28.11.2012 Views

1 Curriculum Vitae Luis Castañeda Department of Art and Music ...

1 Curriculum Vitae Luis Castañeda Department of Art and Music ...

1 Curriculum Vitae Luis Castañeda Department of Art and Music ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

1<br />

<strong>Luis</strong> <strong>Castañeda</strong>, CV December 2011<br />

<strong>Curriculum</strong> <strong>Vitae</strong><br />

<strong>Luis</strong> <strong>Castañeda</strong><br />

<strong>Department</strong> <strong>of</strong> <strong>Art</strong> <strong>and</strong> <strong>Music</strong> Histories, Syracuse University<br />

308 Bowne Hall A<br />

Syracuse, NY 13244-1200<br />

luis.m.castaneda@gmail.com<br />

(001)-315-443-4875<br />

Education<br />

2007-2011<br />

Institute <strong>of</strong> Fine <strong>Art</strong>s, New York University<br />

Ph.D. History <strong>of</strong> <strong>Art</strong><br />

Major field: Twentieth-Century <strong>Art</strong> <strong>and</strong> Design in the Americas<br />

Minor field: East Asian <strong>Art</strong><br />

Dissertation: The Serpent <strong>and</strong> the Torch: The Politics <strong>of</strong> Design, Mexico, 1968<br />

Supervisors: Jean-Louis Cohen, Edward J. Sullivan, Barbara Weinstein<br />

2006-2007<br />

Institute <strong>of</strong> Fine <strong>Art</strong>s, New York University<br />

M.A., History <strong>of</strong> <strong>Art</strong><br />

2002-2005<br />

School <strong>of</strong> <strong>Art</strong>, University <strong>of</strong> Houston<br />

B.A., History <strong>of</strong> <strong>Art</strong>, Summa cum laude, Honors in Major<br />

Major Field: Ancient <strong>Art</strong> <strong>of</strong> the Americas.<br />

Senior Honors Thesis: Language <strong>and</strong> Power at Cerro de las Mesas, Veracruz, Mexico.<br />

Supervisor: Rex Koontz<br />

Book Manuscript<br />

Suspending Disbelief: Toward an Image Economy <strong>of</strong> the Mexican “Miracle” (in<br />

preparation).<br />

Juried Journal Publications<br />

2012<br />

-“Choreographing the Metropolis: Networks <strong>of</strong> Circulation <strong>and</strong> Power in Olympic<br />

Mexico.” (forthcoming, Journal <strong>of</strong> Design History, Special Issue on Olympic Design)<br />

-“Travels in Olmec Time” (under review)<br />

-“Translating Mexico: Glamour <strong>and</strong> Diplomacy at the Camino Real Hotel.” (in<br />

preparation).<br />

2010<br />

-“Beyond Tlatelolco: Design, Media <strong>and</strong> Politics at Mexico ‘68”, Grey Room, vol. 40<br />

(Summer 2010): 100-126.<br />

-“Image-Machine: Félix C<strong>and</strong>ela’s Palacio de los Deportes,” Pidgin, vol. 8 (Spring 2010):<br />

246-257.<br />

2009<br />

-“Surrealism <strong>and</strong> Constructions <strong>of</strong> National Identity in Mexico: Changing perceptions,<br />

1940-1968,” Journal <strong>of</strong> Surrealism <strong>and</strong> the Americas, vol. 3, no. 1-2 (Fall 2009): 9-29.<br />

Book Chapters<br />

2012<br />

-“Pre-Columbian Skins, Developmentalist Souls: The Architect as Politician.” In: Helen<br />

Gyger <strong>and</strong> Patricio del Real, eds. Latin American Modern Architectures: Ambiguous<br />

Territories. London: Routledge, (forthcoming).


2<br />

<strong>Luis</strong> <strong>Castañeda</strong>, CV December 2011<br />

Book Reviews<br />

2011<br />

- Review <strong>of</strong> Felipe Hernández, Beyond Modernist Masters: Contemporary Architecture<br />

in Latin America (Basel: Birkäuser, 2010), in Journal <strong>of</strong> the Society <strong>of</strong> Architectural<br />

Historians vol. 70 no. 2 (June): 254-255.<br />

Other Publications<br />

2012<br />

Entries for “Zócalo,” “Metro” <strong>and</strong> “Plaza de las Tres Culturas” in Eric Zolov, ed. Icons <strong>of</strong><br />

Mexico (Santa Barbara: ABC-CLIO, 2012) (in preparation)<br />

Academic Positions<br />

2011-present (beginning 08/23/2011)<br />

Syracuse University, Syracuse, NY, <strong>Department</strong> <strong>of</strong> <strong>Art</strong> <strong>and</strong> <strong>Music</strong> Histories<br />

Assistant Pr<strong>of</strong>essor<br />

Courses taught:<br />

Survey <strong>of</strong> Latin American <strong>Art</strong> I - Pre-Columbian to Colonial (Fall 2011)<br />

Graduate Seminar: “Tropical” Imaginations in Modern Latin American <strong>Art</strong> <strong>and</strong> Design<br />

(Fall 2011)<br />

2009-2011 (09/01/09 to 05/18/11)<br />

New York University, New York, NY, <strong>Department</strong> <strong>of</strong> <strong>Art</strong> History.<br />

Adjunct Instructor<br />

Courses taught:<br />

History <strong>of</strong> Architecture, from Antiquity to the Present (Spring 2011)<br />

Architecture in New York: A Field Study (Fall 2009, Fall 2010)<br />

Painting <strong>and</strong> Sculpture in New York: A Field Study (Spring 2010, Spring 2011)<br />

History <strong>of</strong> <strong>Art</strong> II, Renaissance to Modern (Spring 2009)<br />

2008- 2009 (Summer)<br />

New York University, Urban Design in London, London, UK.<br />

Instructor / Program Assistant<br />

Course assisted: Exploring British Architecture (taught by Mosette Broderick).<br />

2007-2008 (09/01/07 to 05/16/08)<br />

New York University, <strong>Department</strong> <strong>of</strong> <strong>Art</strong> History, New York, NY.<br />

Teaching Assistant<br />

Courses assisted: History <strong>of</strong> Twentieth-Century Architecture (taught by Carol Krinsky);<br />

Shaping the Urban Environment (taught by Mosette Broderick).<br />

Honors <strong>and</strong> Awards<br />

2012 Quadrant Fellowship, Institute for Advanced Study, University <strong>of</strong> Minnesota<br />

2012 Opler Grant for Emerging Scholars, Society <strong>of</strong> Architectural Historians<br />

2011-2012 Humanities Initiative Fellowship, NYU (declined)<br />

2009-2011 Morse Academic Plan Fellowship, Graduate School <strong>of</strong> <strong>Art</strong>s <strong>and</strong> Sciences,<br />

NYU<br />

2005-2011 Erwin Pan<strong>of</strong>sky Multi-Year Fellowship, Institute <strong>of</strong> Fine <strong>Art</strong>s, NYU<br />

2010 Dissertation Fellowship, Alumni Association, Institute <strong>of</strong> Fine <strong>Art</strong>s, NYU<br />

2009 Pinta Fund for Latin American <strong>Art</strong> award for dissertation research in Mexico<br />

City<br />

2008-2009 Connoisseurs Circle Fellowship, Institute <strong>of</strong> Fine <strong>Art</strong>s, NYU<br />

2008 Travel grant, Institute <strong>of</strong> Fine <strong>Art</strong>s, NYU<br />

2007-2008 Fellow, forum on “Forms <strong>of</strong> Seeing,” Graduate School <strong>of</strong> <strong>Art</strong>s <strong>and</strong><br />

Sciences, NYU<br />

2005 Linda Schele Award for Outst<strong>and</strong>ing Essay on the <strong>Art</strong> <strong>of</strong> the Americas, Univ. <strong>of</strong><br />

Houston<br />

2004 Peter Guenther Travel Award, School <strong>of</strong> <strong>Art</strong>, University <strong>of</strong> Houston


2003-2005 Dean’s List, University <strong>of</strong> Houston<br />

3<br />

<strong>Luis</strong> <strong>Castañeda</strong>, CV December 2011<br />

Invited Lectures <strong>and</strong> Conferences<br />

2012<br />

-“Scenographies <strong>of</strong> Miraculous Mexico.” Quadrant Lecture, Institute for Advanced<br />

Study, University <strong>of</strong> Minnesota, February 9.<br />

2011<br />

- “Museum, Monument, City: Archaeologies <strong>of</strong> Power in Modern Mexico”, Colloquium on<br />

Spanish <strong>and</strong> Latin American <strong>Art</strong> <strong>and</strong> Visual Culture, Institute <strong>of</strong> Fine <strong>Art</strong>s, NYU, New<br />

York, December 1.<br />

-“Our Man in Peru: A Cold War Story.” Latino-Latin American Studies Program,<br />

Syracuse University, Syracuse, November 14.<br />

-“The Small Field Complex,” in Between Theory <strong>and</strong> Practice: Rethinking Latin American<br />

<strong>Art</strong> in the 21 st<br />

Century, Getty Research Foundation, Museum <strong>of</strong> Latin American <strong>Art</strong><br />

(MOLAA) <strong>and</strong> Museo de <strong>Art</strong>e de Lima (MALI), Lima, November 3 rd<br />

.<br />

-“Travels in Olmec Time.” <strong>Art</strong> <strong>and</strong> <strong>Music</strong> Histories Colloquium Series, Syracuse<br />

University, Syracuse, October 24.<br />

-“Diplomacy by Design: Architecture <strong>and</strong> Latin America’s Cold War.” Clarence Ward<br />

Seminar, Oberlin College, Ohio, April 21.<br />

2010<br />

-“Burdens <strong>of</strong> Representation: Miraculous Mexico <strong>and</strong> the Hyperbolic Paraboloid.”<br />

Parsons School <strong>of</strong> Design, New York, December 6.<br />

-“Choreographing the Metropolis: Networks, Circulation <strong>and</strong> Spectacle in Mexico City.”<br />

School <strong>of</strong> <strong>Art</strong>, University <strong>of</strong> Houston, November 3.<br />

Conferences (Panels Chaired/Respondent)<br />

2013<br />

Panel co-Chair, with George Flaherty<br />

-“<strong>Art</strong>s <strong>of</strong> Transition: Visual Culture, Democracy <strong>and</strong> Disillusionment in Latin America”,<br />

College <strong>Art</strong> Association 101 st<br />

Annual Conference, New York, February 13-16.<br />

2011<br />

Panel Chair, “Street <strong>Art</strong> <strong>and</strong> the Use <strong>of</strong> Spray Paint.” Syracuse University School <strong>of</strong> <strong>Art</strong>,<br />

Syracuse, September 13.<br />

Respondent, Works in Progress in Latin American Society <strong>and</strong> History, NYU Center<br />

for Latin American <strong>and</strong> Caribbean Studies, May 6. Paper: “Todos Somos Narcos:<br />

Mexican Necropolitics at the 2009 Venice Biennale.” Christopher Fraga, New York<br />

University.<br />

2010<br />

Panel Chair, “The Predicament <strong>of</strong> Proclamation: Architecture as State Image <strong>and</strong><br />

Instrument,” at Architecture <strong>and</strong> the State, 1940 to 1970, Columbia University<br />

Graduate School <strong>of</strong> Architecture, Planning <strong>and</strong> Preservation, April 3.<br />

Respondent, Works in Progress in Latin American Society <strong>and</strong> History, NYU Center<br />

for Latin American <strong>and</strong> Caribbean Studies, April 30. Paper: “Essays, Ensayos <strong>and</strong><br />

Rehearsals <strong>of</strong> the Tragi-Cosmic Race.” Sarah J. Townsend, New York University.<br />

Respondent, Works in Progress in Latin American Society <strong>and</strong> History, NYU Center<br />

for Latin American <strong>and</strong> Caribbean Studies, October 21. Paper: “'Harnessing Blind but<br />

Powerful Forces': Architecture's Encounter with Self-Help Housing in 1950s Peru.”<br />

Helen Gyger, Columbia University.<br />

Conference Papers Delivered<br />

2012<br />

-“Architecture’s Cold Warriors: Rethinking Latin American Modernism,” Society <strong>of</strong><br />

Architectural Historians 65 th<br />

Annual Meeting, Detroit, April 19.<br />

-“Development’s True Colors: The Architectural Interventions <strong>of</strong> Carlos Cruz-Diez.” In


4<br />

<strong>Luis</strong> <strong>Castañeda</strong>, CV December 2011<br />

Architectural Gestures: Spaces Between <strong>Art</strong>-Making <strong>and</strong> Architecture. 30 th<br />

Latin<br />

American Studies Association Meeting, San Francisco, May 23-26<br />

2011<br />

-“Olmec Heads, Cold Wars, Global Journeys: Mexico at the 1964-65 New York World’s<br />

Fair.” College <strong>Art</strong> Association Meeting, New York, February 12.<br />

2010<br />

-“Architect-politician: The work <strong>of</strong> Pedro Ramírez Vázquez.” Society <strong>of</strong> Architectural<br />

Historians 63 rd<br />

Annual Meeting, Chicago, April 23.<br />

2009<br />

-“After Tlatelolco: Architecture <strong>and</strong> ideology at the 1968 Mexican Olympics.” Buell<br />

Dissertation Colloquium, Columbia University, April 18.<br />

2008<br />

-“The architecture <strong>of</strong> a ‘Peaceful Revolution’: Fern<strong>and</strong>o Belaúnde, Planning <strong>and</strong> politics<br />

in mid-twentieth century Peru.” Forum on Forms <strong>of</strong> Seeing, Graduate School <strong>of</strong> <strong>Art</strong>s<br />

<strong>and</strong> Sciences, NYU, May 9.<br />

2007<br />

-With Carolyn Yerkes. ‘Housing Exhibitions at MoMA in the 1930s.’ The Museum <strong>of</strong><br />

Modern <strong>Art</strong>, New York, May 4.<br />

-“The dem<strong>and</strong> for visual authority: Fern<strong>and</strong>o de Szyszlo <strong>and</strong> the problem <strong>of</strong> Peruanidad.”<br />

The Frick Symposium, Institute <strong>of</strong> Fine <strong>Art</strong>s <strong>and</strong> The Frick Collection, New York, April<br />

20.<br />

-“Out <strong>of</strong> the burial chambers: Tomb looting as a cultural system.” Heist Symposium,<br />

Museum <strong>of</strong> Fine <strong>Art</strong>s, Boston, March 24.<br />

2006<br />

-“Busc<strong>and</strong>o América: The urban politics <strong>of</strong> salsa music.” 36 th<br />

Annual Popular Culture<br />

Association Conference, Atlanta, April 12.<br />

Administration <strong>and</strong> Service<br />

2011-present<br />

-Admissions committee member, Janklow <strong>Art</strong>s Leadership program, Syracuse<br />

University<br />

Curatorial experience<br />

2008 (February-July)<br />

Assistant to artist Gabriel Orozco.<br />

Exhibition: Gabriel Orozco (2009) at the Museum <strong>of</strong> Modern <strong>Art</strong>, New York.<br />

2005 (August-October)<br />

Assistant to Curator, <strong>Department</strong> <strong>of</strong> Education, Grey <strong>Art</strong> Gallery, NYU<br />

2004-2005<br />

Docent, Education <strong>Department</strong>, Blaffer Gallery, University <strong>of</strong> Houston.<br />

2004 (June-December)<br />

Intern, <strong>Department</strong> <strong>of</strong> Modern <strong>Art</strong>. Museum <strong>of</strong> Fine <strong>Art</strong>s, Houston.<br />

<strong>Art</strong>work<br />

-Architectural Photography (2002-present). Photographs included in The<br />

Phaidon Atlas <strong>of</strong> 20 th<br />

Century World Architecture (London: Phaidon, 2012).<br />

Languages<br />

English, Spanish, French (native speaker, fluency, <strong>and</strong> writing pr<strong>of</strong>iciency). Italian,<br />

German, Portuguese, Catalan (reading knowledge).<br />

Pr<strong>of</strong>essional Associations<br />

College <strong>Art</strong> Association<br />

Society <strong>of</strong> Architectural Historians

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!