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a contemporary view - Delaware Center for the Contemporary Arts

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international exhibitions including those at <strong>the</strong> Tuggeranong<br />

Art Centre, Greenway, Australia; <strong>the</strong> Minnesota <strong>Center</strong> <strong>for</strong><br />

Book <strong>Arts</strong>, Minneapolis, MN; <strong>the</strong> Wex<strong>for</strong>d Art Centre, Wex<strong>for</strong>d,<br />

Ireland; <strong>the</strong> Art Gallery of Southwestern Manitoba, Brandon,<br />

Canada; BookWorks Gallery, Asheville, NC; Purdue University;<br />

The University of Cali<strong>for</strong>nia, San Diego, CA; and Idaho State<br />

University, among many o<strong>the</strong>rs.<br />

Blanka Amezkua<br />

Hera, 2010<br />

5” x 5.5” (10” x 10” framed)<br />

Intervened recycled comic book, acetone, nail markings, and nail<br />

polish<br />

Courtesy of <strong>the</strong> Artist<br />

Popular and traditional Mexican culture, primarily through<br />

<strong>the</strong> appropriation of female imagery from Mexican recycled<br />

adult comic books, in<strong>for</strong>ms Amezkua’s body of work. She is<br />

particularly interested in <strong>the</strong> comic’s reductive representation<br />

of women’s bodies and identities. She re-contextualizes <strong>the</strong>se<br />

images by modifying <strong>the</strong>ir initial intention through <strong>the</strong> use of such<br />

things as identified domestic techniques like embroidery and<br />

crochet, or, in <strong>the</strong> case of <strong>the</strong> works in this exhibition, by using<br />

invasive techniques and materials on <strong>the</strong> comic book pages<br />

<strong>the</strong>mselves to isolate <strong>the</strong> images and separate <strong>the</strong>m from <strong>the</strong>ir<br />

original context. Amezkua explores and reveals <strong>the</strong> codes and<br />

language of Mexican pop culture, purposefully creating intensely<br />

disembodied figures and a cacophony of dialogue. This work<br />

celebrates <strong>the</strong> vernacular language and slang of pulp fiction<br />

and popular culture prevalent in Mexico as well as demolishes<br />

<strong>the</strong> sexist clichés and stereotypes in a transgressive act of<br />

reclamation. Hera was <strong>the</strong> ancient Greek queen of all <strong>the</strong> deities;<br />

<strong>the</strong> artist turns a pornographic image of a woman into a powerful<br />

goddess and heroine. Astarte is <strong>the</strong> Greek name <strong>for</strong> a Goddess<br />

found throughout <strong>the</strong> ancient Mediterranean world. She was <strong>the</strong><br />

goddess of sexuality, fertility, and war.<br />

12<br />

Blanka Amezkua<br />

Astarte, 2010<br />

5 x 5.5” (10” x 10” framed)<br />

Intervened recycled comic book, acetone, nail markings and nail<br />

polish.<br />

Courtesy of <strong>the</strong> Artist<br />

Blanka Amezkua trained originally as a painter, studied in<br />

Florence, Italy, and received a BFA from Cali<strong>for</strong>nia State<br />

University, Fresno. In 2007, with <strong>the</strong> help of artist friends, <strong>the</strong><br />

Bronx Council on <strong>the</strong> <strong>Arts</strong>, and <strong>the</strong> local Bronx community,<br />

Amezkua began an artist-run project in her bedroom called<br />

<strong>the</strong> Bronx Blue Bedroom Project. She has received grants<br />

from The Department of Cultural Affairs Greater New York <strong>Arts</strong><br />

Development Fund, <strong>the</strong> Bronx Council on <strong>the</strong> <strong>Arts</strong>, and The<br />

Mexican Cultural Institute in New York. Amezkua has shown<br />

her work and projects at MoMA-P.S.1; Exit Art; The Bronx<br />

Museum of <strong>the</strong> <strong>Arts</strong>; El Museo del Barrio; Taller Boricua; and<br />

Queens Museum of Art, NY; MACLA, San Jose, CA; and Towson<br />

University, in MD, among o<strong>the</strong>rs. She recently began 3///3 ...three<br />

walls on wednesdays... an open invitation <strong>for</strong> artists from around<br />

<strong>the</strong> world to exhibit <strong>the</strong>ir work on three mobile walls that she<br />

places in public spaces throughout <strong>the</strong> city of A<strong>the</strong>ns. Her work<br />

and projects have been discussed in <strong>the</strong> pages of The New York<br />

Times, TimeOut, Daily News, Art21:blog, Queens Chronicle, as<br />

well as o<strong>the</strong>r publications. She currently lives and works between<br />

A<strong>the</strong>ns, Greece, and New York City.

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