E. Handler Spitz, Art and Psyche, New Haven.<br />

Heine/Draper, 1982: H. Draper, ed., The Complete Poems of Heinrich Heine, Bos<strong>to</strong>n.<br />

Hibbard, 1985: H. Hibbard, Michelangelo, Harmondsworth.<br />

Kreitler & Kreitler, 1972: H. Kreitler & S. Kreitler, Psychology of <strong>the</strong> Arts, Durham N.C.<br />

Liebert, 1983: R. Liebert, Michelangelo: A Psychoanalytic Study of His Life and Images, New<br />

Haven.<br />

Ormland, 1978: J. Ormland, “Michelangelo’s <strong>Pietà</strong>s”, The Psychoanalytic Study of <strong>the</strong> Child,<br />

33: 561-591.<br />

Panofsky, 1968: E. Panofsky, Idea, New York.<br />

Pe<strong>to</strong>, 1979: A. Pe<strong>to</strong>, “The <strong>Rondanini</strong> <strong>Pietà</strong>: Michelangelo's Infantile Neurosis”,<br />

International Review of Psychoanalysis, 6: 183-188.<br />

<strong>Posèq</strong>, 1987: A.W.G. <strong>Posèq</strong>, “Five Allegorical Self-Portraits of Igael Tumarkin”, Jewish<br />

Art, 12/13: 320-336.<br />

<strong>Posèq</strong>, 1988: A.W.G. <strong>Posèq</strong>, “Tumarkin and <strong>the</strong> Feminine Archetype”, Psychoanalytical<br />

Perspectives on Art, 3: 285-300.<br />

<strong>Posèq</strong>, 1989a: A.W.G. <strong>Posèq</strong>, “Alberti's Theory of Primitive Sculpture”, Mitteilungen des<br />

Kunsthis<strong>to</strong>rischen Institutes in Florenz, 23, 2/3: 380-384.<br />

<strong>Posèq</strong>, 1989b: A.W.G. <strong>Posèq</strong>, “<strong>Tumarkin's</strong> Astronaut Allegories”, Israel Museum Journal,<br />

8: 53-58.<br />

<strong>Posèq</strong>, 1989c: A.W.G. <strong>Posèq</strong>, “Zadkine's Human Forest and <strong>Tumarkin's</strong> Tree Man as<br />

Symbols of <strong>the</strong> Self in Relation <strong>to</strong> <strong>the</strong> Environment”, Jewish Art, 15: 81-95.<br />

<strong>Posèq</strong>, 1991: A.W.G. <strong>Posèq</strong>, “The Hanging Carcass Motif and Jewish Artists, Jewish Art,<br />

16-17: 139-156.<br />

<strong>Posèq</strong>, 1992a: A.W.G. <strong>Posèq</strong>, 1992, “Five Self Portraits”, Cat. Tumarkin, Sculptures 1957-<br />

1992, Tel-Aviv Museum, n.p. (Heb.).<br />

<strong>Posèq</strong>, 1992b: A.W.G. <strong>Posèq</strong>, “The Slaughtered Ox Motif”, Cat. Tumarkin, Sculptures 1957-<br />

1992, Tel-Aviv Museum, n.p. (Heb.).<br />

<strong>Posèq</strong>, 1993: A.W.G. <strong>Posèq</strong>, 1993, “Four Kinds of Shriek in Tumarkin”, Motar, 1: 101-105.<br />

Rails and <strong>Pietà</strong>, 1987: Cat. Igael Tumarkin, Rails and <strong>Pietà</strong>: 1984-1987, Jerusalem, Israel<br />

Museum.<br />

Rose, 1970: J. Rose, “Sysipus”, in: N.G.L. Hammond & H.H. Scullard, ed., The Oxford<br />

Classical Dictionary, Oxford.<br />

Schneider, 1950: D.E. Schneider, The Psychoanalyst and <strong>the</strong> Artist, New York.<br />

Summers, 1981: D. Summers, Michelangelo and <strong>the</strong> Language of Art, Prince<strong>to</strong>n.<br />

Tumarkin, 1970: I. Tumarkin, Tumarkin by Tumarkin, Jerusalem.<br />

Tumarkin, 1983: I. Tumarkin, I Tumarkin, Givataim. (Heb.).<br />

Tumarkin, 1984: I. Tumarkin, In <strong>the</strong> Centre of <strong>the</strong> Margins, Tel-Aviv.<br />

Tumarkin, 1989: I. Tumarkin, MehaAdama ad Omanut haAdama (From Earth <strong>to</strong> Earth Art),<br />

Tel-Aviv. (Heb.).<br />

Vasari/Maclehose, 1960: L.S. Maclehose, ed., Vasari on Technique, New York.<br />

204

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!